The upcoming film, “Eddington,” written by Ari Aster who is known for his unique blend of western and black comedy (similar to Hereditary and Midsommar), appears to be set during the tumultuous summer of 2020 when insanity was particularly prevalent, especially in America. This intriguing production boasts an impressive cast including Joaquin Phoenix, Emma Stone, Austin Butler, and Pedro Pascal who has been a sensation this season. The film promises to delve into various topics such as mask mandates, QAnon, Black Lives Matter protests, among others – all of which were significant aspects of that period in history. Given Aster’s knack for creating uncomfortable scenarios, it seems fitting that he takes on one of the most unsettling periods in recent memory. However, since the film’s underwhelming premiere at Cannes, there has been a conspicuous silence from its stars regarding the movie. Could it be due to spoilers? Negative feedback? Or is it too politically charged for comfort?
The cast and director are not explicitly discussing the film they’re involved with, even though they may be promoting it. For instance, Scarlett Johansson appeared on Jimmy Kimmel Live! hosted by Diego Luna on June 26 to discuss the bee incident at Cannes. She jests about her co-stars, Butler and Pascal. When Luna inquired about her preparation for a role, Johansson shares that she’s used a unique scent for each character since her teenage years (except for Bella Baxter from Poor Things, who likely wouldn’t have one due to her character’s circumstances). However, when Luna asks Johansson what her scent was for Eddington, she admits she hadn’t chosen one specifically for the film.
https://youtube.com/watch?v=watch?v=vOZoz2plIY8
The avoidance concerning the topic of Eddington dates back to the Cannes conference, where the cast members primarily answered easy questions, and Phoenix often covered his face for extended periods during the event. However, during his July 16 interview on The Late Show with Stephen Colbert, Phoenix displayed a different demeanor as he discussed his notorious conversation with David Letterman. Nervously, he admitted how unusual it felt to return, only broaching the subject of Eddington in the final two minutes of their 11-minute discussion. As they approached the film topic, Phoenix mimed getting up to leave. They then practiced a minute of silence and the interview concluded.
As a passionate cinephile, I’m proud to say that I was the lone ambassador for our film on the cutting-edge digital platform, having an engaging 90-minute chat with Theo Von – that’s a full hour shorter than Eddington’s length. During our discussion, I opened up about the movie like never before, delving into my character Joe Cross’s turbulent anger and how John Aster and I aimed to challenge conventional conservative stereotypes.
Reflecting on the film itself, I mused, “Perhaps we are always accountable for how we react to what’s happening in the world.” This insightful thought might be the most concise interpretation anyone has offered about the movie’s deeper significance.
In a different setup: Apart from Pascal, everyone else seems to be taking a break. This summer, Pascal has been busy marketing both “Materialists” and “Fantastic Four”. Given his efforts, he could certainly use a vacation, although he briefly went over a scene outline with Phoenix and Aster, discussing, well, the weather. As for Butler, he’s absent, but his upcoming movie “Caught Stealing” is coming soon, along with managing his edited physique. Perhaps it’s beneficial for stars of such high demand, but it doesn’t necessarily stir up more excitement for the movie itself.
Aster stands out among his cast, as he talks openly about the film’s themes, including personal fears and political implications. In an interview with the New York Times, he described Eddington as a story about individuals trapped in their own realities, a sentiment that aligns with his previous work. The extended silences and hesitant dialogue in the film don’t create a sense of mystery but rather deflate expectations. It’s questionable whether a movie can effectively speak for itself when its creators have little to say about it. However, selling a film about the chaos of 2020 might be challenging given that the chaos hasn’t subsided yet. Aster acknowledges this in an interview with Vulture, stating that while there may not be much work about that time because we haven’t fully processed its impact, the period is still ongoing. He believes that moment represents the last connection to the world we once knew. The fact that the film’s stars have little to say might make them more relatable than expected. The era Eddington is set in remains difficult to define, as there seems to be little to say about something that hasn’t concluded yet.
Read More
- Who Is Harley Wallace? The Heartbreaking Truth Behind Bring Her Back’s Dedication
- 50 Ankle Break & Score Sound ID Codes for Basketball Zero
- Lost Sword Tier List & Reroll Guide [RELEASE]
- Basketball Zero Boombox & Music ID Codes – Roblox
- The best Easter eggs in Jurassic World Rebirth, including callbacks to Jurassic Park
- 50 Goal Sound ID Codes for Blue Lock Rivals
- Summer Games Done Quick 2025: How To Watch SGDQ And Schedule
- Gaming’s Hilarious Roast of “Fake News” and Propaganda
- 100 Most-Watched TV Series of 2024-25 Across Streaming, Broadcast and Cable: ‘Squid Game’ Leads This Season’s Rankers
- 11-year-old boy beats 7-year-old to win 2025 Rubik’s Cube World Championship
2025-07-19 00:54