
There’s been a lot of discussion about the noticeable absence of major Hollywood films at this year’s Cannes Film Festival. Some suggest the big studios, facing creative constraints, financial difficulties, and internal restructuring, didn’t want to risk debuting their big-budget movies to Cannes’ famously critical audience. However, looking closer at potential blockbusters that might have been considered, their absence seems more about release timing than a complete Hollywood boycott. Christopher Nolan hasn’t shown a film at a festival since 2002, and Steven Spielberg likely avoided Cannes after receiving mixed reviews for his 2008 film, Indiana Jones and the Kingdom of the Crystal Skull. (I heard a rumor that The Mandalorian and Grogu was submitted but rejected, which feels fitting – while Cannes sometimes includes ambitious TV projects, it generally doesn’t consider extended TV episodes presented as a movie.) Despite all this, the lack of big American marketing campaigns left me feeling surprisingly sentimental.