
Surprisingly, the most daring part of the movie isn’t the sex, drugs, or witty remarks, but a very familiar plotline – one you’ve likely seen in countless stories and even Adam Sandler films. Just as Peter is struggling with potential substance abuse, he discovers he has a son, Arlo, from a brief relationship ten years prior. After Arlo’s mother passes away, her friend brings him from London to live with Peter, his biological father, escaping an abusive stepfather. Peter is completely unprepared to be a father; the idea of raising a child feels foreign to him. The fact that this predictable storyline is actually moving and heartfelt is a credit to the sincerity of the film’s approach. Reggie Absolom, as Arlo, is incredibly endearing with his serious expression and unique haircut, managing to be both sweet and subtly humorous, hinting at a hidden temper. Firstman, the actor playing Peter, is also charming, willingly sharing the spotlight with his fellow actors and convincingly portraying Peter’s immaturity. He even delivers a vulnerable line – “Don’t yell at me, just help me” – after showing up to a meeting still under the influence.