Studiocanal Racks Up Sales on Cedric Klapisch’s ‘Colours of Time’ Ahead of Cannes Premiere (EXCLUSIVE)

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Studiocanal has secured multiple agreements for Cedric Klapisch’s “Colors of Time” before its global debut in the main competition at the Cannes Film Festival.

Colors of Time” follows the journey of four cousins inheriting an old country home in rural Normandy. They delve into their ancestors’ past, particularly focusing on Adèle, who abandoned her small town to find her mother in 1895 Paris. In this vibrant city teetering on the brink of modernity, she encounters a flourishing avant-garde scene with photography and Impressionist art at its zenith. The screenplay was crafted by directors Klapisch and Amigorena, known for their collaborations on films such as “Peril Jeune,” “Ce qui nous lie,” “Deux moi” and “En corps.”

“Colors of Time” is a story about four cousins who get an old house in rural Normandy. They explore their family history, focusing on Adèle, who left her town to find her mom in bustling 1895 Paris. This city was at the edge of modern times and full of new creativity in art and photography. The script was written by Klapisch and Amigorena, famous for making movies like ‘Peril Jeune’, ‘Ce qui nous lie’, ‘Deux moi’ and ‘En corps’.

The movie blends elements of a coming-of-age story and family drama, featuring emerging talents like Suzanne Lindon in the lead role of Adele. Notably, she had made her mark with “Spring Blossom,” where she was both the writer, director, and star. She shares screen time with Abraham Wapler, Zinedine Soualem, Paul Kircher, and Vassili Schneider. This ensemble also includes established actors such as Sara Giraudeau, Cécile de France, Olivier Gourmet, and Vincent Macaigne.

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This film combines themes of a coming-of-age narrative and family drama, featuring the burgeoning talent Suzanne Lindon in the lead role as Adele. She gained recognition with her work in “Spring Blossom,” where she took on the roles of writer, director, and actress. Joining her are Abraham Wapler, Zinedine Soualem, Paul Kircher, and Vassili Schneider, along with seasoned performers like Sara Giraudeau, Cécile de France, Olivier Gourmet, and Vincent Macaigne.

Both versions convey the same information in natural, easy-to-read language while maintaining a similar structure and flow to the original text.

Renowned French director, Klapisch, is primarily recognized for creating films that delve into themes of youth, including “The Spanish Apartment” and “A Very Long Engagement.” StudioCanal plans to distribute this film in countries like France, Germany, the United Kingdom, Australia, and New Zealand.

Earlier this year, Studiocanal showed their project to various buyers, subsequently concluding deals with Spain (Wanda), Switzerland (Frenetic), Israel (Lev), Greece (Spentzos), Belgium (Cineart), Hungary (twice – Ads and DFW), Romania (Independenta Film), Portugal (Lusomundo), Poland (Kinoswiat), the Netherlands, Hungary again (ADS), the Czech Republic and Slovakia (Bohemia), and the Baltics (ACME).

In a chat with EbMaster earlier this year, Klapisch expressed his desire to emphasize the impact of societal and cultural transformations on women’s empowerment, as they increasingly claim their rights and seize opportunities that have become available to them.

In that particular time period, women often experienced restricted possibilities, financial struggles, and intense societal expectations, which Klapisch referred to as a ‘male-controlled environment’. Although there may have been an apparent chivalry towards women historically, the underlying truth was starkly contrasting. As he explains, things were far from what they seemed. Interestingly, the film suggests that the genuine emotions of flirting and falling in love have remained unchanged over time.

In my critique, I found that the movie skillfully explores the influence of the past on the present by employing a time-shifting narrative. This desolate house, which serves as a gathering place for the family, functions as both a physical and symbolic link between the two eras. As the director, Klapisch, eloquently puts it, this film is designed to delve into “the intricate tapestry of family ties and artistic evolution, focusing on the transformative power of impressionism and photography, as well as broader societal shifts.” The multigenerational cast in “Colours of Time,” much like the film’s expansive timeline, beautifully reflects this temporal scope.

During this era, not only technological and scientific advancements occurred, but it was also a time of artistic revolution. This period saw numerous inventions that significantly influenced society and everyday life. As Klapisch pointed out, the widespread adoption of photography towards the end of the 19th century serves as a crucial event depicted in the film.

“Colours of Time” will premiere out-of-competition at the Cannes Film Festival.

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2025-04-30 20:52