As a seasoned film enthusiast with a penchant for stories steeped in nostalgia and childhood dreams, I found myself utterly captivated by the latest adaptation of “Zorro.” Growing up in France, Guy Williams’ portrayal of the masked avenger was an integral part of our family’s evenings, and it’s heartwarming to see that legacy brought to life once more.
Producer Marc Dujardin drew inspiration for the modern version of “Zorro” from several sources. These included the classic 1950s series featuring Guy Williams, the whimsical concepts behind superhero narratives, and cherished childhood dreams he once shared with his brother Jean. In this new adaptation, Jean portrays the serious mayor of early 19th-century Los Angeles, Don Diego de la Vega, as well as his daring, masked counterpart who embodies freedom.
On Thursday, “Zorro” boldly entered La Havre, wrapping up the Unifrance Rendez-Vous market with a much-anticipated screening, which was followed by an energetic California-inspired party, themed around Alta California, complete with delicious Spanish and Mexican food prepared in the Norman style.
Created by Le Collectif 64 under the supervision of Marc Dujardin for France Télévision and Paramount+, “Zorro” delivers a humorous yet authentic portrayal of the classic swashbuckling figure from old California.
As a devoted movie buff, I’d rephrase that like this: In the series, I find myself stepping into the role of Los Angeles’ mayor, a city I adore deeply. Yet, as corruption spirals and gains momentum, I feel compelled to dust off my old costume once more, embracing the shadowy vigilante known as Zorro – a mantle I left behind years ago. Juggling my double life between being mayor and Zorro is putting a strain on my marriage with Gabriella, who remains oblivious to my clandestine secret.
Although Marc strongly believed his brother would be perfect for the role, Jean had reservations from the start.
“Every French citizen knew that Jean was the ideal choice for playing Zorro, but what mattered most was discovering an innovative perspective to reimagine, revitalize Zorro, since we couldn’t go for a parody – a parody only holds attention for about 15 minutes before it loses its charm.”
Jean said, “Do whatever you want and in the end, if it’s good, I will do it,” Marc recalls.
Afterward, I delved into numerous pieces concerning superheroes. One piece, written in English, left me in stitches. It discussed the financial burden associated with being a superhero due to the damage they inflict. Indeed, it’s a significant issue.
Marc eventually realized that Zorro seemed to provide straightforward solutions to intricate problems, which he deemed as overly simplistic – he’s clearly a popular figure!
Contrasting the two, Diego, Mayor of Los Angeles, is a technocrat, similar to Macron as Marc puts it. He’s focused on enhancing the lives of his constituents, but unlike Zorro, he struggles to connect emotionally with the people. Zorro, however, has a knack for engaging with folks without much repercussion. What captivates me is the element of schizophrenia in this scenario. Diego seems powerless against the influence of Zorro, who he can’t manage to control.
Marc shared his treatment concepts with authors Benjamin Charbit and Noé Debré. “I was eager for them to pen it. They’re incredibly gifted. They were undeniably my top pick.”
“Upon examination, they discovered an intriguing vaudevillian aspect within it. They penned this work, and while it’s utterly absurd, it’s also incredibly meticulous and sincere. Every detail seems to carry a weighty significance.”
Marc emphasizes that the unique humor in this version of Zorro distinguishes it from past iterations. “It’s all about comedy,” he says. “Diego’s wife is in love with Zorro, but she’s unaware that Diego is actually Zorro. This creates a significant conflict. And Diego despises Zorro, not just the character, but the situation itself. It’s a complete case of split personality.”
Marc points out that his brother’s dream to play Zorro has been a long-standing ambition dating back to his childhood. He explains, “It’s as if the opportunity has come full circle for him, closing a chapter of his youthful aspirations.”
Marc emphasizes that “Zorro has a strong connection with our childhood memories, a connection that runs incredibly deep.”
Émilie Noblet, co-director of “Zorro” with Jean-Baptiste Saurel, shared a strong affinity for the character as she herself had enjoyed watching the original series on TV with her grandfather.
“This brings back memories of our childhood days, as Zorro – the original superhero, created by Johnston McCulley way back in 1919 – seems to echo those times.”
Undeniably, Zorro’s fame is clear through the numerous adaptations that have appeared on both large and small screens for over a century. The character has been brought to life by various renowned actors such as Douglas Fairbanks, Tyrone Power, Guy Williams, Frank Langella, Alain Delon, George Hamilton, Duncan Regehr, and in the same film, Anthony Hopkins and Antonio Banderas.
Although several adaptations boasted impressive film backgrounds, it was the 1950s Disney television show featuring Williams that aired in France during the 1970s and ’80s that held a particularly dear place in the hearts of the Dujardins.
According to Marc, the character of Zorro was greatly influenced by the television series for him and his peers. For them, the genuine Zorro was portrayed by Guy Williams, who always seemed cheerful and bright. His version of Zorro was quite luminous – though he operated under the cover of darkness, his persona exuded a sense of fun and sparkle.
Secuoya Studios, under Amazon Prime Video and Mediawan Rights, has launched a fresh take on the Zorro character, portrayed by Miguel Bernardeau. This new Spanish production doesn’t pose any problem for France Télévisions or France TV Distribution.
Julia Schulte, senior VP of international sales for France TV Distribution, explains, “Our ‘Zorro’ is exceptionally unique compared to others. It embodies the quintessential, heartwarming television experience one could envision. Essentially, it’s mainstream family entertainment that carries a comical twist.”
“Our partner is Paramount, and it’s not just beneficial for us, but it’s also expected to perform exceptionally well on traditional television broadcasts. This is because Paramount is the brand that people would anticipate a linear TV station to feature during special events.”
The entire movie titled “Zorro” was filmed in Spain, specifically indoor scenes were captured in Toledo, while outdoor shots were taken in Almeria. Interestingly, the production team constructed a Western town in Almeria, not far from where Sergio Leone filmed his “Dollars” trilogy with Clint Eastwood during the 1960s, as Marc points out.
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2024-09-06 09:17