Sammo Hung Keeps Action Real While Hollywood Follows: ‘I’m Preserving the JC (Jackie Chan) Style, not CG’

Sammo Hung, a martial arts legend, has experienced a wide range of cinematic events. He fought alongside Bruce Lee in “Enter the Dragon” (1973) and later directed action for Donnie Yen in “Ip Man” (2008). This year, he’s presiding over the jury for the Asian Film Awards, shaping the future of cinema that he significantly impacted. The man who shaped Hong Kong action movies for many generations is now assessing its upcoming trajectory.

The venerable action star, age 73, who has been in the business for more than five decades, effortlessly moves between acting, directing, and producing, creating some of the most impactful martial arts films in movie history. When questioned about how martial arts choreography has changed from its classic Golden Harvest days to today’s spectacular displays, Hung remains thoughtful. “I believe there isn’t a significant change,” Hung says to EbMaster. “It continues to advance with time and adapt to trends.

Hung’s partnerships with Jackie Chan and Yuen Biao have left an indelible mark on action cinema, creating countless unforgettable scenes. “We’ve always had a treasure trove of great memories for every film we worked together on,” he muses. “For example, ‘Project A’ and ‘Dragons Forever.’ These two movies in particular hold fond memories from our time working together.

In an age where digital effects rule supreme, Hung underscores the tangible realism that characterizes Hong Kong action films, while still appreciating contemporary methods. “I’m maintaining the essence of JC-style,” he states, “not relying on CGI. I may not be well-versed in computer graphics, but we continue to utilize our bodies to convey, to impart the power and personality.

He’s prompt to explain: “I’m not implying that computer graphics is poor, but rather, we need to consider the correct application of it.

Among all his various positions in the field, Hung finds directing to be the most demanding. “If I were a producer or an actor, I’d have time to ponder over my decisions and prepare myself. But as a director, every moment, every second is crucial for thinking and planning what needs to be done.

Regarding Hollywood’s adoption of Hong Kong action styles, Hung remarks: “Hollywood has been mimicking the action sequences from Hong Kong films. They’ve been adapting to the trends and filmmaking techniques originating in Hong Kong.

Hung’s distinctive combination of physical skill and humor sets him apart. “For me, personally or in terms of my character, I believe it’s crucial to include comedy in action movies,” he shares. “I don’t just produce kung fu or martial arts films; I create movies that people can find entertaining and enjoyable.

As a seasoned cinema connoisseur, I can confidently say that my affections are evenly distributed across my vast body of work. “For each movie I’ve graced with my presence, I fervently hope that viewers will find something to adore.

Hung reflects that the art of martial arts filmmaking has undergone a substantial transformation since he started in the 1960s, as demonstrated by “Twilight of the Warriors: Walled In,” an action drama released in 2024 which shattered box office records in Hong Kong and was selected as their Oscar entry. “The essence or the expectation of what a kung fu or martial arts film should embody has shifted significantly.” In earlier times, once the story and characters were established, production could proceed smoothly. However, today, this process is much more intricate.

As he’s grown older, his physical abilities have been affected, but his dedication remains unwavering. “In my younger days, I was capable of performing many more action-packed stunts than I am now. With the passage of time, I find myself not as agile as before, but I make every effort to give my best and continue doing what I can within my current limits.

Reflecting on my past and present collaborations, I noticed a notable shift between working with Bruce Lee and Donnie Yen. While Bruce was the one giving instructions during our time together, as he was undoubtedly in charge, my role with Donnie Yen has reversed – now it’s me who provides the guidance. This change is quite remarkable.

When inquired about genres he hasn’t attempted yet, Hung playfully remarks: “The only type of story I haven’t delved into might be those filled with passionate, sensual moments.” Asked if he’d be interested in exploring such themes, he humorously replies: “Given the opportunity, absolutely!

As an up-and-coming action filmmaker, Hung’s guidance is invaluable: “To begin with, luck plays a significant role. They need to be fortunate. I’m not downplaying the importance of hard work, but in Cantonese, we have an idiom that encapsulates this – you must put in the effort, but remember, you also need to wait for your luck to come knocking.

Regarding his legacy, Hung aims to motivate future filmmakers. “At the moment, I find it challenging to create films similar to those of my past. It’s almost impossible. What I aspire is for upcoming directors to view my old movies, learn from them, and draw inspiration. Ideally, they would then return the favor by inspiring me as well – that would be truly wonderful.

The Asian Film Awards take place Sunday, after which Hung is attending Hong Kong FilMart.

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2025-03-15 12:47