Sophie Turner on Playing a Glamorous Diamond Thief Fighting for Custody of Her Child in British Crime Drama ‘Joan’: ‘I Had That Maternal Ferocity in Me’

It’s fascinating to delve into Sophie Turner‘s journey, particularly her transformation into the ’80s world of “The Staircase.” Her ability to embody various characters and accents is truly commendable, especially considering she wasn’t alive during that era. The Scottish woman character seems to have been a fun and challenging role for her, not just because of the accent but also the sweet and innocent persona she had to portray.


Sophie Turner makes a comeback on television with a glimmer in the series “Joan,” a fresh drama revolving around a jewelry thief, famously known as “the Godmother” in the criminal network of Britain. However, “Joan” isn’t just about snatching wigs, diamonds, and pretending accents; it’s equally a tale of the immense measures a mother takes for her child (portrayed by Mia Millichamp-Long). In other words, it’s as much a story of a heist as it is a heartwarming narrative about maternal love.

When Turner, a mother herself to two daughters, found her strongest connection with the maternal love portrayed in the project when it was first presented to her. As the series is set to premiere in the U.K. (ITV from Sept. 30) and the U.S. (The CW from Oct. 2, and BritBox on Dec. 5), she had a chat with EbMaster about the hardest part of filming “Joan”, encountering the real-life diamond thief who inspired the series, and the possibility of revisiting the “Game of Thrones” universe.

How did you come to the project?

I tried out for the role since it offered a unique character contrasting with those I’ve portrayed before. My agent arranged it, and I did a single audition while pregnant with my second child, followed by another a few days postpartum. However, the timing turned out to be quite fitting given the theme of “Joan” and her struggles. I was able to channel my newfound maternal intensity during the audition, which I believe enhanced my performance.

You’ve met the real Joan – what’s she like?

About a week prior to the commencement, she was simply extraordinary – an unstoppable whirlwind of energy. Her presence instantly illuminates any space. It was truly a pleasure getting to know her.

Sophie Turner on Playing a Glamorous Diamond Thief Fighting for Custody of Her Child in British Crime Drama ‘Joan’: ‘I Had That Maternal Ferocity in Me’

How does she reflect on her experiences?

When we first encountered each other, our conversation didn’t delve deeply into her personal life. By then, the character I had in mind was already formed, and our meeting was primarily driven by my eagerness to learn more about her. Nowadays, our discussions are quite ordinary. She has a passion for interior design, which forms the core of most of our conversations, along with fashion and related topics. We mainly converse about subjects that Joan would find intriguing. I believe that she endures a great deal of reminiscence of her past through this show, interviews, and related activities. I wish to offer her some respite from those memories by discussing something more lighthearted, like the origin of her jewelry pieces, for example: “Where did you get that from?” [Laughs]

What was the most challenging part of filming the show?

Most likely, the poignant moments involving Joan’s daughter, Kelly, hold significant weight in the series. The emotional core of the show lies in the relationship between Joan and Kelly, and every scene is incredibly moving. I formed an incredibly strong bond with Mia, who portrays Kelly, and she’s truly exceptional. Consequently, it made performing all the more challenging, but in a way that was emotionally taxing – yet at the same time, less technically demanding, due to her remarkable acting skills.

You were also going through a difficult period personally, including a divorce, around the time you filmed “Joan.” Did that feed into the role at all or did you manage to shut it out?

Around that period, “Joan” was wrapping up, and by then, I had completed all my scenes with Mia. However, being a new mother to my second child during filming added an extra layer to the role. The desire to protect my kids was already there, and it resonated deeply with me while dealing with such subject matter. It stayed relevant in my thoughts. Essentially, you’d do anything for your children, even die for them, so I could empathize completely with Joan – I truly understood her predicament.

The show also explores that balance of being a mother and continuing to be a woman in your own right with your own identity. Did that resonate?

The situation was intriguing as it sparked a thought that perhaps she excels at managing different aspects of her life separately. This seems to be her style. Over time and especially since becoming a mother, I’ve come to realize that allowing oneself to be in their 20s, socialize, work, and explore is crucial for the child’s overall wellbeing. It’s all about nurturing this individual. I’m grateful they will one day understand that I go out to do these things so I can return home and spend more time with them at the end of the day. This lifestyle choice also demonstrates to them that it’s essential for me to maintain friendships and not seclude myself, which is something I struggled with in the past due to mental health issues. Now, I recognize the importance of showing them how I nurture relationships, as they learn their attachment styles from me. While Joan’s job may not be the ideal profession, ultimately, everything points back to Kelly.

Absolutely. And on a lighter note, the Eighties fashion in the show is epic. How involved were you in styling Joan?

I wasn’t more knowledgeable than our costume designer, Richard Cook. He was sourcing vintage Mugler from the ’80s and crafting outfits by hand. Since they were people who lived in the ’80s, I had faith in their choices. To clarify, I wasn’t alive during that era. However, as we all delved deeper into this Eighties milieu, and with the music we chose being from the ’80s during our preparations and fittings, everything took on a distinctly Eighties feel.

What was the most fun disguise you got to wear?

A woman from Scotland, who was simply delightful due to her endearing sweetness and innocence. The characters portrayed by Joan were typically well-off or upper class women, but this one stood out for being more innocent and vulnerable, requiring assistance. It was an enjoyable experience to perform – as well as the challenge of mastering a Scottish accent.

Sophie Turner on Playing a Glamorous Diamond Thief Fighting for Custody of Her Child in British Crime Drama ‘Joan’: ‘I Had That Maternal Ferocity in Me’
You do a lot of accents in the show! Did you work with a dialect coach?

In a fortunate turn of events, Joan’s lack of expertise in accents worked to my advantage. It struck me as a blessing when I realized this. She may not be an actor, but her childhood fascination with such lives, as portrayed on her old television, is evident. As a result, she delivers over-the-top versions of ’80s glamor reminiscent of “Dallas,” which made our scenes together quite enjoyable to perform.

Before we wrap up, I have to ask about “Game of Thrones.” Could we ever see the return of Sansa Stark?

Perhaps, under different circumstances, it might be Season 9. But since we’re not planning for one, let me put it this way – I adored portraying Sansa, and I often ponder about her current life five years down the line. Where is she now? What has become of her? Would she still be the queen of the North? Would she rule effectively? Could there be another devastating conflict in store for her? I’d be thrilled to explore this further.

You’ve also played the iconic X-Men character Jean Grey. Was there any talk of you making a cameo in “Deadpool & Wolverine”?

Indeed, what I’m trying to convey is this: There seems to be a connection at the end involving a clip from “X Men,” as I recall agreeing to something in a contract. However, that chapter of my life appears to have closed for good. Though there might still be exceptions, such as enjoying superhero-like action roles, I believe the Jean Grey narrative has run its course for me. It’s time to move on.

What’s next for you?

Recently, I completed a television program, and now, I’m moving on to a fresh undertaking titled “The Dreadful,” which is in collaboration with Kit Harington. This project shares some similarities with Robert Eggers’ style, featuring a chilling horror narrative that unfolds during the era of the War of the Roses.

Do you feel like you’ve had time away and now you’re in a moment where you’re leaning into your career more?

Recently, I’ve been experiencing a more tranquil phase in my life. I chose to focus on establishing a family and cherishing every moment with them. Now, I want them to witness my professional growth, too. On a personal note, I yearn to regain my strength and return to what truly brings joy to my existence – acting. When I’m on set, I feel incredibly happy. I consider myself fortunate to be able to harmonize the two aspects that bring the most satisfaction in my life: being a mother and acting.

This interview has been edited and condensed for space and clarity.

Read More

2024-09-28 17:17