Why The Last of Us Season 2 Episode 3 Struggles To Keep The Momentum After A Shocking Twist

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Warning! Spoilers for The Last of Us season 2, episode 3 ahead!

The third episode of “The Last of Us” starts with a deeply sorrowful scene. Sitting by his brother’s lifeless body, Tommy addresses the flawed man he knew so well, asking him to convey greetings to Sarah, Joel’s deceased daughter whom he has reunited with in death. This moment is incredibly poignant and serves as a powerful blow, following closely on the heels of Joel’s gruesome demise and our recognition that “The Last of Us” as we understood it no longer exists. However, the choice of tempo throughout episode 3 is intriguing, giving the impression that the series itself seems unsure about its future direction, much like us viewers.

In my perspective, several apprehensions I harbored after watching The Last of Us season 2, episode 2, seemed to materialize this week, given that it was heavily focused on Ellie and Bella Ramsey had numerous solo scenes. The events of episode 3 were tasked with addressing the fallout from Joel’s death and the assault on the town, but I found the narrative’s progression somewhat disconcerting. Similar to the season 2 premiere, episode 3 is heavily invested in establishing the storyline and expanding the world, leaving me eager to discover where the story eventually leads, as it diverges from the game. Nevertheless, I felt the tempo was not quite spot-on, as the show has been stretching to accommodate its increasingly vast universe.

The Last Of Us Season 2 Carries A Heavy Load Emotionally & Narratively In Episode 3

The High Emotional Stakes Of Episode 3 Contrast The Action Of “Through The Valley”

As a devoted cinema enthusiast, I must say that while “Long, Long Time” doesn’t quite match the profound impact of the third episode in season 1 (where Joel’s ghost was undeniably heavy), it still leaves an indelible mark on this series. The third episode served as a pivotal moment for newcomers to The Last of Us, solidifying it as something more than just another video game adaptation. However, given the anticipation and excitement we already felt, I found it surprising that episode 3 seemed to take its time, especially considering the brief duration of the entire season.

In Episode 3 of “The Last of Us,” my suspicion about the change in the storyline after Joel’s demise proved accurate. Throughout much of the episode, Ramsey is left to grapple with his grief and teeter on the brink of a potentially disastrous mistake. Despite their efforts, Ramsey finds it challenging during this episode. However, when Isabela Merced as Dina appears on screen, Ramsey seems to find some solace, demonstrating that when he has a scene partner, their interactions significantly improve.

It seems like Ellie’s challenges aren’t solely about Ramsey, as her character has evolved over time. There are hints of the old Ellie we knew from last season: feisty, playful, and insistent on being taken seriously during critical moments. Although times have changed, I can’t help but feel that more of this side of her could have been shown before Joel’s demise, as she becomes resolutely focused for the rest of the season.

From episode 2’s final scenes, we knew she was bound for Seattle one way or another, so it feels like The Last of Us was merely feigning doubt about this decision.

Although Season 3 covers the latter part of The Last of Us Part 2, it seems to move at an unusual pace – both hurried and leisurely. Despite minimal events occurring, Ellie and Dina seem to have instantaneously arrived in Seattle, and we barely get acquainted with the W.L.F. or this new cult-like faction that emerges suddenly, only to be swiftly destroyed. The series is establishing foundations for future episodes, but it doesn’t necessarily mean the narrative had to slow down significantly. Focusing solely on character development may not align with the intended purpose of the show.

As a devoted film enthusiast, let me share my thoughts on an emotionally heavy episode:

I’ve been grappling with a profound sense of loss; it’s clear as day. Yet, Ramsey’s crafting was so subtle that I found myself struggling to recall the tender moments between Joel and Ellie. However, this could be precisely the message The Last of Us is trying to convey. Their bond was strong and crucial, but Ellie had yet to uncover every facet of Joel’s character. Unveiling his complete truth might alter her path significantly.

The Last Of Us Isn’t Certain That Ellie Can Be Saved

Each Of The Characters Has Their Own Opinion About Ellie’s Future

Although I’m not yet clear about Catherine O’Hara’s character Gail’s role, she raised some compelling points in episode 3. It remains uncertain if Ellie can be saved, but it seems that Joel didn’t shape Ellie into the person she is; instead, they were both on a shared journey from the start. However, the scenes involving Dina hint at a possible glimmer of hope ahead. If Ellie has a reason beyond her dwindling bond with Joel to keep fighting, it might prevent her from slipping away before it’s too late.

If the WLF militia appears as formidable as we think, then war might be imminent. This situation may prompt new experiences beyond Jackson in “The Last of Us” this season. As we progress into episode 3, it becomes clear that we should abandon the notion of expecting season 2 to mirror the charm of season 1. With Joel absent, it’s impossible for season 2 to replicate the unique allure of the initial chapter. Instead, I don’t desire it to.

In “The Last of Us,” season 2 is grappling to establish its own identity, but this doesn’t mean it isn’t headed towards something promising.

New episodes of The Last of Us season 2 air weekly on Sundays at 9 PM EST on Max and HBO.

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2025-04-28 05:21