With a clever nod to 1980s slasher films, Teenage Sex and Death at Camp Miasma focuses on the complex connection between an up-and-coming director and a legendary horror actor. They’re working together to bring back a famous slasher franchise, and the trailer suggests a film full of thrills, romance, and plenty of shocking moments. Mubi will release the movie in theaters on August 7, 2026, and you can watch a preview below.
Season 19 of Criminal Minds marks a shift for the show’s Evolution era. The Sicarius Network is no longer the main threat. Instead, the story focuses on a new case where former Sicarius leader Elias Voit is compelled to collaborate with the BAU to catch “The Fan,” a serial killer who is imitating Voit’s methods. While the Sicarius Network is seemingly dismantled, the series suggests that some former members are still out there, operating independently.
Mickey Mouse and Winnie-the-Pooh continue to be central to Disney’s many brands. When Disney bought Lucasfilm, it launched a fresh chapter for Star Wars, bringing the beloved franchise back to life through new films, television series, video games, books, comics, and theme park experiences. Looking specifically at Disney’s film business, the company intends to expand its most popular franchises even further.
Matt Bettinelli-Olpin and Tyler Gillett, 108 minutes
Wow, things have really spiraled in this show. It’s heartbreaking to see where the story has taken these women. Remember Hulda, the one Shu always dismissed as too innocent? She’s now suffered a terrible abuse at the hands of a doctor. And Becka? She’s utterly devastated, not just by her own actions, but by the immense sacrifice her mother made. Then there’s Shunammite, who desperately wanted to begin her womanhood, now facing the terrifying possibility she might never be able to have children – and in Gilead, that essentially means a life of isolation and shame. It’s just… a lot to process.
The seventh episode of Widow’s Bay is a lot to take in, working both as a tense unveiling of the island’s mysterious powers and a clever nod to the movie Jaws. It really showcases the show’s ability to seamlessly shift between different moods – from scary and dramatic to surprisingly funny – without ever feeling disjointed. A particularly *Widow’s Bayesque moment is when Tom first meets Richard and awkwardly tries to talk to him. The scene builds tension with silence, promising a scare, and delivers… but often through Patricia unexpectedly walking back into the room – a space that used to be the Warrens’ bedroom. That’s the show in a nutshell: it’ll introduce a potentially possessed corpse, then shock you by having Patricia reappear to grab her purse.
Though Gilmore Girls has ended, the strong relationship between mother and daughter remains a beloved theme. Apple TV recently revisited this dynamic with a new series starring Elle Fanning as Margo. The show’s first season, with eight episodes, highlights how a mother’s love persists even when her daughter repeats her past mistakes.
The latest episode confirms suspicions raised in the previous one: Richard Warren isn’t the upstanding man he appears to be. He’s revealed to be a murderer, having killed his first wife and now seemingly threatening Sarah. The episode includes a glimpse into Sarah’s diary, where she expresses her fears – though she cleverly disguises them as material for a comedy routine. She writes about her husband possibly committing violence, then immediately jokes that it’s just a bit for her stand-up, repeatedly adding ‘just kidding’ to downplay her serious concerns.
The second season of the Netflix show, based on Holly Jackson’s popular young adult novels, continues the story from Good Girl, Bad Blood. Emma Myers is back as Pip, who initially gained attention for investigating a murder in season one and sharing her findings on a true-crime podcast. While Pip wants to move on from detective work, she’s pulled back in when Jamie Reynolds, the brother of her friend Connor, disappears, forcing her to resume her role as an amateur sleuth.
Okay, let me tell you, even after nearly three decades, this Deep Space Nine episode still packs a serious punch – it’s currently sitting at a 9/10 on IMDb, and rightfully so. What really got to me was the palpable sense of desperation; everyone feels like they’re on the verge of collapse. The tension is relentless, never letting up for a single moment, and honestly, it elevates this space battle to one of the most thrilling I’ve ever witnessed in sci-fi. Despite all the flashy CGI we see today, this episode proves that strong storytelling and genuine stakes are what really matter.