As a film enthusiast with a deep appreciation for post-apocalyptic dramas and intricately crafted narratives, I have eagerly followed the twists and turns of Snowpiercer since its inception. The latest episode left me on the edge of my seat, gripped by the tension and suspense that has become the show’s trademark.
Two years have passed since the last instalment of Snowpiercer battled the elements, but the post-apocalyptic saga is making a comeback for one final journey as it approaches its final destination. If your memory needs refreshing about this series – which was initially cancelled by TNT, even though season four had already been filmed, only for AMC to later pick it up for its conclusion – Snowpiercer is an adaptation of Jacques Lob and Jean-Marc Rochette’s 1982 French graphic novel Le Transperceneige. This graphic novel was previously turned into a movie by Bong Joon-ho in 2013, titled Snowpiercer.
As a movie buff, I’d describe my experience watching the first season of “Snowpiercer” this way: The on-screen journey bore some resemblance to the original film, but it wasn’t an exact duplicate. In this post-apocalyptic world where the train circles a frozen Earth ad infinitum, I followed the character of the Tail section leader. His mission was to instigate a revolution for improved living conditions and expose a sinister conspiracy lurking at the front of the train.
In the finale of season three, Andre Layton, portrayed by Daveed Diggs, made a momentous decision as the leader of the Tail community, which was once made up of former detectives. He divided the remaining human population into two factions. The first group opted to remain on the Snowpiercer, content with their current living conditions, even though the train would eventually deteriorate. The second half chose to join Layton aboard Big Alice, a train under the control of Sean Bean’s character, Wilford, in search of a habitable location in the Horn of Africa.
In the fourth and last season of “Snowpiercer,” this is where the story picks up. The initial episode, titled “Snakes in the Garden,” employs a complex narrative structure that jumps between two different timeframes. The first part takes place just after the conclusion of the previous season, when the Snowpiercer comes across a rocket explosion in the distance. The second part unfolds nine months later, as those who went their separate ways have established a new community, which they’ve named New Eden.
Following three consecutive years in the cramped quarters of a train, the unusual and thrilling sight of “Snowpiercer” spending extended time outside is evident. Wide expanses of land and a flourishing New Eden community are now visible. In the past nine months, the survivors have constructed dwellings and infrastructure; they cultivate their own crops, harvest blueberries, and bake homemade bread. Alex (Rowan Blanchard) has ingeniously harnessed Big Alice’s power capabilities to sustain the entire settlement while it’s stationary. The overall atmosphere is optimistic, with a functional democratic government and periodic town meetings (even if some serve merely as an opportunity for council members to play cards).
New Eden has brought about remarkable transformations in both Layton and Ruth Wardell (portrayed by Alison Wright) from the show “Snowpiercer.” Initially, Ruth served as the train’s primary torturer before acknowledging her mistakes. Her evolution into a community leader and mayor is rewarding for her character. Wright delivers an exceptional performance, displaying genuine care for her people and composure in high-pressure situations (unlike Layton). In contrast, Layton, who was once an effective resistance leader and army commander, demonstrates his readiness to relinquish power following the controversy surrounding his deception of passengers during season three. The series acknowledges that revolutionary leaders may not excel at governing in peaceful times and that managing a rebellion and an army differs significantly from overseeing a town. Wilford recognized Layton’s talent as an orator and salesman, but given Layton’s past actions of hijacking a train resulting in deaths, it is beneficial for everyone if he focuses on other aspects.
In contrast to being unexpected, there are issues arising in New Eden. Though the inhabitants enjoy improved conditions compared to their train journeys, they’re not exactly united when it comes to welcoming other passengers. Layton proposes repairing the damaged train for Snowpiercer to join them, but some residents like Oz strongly object. There are fears that New Eden may lack the necessary space and provisions for both groups. Should they merge? After all, those who braved the risks and struggled to create this sanctuary feel entitled to its benefits. Those on Snowpiercer, however, did not take those risks or contribute to the construction process. Is it fair for them to share in the rewards? This tension lies at the heart of Snowpiercer, a series that since its debut has explored the survival politics and the challenge of distributing resources during an apocalypse.
Amplifying the problem, an unidentified adversary is undermining New Eden. Initially, they cut off the power source, followed by damaging the communication system. The scenario raises questions about whether this is a human menace or something more enigmatic. Intriguingly, the series subtly alludes to the supernatural, as portrayed in last season’s exploration of visions. Characters like Layton are haunted by apparitions of Jennifer Connelly’s Melanie. Clayton receives a vision guiding him towards the Horn of Africa for refuge after experiencing a vision involving a tree following an accident at a nuclear reactor. Furthermore, Oz is tormented by voices conversing in an unknown language – Gaelic – adding another layer to this captivating enigma that mirrors the first season’s murder investigation.
Despite the ongoing debate about whether the events at New Haven are divine retribution or sabotage from an upset resident, it’s essential to act swiftly. The ominous presence of Lena Hall as Miss Audrey on a track scaler, warning the New Eden inhabitants of “they’re coming,” and the unexpected arrival of a snowcat, signifies a human danger. Unfortunately, by the time Layton realizes this, it may already be too late. Tragically, Dr. Headwood (Sakina Jaffrey), in collusion with a heavily armed soldier, plots to seize Layton’s baby, leading to the fatal consequences of Zarah (Sheila Vand)’s death – Layton’s ex-wife and mother of his child – who is pushed off a cliff during the chaos.
Nine months ago, I recall that day when Ben (Iddo Goldberg) and Till (Mickey Sumner) stepped outside the Snowpiercer to examine the rocket. Unbeknownst to them, they were about to be confronted by the very same heavily armed soldiers who would later take Zarah’s life. These soldiers infiltrated the Snowpiercer on a mission to locate Melanie. Oh, hello again, Snowpiercer! It seems we’re in for another thrilling ride filled with chaos.
Tailie Thoughts
Couldn’t Dr. Headwood’s strong commitment to Mr. Wilford be suggesting a role in the baby theft? He conducted experiments on the unborn child, apparently enhancing its ability to withstand cold temperatures, yet the motive behind this remains unexplained.
I’ve spent years working in conflict zones around the world as a humanitarian aid worker, and let me tell you, there’s nothing peaceful about a group of soldiers led by someone who introduces themselves as part of an “International Peacekeeping Force,” especially when each soldier has a different animal theme and their leader is menacingly portrayed by Clark Gregg. In my experience, anyone showing up at your doorstep with what appears to be a death squad is the last thing you’d call peaceful.
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2024-07-22 19:30