REVIEW: “The Piano Lesson” (2024)

As a cinephile who has spent countless hours immersed in the rich tapestry of cinema, I can confidently say that “The Piano Lesson” is a masterpiece that showcases the immense talent of rising star John David Washington and marks the promising directorial debut of Malcolm Washington.


In this contemporary era, the movie industry faces challenges in various aspects, yet it’s also a time when fresh talent is making significant waves in the world of cinema. One such promising name is John David Washington, a rising star who shares acting genes with his illustrious father, Denzel Washington. Already, he has built an impressive and diverse filmography, collaborating with esteemed directors like Spike Lee, Christopher Nolan, and David O. Russell.

As a movie enthusiast, I must say that Denzel Washington shines brighter than ever in “The Piano Lesson.” This captivating production is part of August Wilson’s extraordinary “The Pittsburgh Cycle” – an impressive collection of ten plays, each delving into different decades within the Steel City. Wilson sought to present a unique perspective on the African-American experience during the 200th century. The Washington family has a rich history of adapting such powerful works to the big screen.

It’s noteworthy that Denzel Washington garnered a Tony Award for his stage portrayal in “Fences”, the third installment of August Wilson’s Pittsburgh cycle. Later, he directed a highly praised movie version of “Fences” that received four Oscar nominations. Now, the family’s link to Wilson’s work persists with “The Piano Lesson”, a film boasting one of the top acting ensembles in 2024 and an outstanding directorial debut from Malcolm Washington, Denzel’s youngest son and John David’s brother.

REVIEW: “The Piano Lesson” (2024)

In the vein of other August Wilson adaptations like “Fences” and “Ma Rainey’s Black Bottom,” the film version of “The Piano Lesson” preserves its stage origins noticeably. However, Malcolm Washington, who also co-wrote the script with Virgil Williams, skillfully translates the story to the big screen in a manner that goes beyond perceived constraints. He recognizes that “The Piano Lesson” is a drama brimming with characters and performances, giving the actors ample room to breathe and fully embody their substantial roles.

Mostly, the film takes place in Pittsburgh during 1936, following the Great Depression, after an intriguing and meaningful prologue. The story then presents us with characters Boy Willie (played by John David Washington) and his friend Lymon (Ray Fisher). They have traveled from Mississippi in a truck loaded with watermelons, intending to sell them in Pittsburgh. However, Boy Willie harbors additional concerns beyond their business endeavor.

In Pittsburgh’s Hill District, Boy Willie stops by his sister Berniece’s home, where they reside with their Uncle Doaker Charles. Through heartfelt discussions, we uncover the intricate family background and the bonds that have endured through the years. Additionally, we gain insights into Boy Willie’s significant ambitions, which revolve around an aged family piano he intends to sell.

REVIEW: “The Piano Lesson” (2024)

The issue at hand is that Boy Willie requires Berniece’s consent for his plans, yet she refuses to grant it. He intends to use the funds to acquire a piece of land in the South that was once owned by their ancestors’ slave master. On the other hand, Berniece insists on keeping the heirloom as a reminder of their ancestry and its historical significance. Their contrasting views on confronting the past and forging ahead are clearly evident in their frequent disagreements.

The show’s performances are mesmerizing all around. Each actor delves deep into a raw emotion that some characters conceal more than others. They manage to maintain the story’s realism with sprinkles of humor and affection. John David Washington radiates charm, Samuel L. Jackson is magnetic, and Danielle Deadwyler, who was unfairly overlooked for an Oscar nomination in “Till”, delivers a tear-jerking performance. Ray Fisher, Michael Potts, and Corey Hawkins also deliver standout performances in their significant supporting roles.

In the play “The Piano Lesson,” there’s a hint of the mysterious or supernatural element which might astonish some spectators, but it’s crucial to Wilson’s vision and symbolizes decades of family pain that eventually erupts. The story builds up to a moving climax in this insightful and confident adaptation from stage to screen, establishing Malcolm Washington as a filmmaker worthy of attention.

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2024-11-22 18:56