Why Kristen Stewart Didn’t Star in Her Own Directorial Debut

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Just prior to the debut of Kristen Stewart‘s directorial project, “The Chronology of Water,” at Cannes, she conversed with co-star and former Sonic Youth singer Kim Gordon, hosted by Breaking Through the Lens. This event offered an invitation for a chic Cannes Beach style, a term that was open to various interpretations – some saw it as denim, others as sundresses, yet others as sportswear, while I took it as a rather somber black dress bought just an hour ago at Mango. Kristen Stewart, however, opted for a white Chanel suit and a white T-shirt with a tiny hole, fitting the occasion perfectly. Surrounding the venue, fans, predominantly women, echoed their admiration, “I love you, Kristen!

Stewart openly discussed the challenges she faced while bringing this movie to life, a project she’s been pursuing since 2018 and even offered as security for her acting roles. She candidly explained the reasons behind the lengthy production process.

Stewart admitted that he often speaks too soon and shares information prematurely. He joked about how he knew it wouldn’t take off easily, and it didn’t. Interestingly, they had to leave the United States to make it happen. He was making definitive statements about something before fully understanding it. He has been quite open, albeit forcefully so, and it’s intriguing that he was talking about it in 2018. Perhaps he shouldn’t have, as most films take a decade to develop. However, he felt compelled to create a public stir to get things moving.

The film was challenging to produce because it wasn’t a marketable or commercially appealing script. It contains deep, hidden themes that women have been forced to keep secret, such as pain and pleasure. Exposing these topics is liberating, intriguing, and even provocative. She takes great pride in the final product, likening it to watching her child in kindergarten with a sense of pride and affection.

As a movie enthusiast, when the host inquired about my decision to pass on the role and instead cast Imogen Poots, I simply stated, “Imogen was the perfect fit for that character, I wasn’t suitable for it. However, I’m eager to star in something I direct, and that will happen soon.” I added, “It was just evident. She possesses this unique, unfiltered charisma… I shared this insight with Gordon during our car ride, the reason she landed the role – she doesn’t have large breasts or anything, but she gives off a certain vibe, you know?” The crowd erupted in laughter. “She exudes ‘big tits energy,’ much like ‘big dick energy.’ Let’s call it BTE, but hers is BTE,” I chuckled.

Stewart repeatedly emphasized the significance of women in the arts relying on their own instincts rather than succumbing to the manipulative industry politics that might hinder their filmmaking careers. She advised them to heed their inner voice, as they have been conditioned to remain silent. “We are repeatedly silenced,” she stated, growing increasingly emotional. “Others will take, take, take, but what you must preserve is your inner ear. If you feel a subtle suspicion, it’s not sneaky. You’ve simply been told to stay quiet for far too long.

She noted that there’s a misconception, almost like a myth, that to direct a film, you require experience or expertise. She described this as a distinctly male viewpoint. There seems to be an unnecessary barrier, as if directing a movie is an intricate task. However, she emphasized, anyone can make a movie if they have a story to tell.”

“Stewart expressed her eagerness to direct another film soon. She felt it shouldn’t have taken so long for her to get the opportunity. Now that she has broken the ice… If there’s one thing she’s learned, it’s that she doesn’t need anything more. She’s always had what it takes. She can’t wait for the next project.

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2025-05-16 20:54