As a movie critic who grew up in a small town where diversity was as scarce as rainbows, I can wholeheartedly say that “RuPaul’s Drag Race” is not just a television show; it’s a beacon of hope and representation for countless individuals worldwide.
Category is: “Political or entertainment?”
From the very start on Logo TV back in 2009, “RuPaul’s Drag Race” has transformed from an underdog into one of television’s most popular shows, collecting accolades and attracting prominent admirers throughout its journey. However, what truly sets it apart is its role as a sanctuary during these divisive times for the LGBTQ+ community, offering a beacon of joy and acceptance. As a passionate movie lover who cherishes such heartwarming stories, I can’t help but be inspired by this extraordinary show.
Absolutely, the series features eye-catching costumes, acrobatic feats, and fierce lip-sync battles, with RuPaul, the ultimate queen of drag, at its helm. However, given the increasing efforts by various states to enact discriminatory laws against LGBTQ+ individuals and limit drag performances, the show has evolved into a vital platform for self-expression and camaraderie. Moreover, since RuPaul views drag as a form of political expression, the program maintains a strong political relevance without being explicitly political in nature.
Michelle Visage, who serves as judge, producer, and host of the upcoming “Drag Race Down Under,” states that the series was not intended to be politically charged but rather sees drag itself as a political act. For them, it’s a declaration, it’s a middle finger to society.
Amidst an increase of anti-LGBTQ+ laws within the nation, the production company behind the franchise, World of Wonder, teamed up with the ACLU to establish the Drag Defense Fund. This fund invites donations and support for the ACLU’s advocacy for LGBTQ+ rights. Additionally, at the conclusion of each episode, the queens prompt viewers to register to vote. Notable guest judges have been former house speaker Nancy Pelosi, Rep. Alexandria Ocasio-Cortez, and most recently, Vice President Kamala Harris, who appeared on the “All Stars” finale and encouraged registration. Her appearance coincided with her announcement of a presidential candidacy the following week, making it quite a timely event.
In many of the show’s competitions throughout its seasons, music has been a prominent element. However, in Season 16, there was a political spin as the contestants were asked to sing “Power,” a song penned by guest judge Leland. The lyrics underscored the importance of voting and empowerment.
Choreographer Jamal Sims took Leland’s melodies and words and turned them into dance: “What we wanted to express was the motivation for people to get out and vote, and how can we achieve that with dance, singing, and music?”
Given the tight schedule of the show, I’m only afforded short stints on camera to instruct the queens on their choreography. “For each queen, I have a quick 15-minute slot for their solo performance, followed by the group performance,” I elucidate. Time is my adversary in this fast-paced production, but it’s a skill I’ve honed over time. “I can make swift decisions and disseminate information rapidly. I know how to work efficiently.”
In terms of enhancing the queens’ performances, he tailored his approach based on their individual skills. Some excel in dance, some have no prior experience, some grasp choreography easily while others struggle with it,” he explains. As Sims orchestrated the dance moves, his primary aim was to express both the song’s power and amplify the dance. “I want to ensure that the music’s message is conveyed through the dance movements,” he says.
Beneath the wigs, the glamorous appearances, lip-sync performances, and maxi-challenges, each season is distinct due to the fresh crop of contestants, or queens. As Visage explains, “This brings new narratives and characters that people can identify with. It offers new individuals who viewers can comprehend and see themselves reflected on television.”
This season was no different.
Season 16 introduced some formidable queens to the series, among them was the ultimate winner, Nymphia Wind. Notably, Wind made history as the first East Asian queen to claim the title. With her victory, she gained a worldwide stage to “voice for children in Taiwan or all Asians alike,” as she stated. “Growing up, I lacked representation in Western media,” Wind added.
The enchantment unfolds during the selection process. Goloka Bolte and her crew scrutinize endless audition videos, indeed, they carefully review each and every one, in search of fresh talents to crown as the new queens.
“Bolte is seeking out those exceptional queens who consistently bring something new to the world of drag performance,” he says. While innovative styles are key, “our aim is to create a team that embodies diversity and showcases various aspects of the drag community.”
That diversity helps. The discussions of homophobia, body shaming, HIV, conversion therapy, rejection, mental health, abuse and gender identity not only helps kids learn about and understand the struggles, but the show also helps educate parents in how to have meaningful conversations.
As a supporter since Season 3, I’ve gained priceless insights from this show and the queens. Being a parent to a queer child, I must admit that this program has significantly broadened my perspective. I acknowledge that it’s not just the show or the queens, but also my children who have been instrumental in keeping discussions flowing about various topics. Growing up, my family and I didn’t engage in any conversations, let alone those concerning sexuality.
As a devoted movie enthusiast who’s been part of this beloved series for twelve seasons, I’ve witnessed our beautiful nation transform, and not always for the better. Yet, this show serves as a powerful unifier, bridging gaps across the country, even in places where communities face adversity. On the nights we air new episodes, you can find crowds gathering to share in the experience. It’s heartening to know that our production offers an escape, allowing people to engage with stories that mirror their own struggles, offering a respite from the daily barrage of negativity. As Gianna Costa puts it, “It’s comforting to have a show that people can connect with, hear tales that might echo their own experiences, but also provide a temporary relief from the constant stream of negative news.”
Drag isn’t just an artform, it is a powerful tool of self-expression. Week after week, the queens bringthat into homes. Their stories are relatable and always of hope. “Drag Race” has infiltrated the world
and mainstream culture in more ways than can be listed. As it continues to make Emmy history with its wins and historic nominations, the show remains one of the most essential shows on TV.
“Drag Race” stands out by accomplishing what many struggle with. As Visage puts it, it’s a venue where everyone can feel accepted and included.
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2024-08-22 00:48