As a seasoned film enthusiast who has witnessed the ebb and flow of the Latin American cinematic landscape, I can’t help but feel a sense of anticipation for “Water Never Hurt”. The narrative of resilience and self-discovery amidst adversity resonates deeply with my own experiences, having navigated through various economic crises in Argentina during my lifetime.
The Uruguayan production company, La Mayor, has teamed up with Argentina’s Pez Dorado Creative Co. to collaborate as co-producers on the upcoming family drama titled “Water Never Hurt,” directed by Ana Clara Bustelo.
At present, the film is undergoing post-production. A sneak peek of the movie will be shown during Sanfic’s Ibero-American Work in Progress section soon. By next year, the completed film will be prepared for release.
As Argentina’s federal government carries on with austerity measures, significantly reducing cultural funding, international collaborations are growing more essential for local productions.
“Given the current withdrawal of government support for our industry in Argentina, it’s challenging to envision our business strategy moving forward in the near future. However, this is a time for resilience and reinvention. I firmly believe that forging strong international partnerships will be crucial to our survival and success.” – Tatiana Oruste
Amidst Argentina’s economic turmoil in 2001, the narrative unfolds with “Water Never Hurt”, a tale centered around nine-year-old Juana. After a horseback riding mishap, she undergoes surgery without her knowledge. Subsequently immobilized, Juana embarks on a rigorous physical therapy journey to regain her ability to walk. It is during these healing hydrotherapy sessions that Juana discovers solutions to questions her family is unable to answer.
According to Oruste, the phrase “Water Never Hurt” encourages us to challenge our traditional view of childhood as vulnerable, frail, and dainty. Instead, it suggests a different perspective where children can exercise autonomy in their lives, fostering open communication within families at an early age.
As a seasoned movie critic, I had the pleasure of watching “The Ensemble” starring newcomer Máxima Moral as the captivating Juana. Alongside her, we have Celina Carrascosa, Gema Vera, Martin Aguado, and José Anechinni, who all deliver mesmerizing performances that make this film a must-see.
In various labs and workshops, the project titled “Water Never Hurt” was successfully endorsed. It received funding from the Raymundo Gleyzer Competition by Argentina’s National Institute of Cinema and Audiovisual Arts (INCAA), the Creation Grant from the National Arts Fund, and financial aid from INCAA’s Audiencia Media. Moreover, it showcased at Ventana Sur’s Proyecta sidebar, a significant regional platform for feature projects that carries substantial influence.
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2024-08-09 21:16