As a film enthusiast with a penchant for cross-cultural cinema and a soft spot for Chanel, I find this collaboration between Tilda Swinton, Wim Wenders, Xin Zhilei, and Leah Dou to be nothing short of enchanting. The rich tapestry of artistry, heritage, and modernity that this film weaves is simply captivating.
Tilda Swinton is featured alongside Xin Zhilei (known for “Blossoms Shanghai”) and popular Chinese artist Leah Dou in a short film directed by acclaimed German director Wim Wenders, who was nominated for an Oscar. The film is part of Chanel’s 2024-2025 Métiers d’Art show, which honors artistic talent and skillful craftsmanship, produced specifically for this event.
The event will be held on December 3, scenically set by the tranquil West Lake in the city of Hangzhou, China. This location offers an ideal setting for the Metiers d’Art show, considering Hangzhou’s rich history of silk production and trade. The picturesque landscapes and serene lakes of Hangzhou have long been a muse for numerous artists, including Gabrielle Chanel, the founder of Chanel, whose creative spirit is mirrored in Wenders’ film.
Every day in her Paris residence, Gabrielle Chanel frequently pondered over the tranquil scene of a lake, depicted on an ornate Chinese lacquer screen, which was a treasured decoration in her personal office located at Rue Cambon. This screen was one among twenty Coromandel pieces, spanning from the 17th to the 19th centuries, that she had accumulated throughout her life.
https://www.youtube.com/watch?v=XTslYiU
For over a dozen years, it’s been an immense honor to be associated with the House of Chanel, and my excitement about our collaborative efforts continues to escalate year after year,” stated Swinton. Notably, her role in Pedro Almodovar’s Venice Golden Lion-winning film, “The Room Next Door,” has catapulted her into the running for an Oscar. Previously, she received a Best Supporting Actress Oscar for her performance in “Michael Clayton” back in 2008.
Chanel regards its function as a cultural benefactor and supporter of artists and art organizations worldwide extremely significant, and I believe that this work has never been more crucial,” Swinton emphasized.
In Wenders’ enchanting movie, I find myself swept up in a hypnotic world that seems to leap off the screen, guiding Swinton on an adventure through Hangzhou. Here, she dives deep into the surroundings and interacts with local artists. Filmed on location in both Paris and Hangzhou, this film masterfully weaves together past and present, fantasy and reality, creating a beautiful contrast between natural beauty and the trappings of modern life – from laptop screens to cameras. It’s a testament to the richness of cross-cultural dialogues too.
Even though Gabrielle Chanel didn’t personally travel to China, she was deeply influenced by the motifs found on her Chinese screens. These images significantly shaped her design aesthetic. Elements of Chinese culture could be seen in her designs from the 1950s and 60s.
Wenders, whose last film “Perfect Days,” which represented Japan in the 2024 Oscar race and was nominated for best international feature, stated that he “took some time in Mademoiselle Chanel’s office and examined her Coromandel screen” to prepare. He found it incredibly impactful. It seemed like an early movie screen or a large comic strip filled with numerous small stories.
No matter where you turned, there was yet another snapshot of everyday life,” he explains. “The sources of my most profound filmmaking inspirations have always been locations. Many of my films were initially sparked by a longing to uncover the tale that would be intrinsically tied to a specific place I admired and cherished. The narrative had to resonate with that location and couldn’t be transplanted elsewhere.
In the meantime, Zhilei expressed that Hangzhou represents a rich cultural legacy alongside a forward-thinking innovative mindset, a concept that resonates with the groundbreaking values embodied by Gabrielle Chanel.
She commended the movie for being “overflowing with poetic elegance, brimming with enchantment and adventure, reminiscent of the sensation Hangzhou city evokes in me. As night approached during filming, the misty allure of the garden left us spellbound, and we collaboratively captured this emotion, expressing it visually through our images.
Dou expressed the thought that “culture has always been a crucial wellspring for artistic innovation.” She thinks it’s “quite appropriate” that so much poetry and tradition have originated from Hangzhou, given its rich cultural heritage. “Despite its transformation into a contemporary, technologically advanced city,” she added, “it skillfully preserves the harmony between culture and modernity.
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2024-11-29 12:16