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Werewolf folklore has been influencing societies since ancient times, even predating the era of cinema. Over the centuries, these chilling tales have morphed into novels, music, and films to continue captivating audiences in a similar fashion. The werewolf horror genre can be linked to the widely appreciated category of “monster movies.” This type of film has undeniably evolved across generations, with productions like Jaws, King Kong and Godzilla redefining the genre. However, the roots of monster movies can be traced back to Universal’s classic monsters from the 1930s, ’40s and ’50s. One of the most well-known films from that period was The Wolf Man, which ignited a fanbase for werewolf narratives that hadn’t been as prominent before.

Ever since the seminal 1941 horror film graced our screens, the werewolf sub-genre has undergone significant transformation over the decades and is now a unique cinematic experience that doesn’t come along frequently. Despite this, not all werewolf horror movies are box office hits, and it takes considerable imagination to make them memorable on both the big screen and among audiences. Fans didn’t necessarily need multiple Wolf Man reboots to keep them engaged, but studios often resort to this formula when producing a werewolf movie. However, some films within this genre have been exceptional, and 1981 was an exceptional year for werewolf horror. This was primarily due to two movies that were released that year. One became an immediate classic, while the other received less recognition but both share a significant link to one of the most crucial aspects in a werewolf movie.

The Howling Is One of the Most Entertaining Werewolf Movies of All Time

It Also Happened to Come Out the Same Year as An American Werewolf In London

If you’re familiar with director Joe Dante, you won’t need to search far for a dose of entertainment. His most renowned works include “Gremlins,” released in 1984, and “The ‘Burbs” featuring Tom Hanks, which came out in 1989. However, Dante is also the mastermind behind numerous B-movies from the 80s and 90s, such as “Explorers,” “Innerspace,” and “Small Soldiers.” For those who grew up during the ’90s and early 2000s, these movies were a staple in their childhood rotations. Despite debates among fans about which of Dante’s films is the best (with “Gremlins” often taking the top spot), there’s no denying that his first major movie was incredibly entertaining.

Over time, “Piranha” has undeniably gained cult status, but it didn’t initially garner much success upon its debut in 1978. On the other hand, “The Howling” was quite well-received when it premiered a few years after. Although the film’s slow narrative progression might cause some viewers to lose interest, those who persevere are richly rewarded in the third act. This is thanks to thrilling payoffs, chilling werewolf scenes, and a climactic ending that leaves an impact.

In essence, “The Howling” is generally considered Joe Dante’s standout work, not merely due to the heightened werewolf predicament it presents, which deviates from the norm in werewolf cinema, but because Dante’s artistic flair, cinematography, and editing techniques are consistently showcased throughout the movie. The acting is commendable, and the script proves effective as well.

Initially, Joe Dante’s unique style and masterful direction dominate each scene. Moreover, his editing abilities complemented exceptionally well with the top-tier special effects in ’80s horror films. Dante’s prowess is particularly evident during the werewolf transformation sequences, surpassing many from that year. The potential oversight of The Howling upon its debut could be attributed to the fact that a highly successful and well-executed werewolf movie hit the screens simultaneously in the same year.

An American Werewolf in London” is the epitome of a werewolf film for any connoisseur of the genre. Its one-of-a-kind blend of humor, magic, and originality raises it above what fans typically anticipate. By 1981, viewers were likely tired of repetitive stories, but “An American Werewolf in London” quickly established itself as a timeless classic that stands alone.

Although the narrative, design, and acting in the 1981 classic surpass those of The Howling, it doesn’t quite match up to its transformation scenes as effectively as The Howling. The special effects in both movies are extraordinary, but An American Werewolf in London tends to receive more acclaim due to being a superior film overall. However, both films share stunning hair and makeup designs that create a deeper bond between them than many fans might realize.

Rick Baker’s Special Touch Was in Both Werewolf Classics of 1981

Both Films Portrayed Epic Werewolf Transformations

It’s hard not to adore both “The Howling” and “An American Werewolf in London,” but there’s no question which film made a greater impact in 1981 and stands as the more extraordinary movie. This groundbreaking film, often regarded as one of the best ever made, truly embodies John Landis’ unique perspective and artistry, much like Joe Dante does in “The Howling.” However, it’s important to note that these talented directors each bring their distinctive flair to their projects in their own ways.

In the creation of “The Howling,” Joe Dante brought a unique visual flair to every aspect of the movie, but he had less influence on the script than he might have, which turned out to be a significant drawback. Dante is equally skilled as an editor and has edited many of his films himself. This is one of his strengths in filmmaking, and it’s evident in “The Howling,” where the editing excels, particularly in the dynamic werewolf sequences. On the other hand, John Landis was crafting a personal magnum opus with “An American Werewolf in London,” as he wrote the script, offering his complete vision for the film.

This version of “An American Werewolf in London” stands out due to its captivating narrative. When it comes to crucial moments, the characters truly shine and surpass what one would expect. Dante’s 1981 werewolf masterpiece might even be considered equally as good, if not better, thanks to his exceptional editing skills.

In essence, what viewers can derive from these movies is that they both showcase some of the most remarkable practical effects ever seen on screen, and it’s no coincidence that they continue to have a profound impact in this area. Audiences are well aware of Rick Baker’s exceptional talent in cinema, as he is widely regarded as one of the greatest practical effects artists of all time.

It was perfectly appropriate that Baker was the inaugural winner of the new award in 1981, given his impressive track record – he had already earned six Oscars for his film work, among them another werewolf movie titled “The Wolfman.” Few may know that prior to receiving the call to work on “An American Werewolf in London,” Baker was already engaged on another werewolf project, “The Howling.

When Baker momentarily left his post, Rob Bottin, his assistant, assumed control during The Howling, delivering nearly comparable quality to his mentor at the time. This significant contribution played a pivotal role in making both movies highly impactful for the audience and enduring benchmarks for exceptional practical effects in filmmaking. The unique touch of Rick Baker was evident in both wolf transformations classics, and it underscores the fact that someone else deserved the Oscar for Makeup that year. Over time, this skill and resource have become underestimated, as they are not always fully appreciated or utilized for maximum effect.

The Howling Is a Cult Classic Still to This Day

An American Werewolf In London Is a Werewolf Masterpiece

As a movie enthusiast who can’t get enough of the chilling world of werewolves, I’ve often found myself torn between two classics – “An American Werewolf in London” and “The Howling”. While it’s undeniable that “An American Werewolf in London” has solidified its place as a horror masterpiece, showcasing the pinnacle of practical effects, some audiences might have leaned towards “The Howling” back in 1981. Over time, “The Howling” has managed to retain its cult status and a devoted fanbase, which is truly commendable. Both films offer a unique blend of terror and entertainment, making them equally remarkable in the realm of horror filmmaking.

Both movies offer a rich experience in the werewolf horror genre, making it a matter of personal preference for viewers. While “An American Werewolf In London” has a more lighthearted approach, “The Howling” maintains a serious tone and boasts an impressive cast that adds depth to its narrative. Dee Wallace delivers a compelling performance as Karen White in “The Howling,” her portrayal of trauma and emotion resonating deeply with the audience.

David Naughton and Griffin Dunne are creating a mix of fear and laughter in their movies, which is keeping viewers on the edge of their seats while also providing relief. These films masterfully build suspense and then release it skillfully. They are both enjoyable for unique reasons, making them a delight for fans who can appreciate werewolf movies for years to come.

2025-05-30 03:07