Time and time again, Joe sorts women into three groups: admirable love interests (perceived as worthy and perfect), wicked adversaries (characterized by wealth and needing to meet a tragic end), and the unassuming foolish (harmless, though potentially facing an untimely demise, yet few would lament their passing). One might expect that by now he’d realize demeaning women he scarcely knows is a perilous game. Yet, here we are once more, with Joe underestimating Maddie’s cunning, but it’s actually Maddie who has him in her grasp.
His usual tactic – “You sound insane at this moment!” – doesn’t work on Maddie, who asserts that Reagan was correct about Joe being a psychopath. Later, his efforts to get Maddie to reveal secrets about Reagan lead him to learn an intriguing piece of Maddie’s past. She claims she was once abducted, and even the FBI found it extraordinary. Maddie charmed her kidnapper into releasing her: “The FBI had never seen anything like it.” Now, she has the strength to turn down Joe’s pathetic sandwich offer (“Every minute you deny me food, I get more agitated”) and remind him of her insulin requirements – cleverly pointing out, “Be aware, darling, you are the hostage in this situation.” I adore her!!!!
As a movie enthusiast, I’m finding myself in a tough spot at home too. My wife seems to zero in on the negatives, making me feel like I’ve stepped into a scene where the only villain she can see is me: “Take down one jerk and that’s all you see.” Things get tricky when I propose a not-so-great idea about Gretchen and her grandmother. Kate seems horrified at the thought of using another child in such a way, and I try to brush it off as just tossing around ideas without much thought: “I was merely brainstorming!”
Teddy is here supposedly to keep things fair, but I have this gut feeling he’s got something more up his sleeve. Kate tries to undermine me by saying she can handle the situation herself. Left with no other option where I can still feel like a hero, I head to the one place that gives me that sense of goodness: the bookstore.
And there, waiting for me, is Bronte – fragile Bronte who earns minimum wage at the store; wounded-bird Bronte whose life seems to spin around flirting with me and rearranging books; desperate Bronte who must be playing some very long game to bring me down eventually. She’s ready to set her trap, I can feel it.
It appears that Bronte has discerned that Joe struggles with excessive contemplation and feelings of inadequacy, often associated with imposter syndrome. However, I must clarify that my interpretation is different – I suspect he might be a dangerous individual prone to violence. Regardless, I can confirm her assumption. Bronte persuades Joe into embarking on a quest to acquire a large number of second-hand love stories from an estate sale. Although Joe appreciates the romantic ideal, he disdains the romance genre itself – considering it inferior, focusing on female satisfaction, and primarily available in paperback. Despite his stated loyalty to Kate, he ultimately leaves her behind for Bronte’s company, even traveling to Queens with her.
Joe ponders the reason behind his mistrust of the bookstore clerk who seems exceptionally shifty. He casually leaves Kate a message, asking if Maddie has ever been kidnapped in the style of Liam Neeson movies. It appears that Joe is becoming careless. Bronte lures Joe into flirting with her once more by mimicking the flirtatious behaviors from the romance novel she’s reading. She bites her lip, tucks her hair behind her ear, and purrs. Joe denies these actions are genuine. In response, Bronte simply says, “I purr.” If Bronte is not trying to deceive him, I will be genuinely disappointed.
As a film aficionado, I’ve been observing Joe closely, and let me tell you, it seems he might just be a subtle misogynist. “Softboy,” perhaps? It’s refreshing to finally voice that out loud! I’m also starting to get a grasp of the intricacies of his relationship with Kate. Frankly, it doesn’t add up in my book.
Joe tries to intimidate me with his menacing growl, “Not many have seen this side of me and survived!” But I remain unfazed, managing a chuckle amidst the glucose spike. His attempts at scaring me were comically pitiful – “Enjoy ketoacidosis!” and “Aww, boo-boo did research!” Those lines had me in stitches!
After receiving a stern rebuke from the woman he had kidnapped, Joe finds himself in the company of Bronte at a seedy literary gathering. The question arises: Does Bronte have friends? As it turns out, she has a few casual acquaintances and an ex-lover, Clayton, whom Joe can direct his aggression towards. Clayton, as Bronte describes him, is indifferent to consent. He uses a technicality to embarrass Bronte by enacting a humiliating sex scene from a private play they had once shared. This behavior is appalling, and one might question the character of everyone present, since no one seems willing to intervene or condemn it. Bronte, it’s time for you to find new friends! After all, you’re in New York City! Why put up with such treatment in Queens?
Although I find it highly unlikely, given the narrative of this series, that Clayton would spontaneously call Joe “Prince Charming,” much like Bronte did two episodes back, I’m glad we now have a reasonable explanation for Bronte’s past. Her true identity is Louise Flannery, a former dental hygienist from Ohio. She allegedly swindled Clayton for months (probably he had it coming). She moved to New York City seeking a fresh start. Joe is taken aback by the thought that he might also be a target for this young con artist. Could it be that Clayton and Bronte/Louise are in cahoots, pulling off a scam together?
Initially, it appeared as though Kate was successfully avoiding violence in her attempts to outdo Reagan: She and Teddy discovered evidence of embezzlement against Reagan. This presented an opportunity for them! However, that evening at Reagan’s house, Kate encounters Harrison packing his belongings. I had forgotten about him entirely, but security found him semi-clothed in a storage closet. Oops! Reagan informs Kate that this long-term infidelity, with incestuous undertones, has been ongoing. He is planning to divorce her. I can’t help but wonder what he agreed to when they married; I hope for his safety! Kate subtly threatens – if Reagan doesn’t drop the case against Henry, this embarrassing news will be splashed across the front page of the New York Post tomorrow morning – and it seems they reach a fragile agreement.
Kate boasts about her win to Joe, but her triumph proves to be overly enthusiastic. Instead of celebrating with Maddie, Joe delivers her insulin and shares updates on Reagan. It seems that because Joe doesn’t have a family, he may not fully grasp the dynamics between siblings? Maddie warns Reagan that her anger is more dangerous than death. We also discover that Reagan coerced Maddie into being her surrogate for Gretchen, fearing the physical changes herself. Maddie agreed to these terms hoping it would feel like she and Harrison were having a baby together. I too am intrigued by the sequence of events: If Maddie and Harrison had a strong connection, and Reagan was aware of this even before Gretchen’s birth, why keep Harrison? Was it just being unkind? Couldn’t Reagan find another partner more suitable for herself?
Maddie understands that a prenup is essentially a legal death sentence. She and Harrison will never have contact with Gretchen again. In a compassionate move, Joe gives her the insulin instead. I had assumed she might try to escape during that instance, but she’s too exhausted for such an endeavor.
Joe finally chooses to delve into the works of Bronte, something he ought to have done long ago. Tragically, she lost her mother to cancer and was deeply moved by “The Dark Face of Love” penned by Guinevere Beck. Her verdict: “Completely captivated.” Indeed, indeed!
On the upper floor, Bronte lies in bed, tearfully admitting feelings of being a fake and a disappointment. She’s indebted to Clayton (potential scammer warning) and confesses her tendency to deceive (hello there) with embarrassment over her initial writings (we feel you). Joe tests her by reciting passages from Beck’s book. Is it plausible that she has the entire book memorized and would identify this quote? Frankly, I doubt it… But wait, could it be possible that Joe himself is being swindled and has been part of the game all along?!
As a discerning film critic, I must confess that I deliberately chose Mooney’s cinema due to its unsettlingly jostle-able window, not merely out of convenience. Joe openly admits his past relationship with Beck and expresses regret over his failure to eliminate Dr. Nicky. The dialogue between them is heavy with innuendo, as they discuss their desire to be consumed. Emerging from her slumber, Bronte delivers a fiery rebuke to Joe, asserting that she is certainly not his naive ingenue or damsel in distress, despite her intentions of embodying such roles. Leaving with newfound comprehension, Joe hastily retreats downstairs, driven to compose erotic literature and fueled by visions of Bronte urging him to “Drown me.
Isn’t it odd that Kate doesn’t seem to find it unusual that Joe is coming home so late? Has he shared any details about his latest hire and/or his living arrangements with her? Or could it be that they have a 24-hour child care arrangement for their son, whom they claim to be very devoted to, but I wonder how that fits into the picture?
Kate expressed her disinterest in living a life like Lady Macbeth and is finding it difficult to deal with Joe’s lack of remorse over Uncle Bob’s death. It would have been better if he had feigned more emotion, but he clings to his ideas of radical acceptance and admits to his girlfriend that his ability to “protect” his family by being a serial killer is what makes him unique. Kate reacts with disgust, and I exclaim, “I hope your prenup is as strong as Reagan’s!
Joe suspects that Kate enjoys this aspect of their life as well, or else she wouldn’t have chosen to marry him. However, I can’t help but think that she found it more appealing in concept than in reality. Whenever he is told that there will be no more violence, all the enthusiasm seems to fade from his eyes. It’s a shame if there isn’t someone who truly appreciates his talents… someone who has an unsavory ex-boyfriend that the world would be better off without.
Unfortunately for Kate’s academic work, she seems unable to tackle issues without causing harm: Reagan is acting independently. Pretending to be Maddie on Instagram (perhaps Harrison gave her the password, or could it be that they share a birthday?), she publicly denounces herself as a deceitful, unfaithful woman. In this guise, she declares her intention to transfer her voting-board position, temporarily, to Reagan.
Kate feels heartbroken, while Joe finds motivation. He hurries once more towards the underground cellar (one might question if Kate ever ponders whether this man is being unfaithful, or is that merely a minor issue for her?). Proposing to Maddie with an idea, he says, “Would you consider becoming each other’s sister?” It’s like something straight out of the movie The Parent Trap!
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2025-04-24 19:55