Film Festivals Have Always Been Political

It’s strange to even debate whether politics have a place at film festivals, especially considering Berlin’s long history as the most politically engaged of the major international events. This year’s festival reinforced that reputation: the top prize, the Golden Bear, went to İlker Çatak’s Yellow Letters, a film about a couple whose lives are disrupted by the Turkish government due to their beliefs. The second highest award, the Grand Jury Prize, was given to Emin Alper’s Salvation, a drama exploring the escalating violence and mistrust between two Kurdish families.








