For a show to keep viewers hooked past the first episode, or even into its second, it needs to immediately grab their attention. This is a difficult task, and it often gives an advantage to shows with lots of drama and action. Several well-regarded shows on Prime Video haven’t found a large audience because they didn’t have that initial, exciting impact.
The marriage of Heather and Todd Newport-Bradley has been a central issue this season on The Real Housewives of Salt Lake City. Bronwyn shared that Todd admitted to infidelity, explaining that his drive for success—always wanting more—makes it hard for him to be fully present in their relationship. She expressed her deep love for Todd, saying she values his opinion above all else and believes she’s a significant person in his life. However, she also admitted that she feels her feelings for him are stronger than his feelings for her.
HBO recently shared a two-minute preview of its upcoming shows for 2026, and it included a first look at David’s new comedy! Though the clip for his show was just five seconds long, it showed fans a glimpse of his reunion with the cast of Seinfeld. You can watch the preview here, starting at the 54-second mark.
A new image from Empire magazine reveals Barry Keoghan at the front of the group, a surprising sight for viewers of the show, as Cillian Murphy’s character, Tommy Shelby, typically leads the way.
A report in Page Six says Tom Cruise’s ambitious plan to film a movie in space has been scrapped. Apparently, the project fell apart because Cruise wouldn’t discuss a request from President Trump that was necessary for it to move forward.
Film noir movies are famous for their dramatic visuals. Often filmed in black and white with strong, dark shadows inspired by German Expressionism, these films usually feature detectives who aren’t clearly good or bad. These detectives commonly face betrayal from loved ones or their employers, making their investigations incredibly difficult to solve.
Bringing Dr. Seuss’s whimsical world to life on screen presented huge creative hurdles. The filmmakers embraced these challenges, using incredibly detailed costumes, sets, and a unique blend of innocent and slightly strange humor. While computer-generated effects were becoming more common, this film relied heavily on practical effects – especially Jim Carrey’s remarkable Grinch costume, created by special effects master Rick Baker, which was both adorable and a little creepy, allowing for maximum facial expression. The production wasn’t easy. They had to satisfy Dr. Seuss’s widow, who was dedicated to protecting her husband’s legacy, and overcome massive technical difficulties with makeup and prosthetics. Plus, the large cast was hampered by bulky, single-use foam costumes that made even simple tasks, like moving around or using the restroom, difficult.
I first became a fan of Quentin Tarantino with the Kill Bill movies, which came out in 2003 and 2004. As a kid, I watched those films on DVD constantly and can still recite almost the entire first volume, including all of Tarantino’s nods to other movies and TV shows. Even so, committing more than four hours to watch both Kill Bill films back-to-back feels like a big undertaking, even for a dedicated fan like me.
I’m completely hooked by the concept for Lanterns. Imagine if DC created a season of True Detective, but with Hal Jordan (played by Kyle Chandler) and John Stewart (Aaron Pierre) from the Green Lantern Corps as the lead detectives. Sign me up!
Sigourney Weaver hasn’t portrayed Ripley in nearly three decades, but the character remains a favorite from her extensive acting career. During a recent appearance at the Red Sea International Film Festival, as part of a conversation event, the 76-year-old actress discussed Ripley and how she first gained recognition through the role. According to The Hollywood Reporter, Weaver explained that Ripley’s status as a feminist icon wasn’t initially planned by the writers, and she shared her thoughts on why the character has become such a significant and influential female figure in modern culture.