Games

User ‘jrmtrsx’ excitedly recounted their thrilling experience of finally overcoming World Bahamut, highlighting the intense emotional journey one encounters when tackling such a daunting task. Many gamers can empathize with that nerve-wracking anticipation as victory teeters on the brink in games like Granblue Fantasy. It’s not merely about earning a trophy; it’s about the rush of adrenaline that surges when you confront the defeat screen, or even more so, when you narrowly miss winning and risk losing everything at the last second. jrmtrsx conveyed their feelings with great clarity, stating, “I was trembling,” underscoring the profound significance of this achievement not only for the prize but also for the exhilarating sensation of victory. Their account seemed to echo the shared excitement among the community, which flourishes on exchanging such triumphs and setbacks.

As a gamer, I’m expressing my thoughts to VentureBeat. The last console generation spanned around seven years, and if that pattern continues, the PS6 might debut in 2027. However, that timeline seems a bit too rushed for me. To clarify, I don’t have any insider knowledge about the PS6, but if it launches in 2028, that feels like a more appropriate timeframe to me.

Six months after the happenings in Like a Dragon: Infinite Wealth, my story, Pirate Yakuza in Hawaii, finds me waking up on a tropical shoreline, clueless about where I am or who I was – a crime boss, cabaret manager, or construction tycoon. The only thing I remember is that a boy named Noah rescued me and for some unknown reason, the Pacific islands are teeming with pirates who appear to have stepped straight out of Tortuga in the 1600s. The quest for a legendary, long-lost treasure begins, transforming me into the captain of my own pirate vessel, accompanied by an ever-growing crew of new and familiar faces. While amassing treasure may be the ultimate objective, this journey is equally about the camaraderie we forge along the way.

Hey there! The newest escapade in Skull and Bones is leaving players on tenterhooks, but not quite in the thrilling manner one would anticipate. The focus on convoy events aims to unite players for a joint treasure-hunting escapade. However, numerous gamers, including LeagueWorldly6317, have found their excitement to be fleeting. Lamenting about encountering the elusive convoy only a handful of times in four continuous hours of gameplay, this player opted to sail to different servers, but fortune continued to play tricks on them. Even after migrating to new servers, the hunt for convoys remained futile. This raises the question: is Ubisoft steering its ship correctly? The discontent is tangible, and many players are expecting improved management of the game’s inherently randomized aspects, particularly post-updates touting fresh content. Players fear they’ve been led onto a path leading straight to a sea of letdowns.

Before diving into the handheld version, let me first discuss the remarkable PC port of Like a Dragon: Pirate Yakuza in Hawaii. This port is not just good overall, but it stands out when compared to previous Like a Dragon and Yakuza games. Despite the team’s improvement over the years in terms of PC-focused features and optimization, the team has managed to address some minor issues that I encountered with the PC release of Like a Dragon: Infinite Wealth as well.

In addition to Yakuza 0, there were only a handful of instances where Majima was a playable character – these include the newly incorporated “Majima Saga” side story in Yakuza Kiwami 2 and the zombie shooter spin-off, Yakuza: Dead Souls. However, he wasn’t the main protagonist in any of these titles; it was only in Like a Dragon: Pirate Yakuza in Hawaii that Goro Majima received his standalone game where he was the exclusive playable main character.

Regarding Pirate Yakuza in Hawaii, it may seem far-fetched initially, but it’s officially part of the series lore, occurring subsequent to Like a Dragon: Infinite Wealth. In this narrative, Majima experiences amnesia, providing an opportunity for a unique, self-contained story that gradually connects with the typical twists and turns of a Yakuza saga.

Yoshida shared with VentureBeat that his move from working at a first-party studio to an independent one wasn’t a decision made lightly. When Jim offered him the opportunity to work on an indie project, it was essentially take that offer or leave the company. His passion for supporting PlayStation and independent developers played a significant role in his choice. He felt strongly that he could make a unique contribution in this new role, and this shift from first-party to indies seemed like a more personal growth opportunity for him than simply leaving the company this year.