As a film enthusiast with a diverse palette and a keen interest in exploring the complexities of humanity, I find myself drawn to Zoë Kravitz’s perspective on art and its creators. Her approach resonates with me, having navigated through the labyrinthine world of cinema, where genius often coexists with flawed individuals. It’s a reminder that great works are seldom the sole product of one person, but rather a collaborative effort that transcends personal shortcomings.
Zoë Kravitz doesn’t feel the need to discard Rosemary’s Baby just because of its director’s controversial past. In an interview with Esquire, she expressed her admiration for work created by individuals with questionable backgrounds. Specifically, she mentioned her appreciation for Roman Polanski’s movies, including Rosemary’s Baby and The Tenant. However, it’s important to note that she values the films as collaborative efforts, not just Polanski’s individual works. “It’s acceptable that a bad person was part of something good,” she stated. “Should we throw away everything associated with flawed individuals? Are we supposed to erase all of America?” This is a reasonable argument, given that many people have contributed negatively to the development of America over time.
In Kravitz’s first directorial venture, titled originally as “Pussy Island” but now known as “Blink Twice”, there is a significant exploration of the ethical dilemmas that are often encountered in late-stage capitalist America. The story revolves around a woman (Naomi Ackie) who visits a tech tycoon’s mysterious island. You might find it hard to believe, but things are not always as they seem in this film. “Blink Twice” is set to premiere on August 23rd.
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2024-08-15 03:53