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Even Joe, who usually doesn’t care about others’ feelings, understands that Max gets angry easily and needs to be handled gently. This week’s episode starts with Nathan harshly instructing Max on how to connect the Jet Ski to the crane. The details of their argument aren’t important; what matters is that their shouting is disturbing everyone on the boat. Sandy, hearing the commotion from the bridge, tells Nathan to ask Joe to handle the task next time instead of yelling. When Max returns, he’s upset by what he perceives as Nathan’s insults, and the Jet Ski remains in the water. Frustrated with Max, Nathan asks Joe to send him down and ends up connecting the Jet Ski himself. He demonstrates the correct method to V and Joe, but it’s baffling why he doesn’t make Max, who initially made the error, watch too. Although Nathan has improved as a leader since the beginning of the charters, he still struggles with conflict. He tends to lose his temper and then avoids addressing the issues directly, hoping his crew will figure out what he wants without clear guidance.

Jerry Seinfeld became famous during the stand-up comedy surge of the 1980s, leading agents and TV executives to believe he’d be a good star for his own show. Even though initial test audiences disliked it, NBC decided to give Seinfeld a limited first season. Surprisingly, the show managed to survive for three seasons. When it moved to a more favorable time slot, the creators knew season four was crucial and decided to take some bold risks. That season included many of the show’s most memorable episodes, with “The Outing” being the most daring. Notably, the now-famous line, “Not that there’s anything wrong with that,” wasn’t part of the original script.

Casting director Jennifer Venditti vividly recalls watching A’zion’s self-tape, which was a final attempt to convince Josh Safdie she was right for the role of Rachel. While Safdie liked her first audition, he worried she might be too young. Venditti described a collaborative process: “Odessa [A’zion] would film scenes, send them to me, I’d give feedback, and they’d reshoot.” She felt like a team with A’zion and Belmont, and when A’zion finally sent the winning take, it was a standout. Venditti wishes the audition tape had been included as a bonus feature on a DVD, and believes it should be on any physical release of Marty Supreme. Thankfully, we now have social media to see these kinds of behind-the-scenes moments.

Tiamat, a massive sea serpent, first appeared in the 2020 graphic novel Godzilla: Dominion. She was defeated by Godzilla in a fight within her underwater lair in the Arctic Ocean. After killing Tiamat, Godzilla took over her lair and absorbed her energy, which led to his powerful new ‘Godzilla Evolved’ form.

Trying to improve the relationship between actors and directors, the speaker expressed his deep affection for his colleagues, emphasizing that actors are people with feelings. He explained he’s known many of them for years and dislikes seeing anyone treated unkindly, especially now when so much cruelty already exists. He warned directors that publicly criticizing actors, even on podcasts, won’t be forgotten – stars will remember and bring it up long after the fact.

Hollywood hasn’t always been so cautious about creating franchises. Sequels didn’t become reliable money-makers until the 1970s and 80s, and even then, they rarely continued the original story directly. Instead, sequels often felt like updated versions of the first film, or filmmakers intentionally made them very different in style and tone. David Fincher’s film definitely took the latter approach, and he took a big gamble by making something so drastically different from the original that it shocked fans, critics, and those involved in the first movie.

Stephen King often creates unusual and enigmatic characters in his books, and their importance to the story or the protagonist isn’t always immediately clear. A good example of this is the Yellow Card Man, portrayed by Kevin J. O’Connor in the 2016 Hulu miniseries 11.22.63.

While miniseries are popular, some full-season TV shows are equally captivating. These shows build a strong, consistent world where each episode adds something meaningful to the larger story. Even episodes that tackle difficult or complex subjects feel essential and well-crafted, never feeling like filler.

The first trailer for the X-Men’s appearance in Avengers: Doomsday is now available, and fans are especially excited about Cyclops’ costume. It’s the classic yellow and blue suit from the 1990s and X-Men: The Animated Series, rather than the more modern black leather or colorful jumpsuits often seen in superhero films. Interestingly, comic book writer Chris Claremont once said that bright, spandex costumes look great in comics, but would be awkward on real people. While that might have been true in 2000, audiences have become much more accustomed to seeing characters’ iconic looks faithfully recreated in live-action over the past 25 years of superhero movies and TV shows.

The Pokémon Company is well-known for its video games, but a significant portion of its income actually comes from selling merchandise. They often make these products themselves, though they occasionally partner with brands like Uniqlo for special items. Because of its size and success, The Pokémon Company has the resources to handle most of its production in-house.