To update the gameplay for the new Switch 2, some of the older ideas and systems in Ocarina of Time will need to be redesigned. This will likely affect the story and characters. Navi, Link’s fairy companion, is the character most closely tied to both the story and how the game is played, so she’s likely to see the biggest changes.
I was really captivated by the first event – Myka giving an etiquette lesson! It was such a clever little detail she shared: always hold your drink or whatever you have in your left hand so your right is free for a handshake. It’s not something you immediately think of, but it makes perfect sense. Seeing Mark and Missé in the front row was interesting, especially considering their rollercoaster of a relationship throughout the season. Missé gently pressed Mark about what was going on with him and Margo, and he was hesitant to talk, wanting to keep the day positive for everyone. But eventually, he opened up and shared a really vulnerable part of his past. He described being the only openly gay student at a large all-boys school, and how terribly he was treated. He explained that he finally felt safe and himself when he graduated and found his community, but he’s always worried about letting his guard down, fearing someone like Margo could hurt him again. More than anything, he seemed embarrassed that he’d allowed himself to feel so much and that he was still affected by it all.
Here’s my take: anger can be a great engine for comedy, but it absolutely can’t become the whole show. And that’s exactly what’s happening with Deborah. Her new stuff, where she’s positioning herself as the ultimate victim, just isn’t connecting. She keeps saying comedy is supposed to be uncomfortable, and while that’s true to a point, Ava rightfully points out that, shockingly, people are also supposed to laugh.
Okay, so exciting news about the Ava reboot! Jessica Duncan had this amazing idea for Who’s Making Dinner? and honestly, I loved it. Now she just needs Deborah’s okay. Usually, getting Deborah on board would be the hard part, but because it’s the last season and everyone’s being so nice, Deborah gave her blessing right away! The only catch? Frank left the rights to the show to Kathy. That’s a bit of a snag, but hopefully, they can work it out!
Taylor Swift has written songs for films before, so it’s possible she’ll write one for Disney too. She’s already penned songs like “Today Was a Fairytale,” “Crazier,” “Sweeter than Fiction,” “Macavity,” “I Don’t Wanna Live Forever,” and “Carolina” for movies and TV—she even wrote “You’ll Always Find Your Way Back Home” for Hannah Montana. Perhaps the characters Woody and Buzz Lightyear will inspire her next song.
The Marvel Cinematic Universe (MCU) has started an unexpected journey toward a character’s redemption, potentially as compelling as Loki’s transformation. In the second-to-last episode of the Daredevil: Born Again season, one of Matt Murdock’s longtime enemies was given a real opportunity to change for the better, thanks to Daredevil’s difficult choice to spare him.
The series kicks off with two strong episodes, aptly named “Welcome to Widow’s Bay!” and “Lodging.” They do a fantastic job of setting the scene and establishing the unique, funny, and sometimes spooky atmosphere. Created by Katie Dippold – known for her work on Parks and Recreation, as well as writing the movie The Heat and co-writing the 2016 Ghostbusters – the show immediately hints that something strange is happening in Widow’s Bay. The disappearance of Shep, a night watchman on the water, possibly taken by a mysterious fog, is just the first sign.
Philip K. Dick’s stories have had a huge impact on science fiction, so it’s no surprise many have been adapted into films. Directors like Steven Spielberg and Ridley Scott are among those who’ve brought his work to life on screen, with notable examples including Blade Runner and Minority Report.
Starting May 1st, all three Meet the Parents movies – Meet the Parents, Meet the Fockers, and Little Fockers – will be streaming on Netflix. Before this, the films were only available on Starz, so now more people will be able to enjoy the complete trilogy.
Batman’s journey to the screen started with the playful, over-the-top TV show starring Adam West in the 1960s. It then shifted to the darker, visually striking films directed by Tim Burton in the late 80s and early 90s, before becoming campy again with Joel Schumacher’s movies in the mid-90s. Christopher Nolan’s Dark Knight trilogy (2005–2012) brought a more serious tone to the character, and the first film, Batman Begins, was often genuinely frightening.