New research demonstrates a significant improvement in autonomous vehicle safety by combining traditional rules-based systems with advanced time-to-collision analysis and deep learning.
The 1980s produced a wealth of fantastic films. While titles like Back to the Future, The Empire Strikes Back, Raiders of the Lost Ark, and Raging Bull are rightfully celebrated, many other equally great movies have faded from public memory. It’s a shame that these ten 80s masterpieces haven’t received the same lasting appreciation as other films from the decade.
Also worth considering from Lego City are the Yellow Construction Crane, currently $77 (originally $110), and the Lego Yellow Delivery Truck for $70 (down from $100). The crane is a substantial build with 1,116 pieces, and when assembled, it includes 16 rubber wheels, fold-out support legs, a tilting cab, and four construction worker minifigures. You can operate the hoist with a dial, and the boom rotates a full 360 degrees and extends for reach. As a fun detail, the set even includes a small portable toilet that can be lifted by the hoist.
Throughout his long filmmaking career, Tim Burton has consistently delivered visually stunning movies with impressive effects, no matter the overall quality of the film. While his signature gothic and whimsical style usually leads to the best results, Burton has occasionally experimented with other genres. These experiments have sometimes paid off, as seen in films like Big Fish and Ed Wood, but other times, like with Dumbo and his 2001 remake of Planet of the Apes, they haven’t resonated with critics or audiences.
The first season of Silo kept the world outside the initial silo a mystery, only hinting at what lay beyond in the finale. Season 2 finally began to reveal those secrets and truly established the show as a modern dystopian science fiction story. With the next two seasons planned, the series is set to wrap up its main storyline, and viewers are eagerly anticipating what happens after the events of Season 2.
New research reveals that despite impressive performance on medical benchmarks, large language models exhibit reasoning errors stemming from human cognitive biases, potentially impacting the safety of cancer treatment recommendations.
There are shows on this list I just find myself returning to, and it’s pure comfort. Once you’re past the big twists and shocking moments – when you know what’s going to happen – you can really settle in and appreciate the little things. I find myself noticing new jokes, or a brilliant performance I missed the first time around. These superhero shows really prove something: sometimes, knowing the destination actually makes the ride even better.
Indeed, the SAHARA token, poor thing, experienced a sharp drop, observed by those diligent souls at Binance at 23:24 UTC+8. It fell to a paltry $0.0346, now trading at $0.04426 – a most lamentable reduction from its former glory of $0.08141. The gentlemen at Sahara AI have, thus far, remained remarkably silent on the matter, a silence which, naturally, breeds speculation. 🤔
As a huge movie fan, I found something really interesting about Eternity. It’s a romantic comedy set in the afterlife, and both Elizabeth Olsen and Miles Teller play characters who’ve passed away – but with a twist! They initially portray 90-year-olds, but then suddenly appear as they were in their thirties. The film explains this beautifully: when people arrive in the afterlife, they take on the appearance they had when they were happiest. So, it wasn’t just about playing characters in a unique setting, but also about both actors stepping outside of portraying their actual ages – a clever concept, I thought!
As a movie fan, I remember Self/Less being a total disappointment. It only scored an 18% on Rotten Tomatoes and really bombed at the box office – it made just $31 million on a $26 million budget. Looking back, it’s not a huge shock, considering Ryan Reynolds’ career really took off a year later with Deadpool. It’s a shame, though, because the director, Tarsem Singh, had done some visually stunning work before, like with The Cell and Jennifer Lopez, but he couldn’t seem to capture that same magic with this one.