
Whether it’s a truly great film is debatable, but Parallel Tales is certainly engaging. However, when Sylvie presents it to her editor, the renowned Catherine Deneuve, she finds it uninspired, labeling it predictable and old-fashioned. These are criticisms that could easily apply to the movie itself – it’s Farhadi’s first French-language film that doesn’t quite feel authentic to the culture. It feels like the kind of film that used to fill gaps in art-house theaters between bigger releases – a simple drama that receives undue praise simply because of its location and cast. The film is based on a script by Farhadi and his brother Saeed, loosely adapted from the sixth part of Krzysztof Kieślowski’s 1989 series Dekalog, which focused on a young postal worker’s obsession with an older woman. Parallel Tales is more complex, but it features a similar, troubled character: Adam (Adam Bessa), who goes from being homeless to becoming Sylvie’s live-in assistant after helping her recover a stolen wallet.