As a connoisseur of mafia tales who’s seen his fair share of capos and consiglieres, I must say that “My offer to you is this: nothing” was never Michael Corleone’s opening gambit. But if it were, it would have been Dwight Manfredi’s playbook. This fellow, he’s always got a one-way ticket to confrontation, and somehow, it works every time.
It’s important for creators of mafia-themed content to understand that Michael Corleone’s opening proposition was not “nothing,” as commonly portrayed. Instead, Michael appeared open to discussion with the corrupt Nevada senator until the man became aggressive, racist, and insulted Michael’s family. It was only at this point that Michael closed the negotiation, suggesting that a shrewd businessman like him would not typically begin negotiations with a hostile “fuck you.
To put it simply, he shares similar business traits with Dwight Manfredi. When it comes to supposed negotiations with rivals, he’s unyielding and firm, never backing down an inch – a strategy that consistently pays off for him. In this specific episode, he manages to tell four different crime bosses to take a hike without facing any repercussions at all. It becomes challenging to remain engaged in the tale of someone who’s seemingly always correct.
Initially, we have Cal Thresher, an oil heir and marijuana magnate, on our list. To express his gratitude for Dwight’s help in removing Thresher’s troublesome Triad associates, Thresher is open to letting Dwight decide the compensation amount. However, when Dwight proposes this, Thresher learns that he will be relinquishing his entire marijuana empire to Dwight. This revelation comes as a surprise, delivered by Dwight while pointing a gun held by his enforcer, Bigfoot. Even in the face of such intimidation, Thresher’s bravery doesn’t sway Dwight. One of the season’s primary antagonists, Thresher, leaves behind everything he’s worked hard to build out there, simply because Dwight Manfredi ordered him to do so.
As a movie buff, I find myself reflecting on the latest development in New York’s underworld: The Manfredi charm is being passed to Vince, the freshly-minted boss of Dwight’s ex-family. When Vince attempts reconciliation with his old foe, Dwight bluntly wishes he’d be struck by a bus and ends the call. You know, even the toughest “my way or the highway” types need to take a detour every now and then to keep things intriguing.
Following Bill Bevilaqua, who initially warned Dwight about the Triad danger and later contributed significantly to their elimination, requests a fair share of 50% in the subsequent cannabis business, with no additional issues arising. However, Dwight remains adamant at 25%, as Bill’s associates were responsible for Jimmy the Creek’s death. Yet, it’s worth noting that retaliation often comes full circle, and a sensible individual might opt for the deal to prevent further casualties like Jimmy the Creek. But Dwight seems unwilling to compromise!
The final fuck-you goes to Chickie Invernizzi, whose demotion from boss to messenger boy is not sitting well with him. Instead of pitching Dwight merely on a return to New York’s financial fold as he’s supposed to, Chickie makes a case of his own. From banishing Dwight to Tulsa to ousting Chickie from the top spot, New York’s rules have broken down. Chickie asks Dwight to return with him to New York, kill Vince, and restore order, presumably with Chickie on top.
Currently, it’s clear that this proposal isn’t particularly attractive. Chickie is an untrustworthy individual with a dark past, having taken his father’s life, and he’s reaching out from a place of necessity, without any backing from his kin or other New York crime syndicates. Frankly, I’d turn it down too. Moreover, Chickie’s negotiating skills are questionable at best: You can’t claim “This isn’t negotiation” to someone who controls both wealth and power. However, Dwight escalates the situation by swiftly accusing Chickie of matricide, a factual charge but certainly not one that endears you to others. Consequently, another possible agreement bites the dust due to Dwight’s overconfidence.
Despite all the deceit and manipulation, the show reaches one of its most compelling scenes. Rejected by Dwight, Chickie forms an alliance with Bill, proposing they eliminate Dwight and share his empire. Two supposed businessmen arrive at Dwight’s casino under false pretenses, discussing a questionable expansion plan across midwestern cities while dividing the profits among three parties. Once more, it seems as if Dwight is tuning them out. However, just as Chickie attempts to redirect his focus, BAM! A gunshot interrupts their conversation, taking Dwight’s life with a bullet from Bill. This final act of betrayal persuades Dwight to concede the 50% share he had previously denied, acknowledging, “You deserve it.
That object you see? It’s quite remarkable. The script for that scene is co-written by Terence Winter and Sylvester Stallone, making it unclear who deserves the credit. However, such an unexpected last-minute assassination was a common tactic in the world of Boardwalk Empire, leading me to lean towards Terence Winter’s contribution. Whoever thought of it really took me by surprise, no doubt about that. If Tulsa King were known for regularly portraying such serious gangster situations, it would make for an excellent series indeed.
Despite having more Tulsa King storylines to endure, there’s an overabundance of jokes centered around marijuana, along with Mitch’s unusual decision to film a corny commercial for his newly acquired car dealership this season in an extended plotline without any obvious resolution. Dwight enjoys the admiration of his group of outcasts, who find him endearing rather than intimidating. Tyson, who brutally murdered an innocent man last episode, shows no remorse or psychological repercussions. The absence of Dwight’s ex-girlfriend and daughter is puzzling, as they seem to have been written off the show without explanation, leaving behind a romance between Mitch and the daughter that never developed. The repeated scenes of Dwight Manfredi refusing to negotiate make him appear more stubborn than genuinely intimidating.
Subsequently, an unexpected climax unfolds when federal agents suddenly raid Margaret’s ranch under cover of night, seizing Dwight at gunpoint and transporting him to an unspecified location. A voice from the shadows instructs him, “You now work for us.” Can this American businessman outmaneuver the hidden forces of the Democratic Party’s political establishment? Given Dwight’s infallible moral compass and strategic acumen, he is poised to take charge in no time.
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2024-11-17 23:54