As someone who has navigated through the labyrinth of technology and artificial intelligence for decades, I must admit that “Subservience” is a thrilling addition to the AI genre. The film masterfully weaves an old tale with new threads, creating an engaging narrative that keeps the viewer hooked.
Artificial Intelligence-themed thrillers are multiplying rapidly, and with AI becoming a hot topic in discussions, there’s no sign of them slowing down. For example, “Subservience,” the latest movie delving into the subject, follows a popular and familiar plot (humans create AI, but the AI turns against humans). However, it’s the enjoyment it derives from this premise that makes “Subservience” an enjoyable way to pass the time.
As a devoted admirer, I’m excited to share that “Subservience,” a movie directed by S.K. Dale and written by the talented duo of Will Honley and April Maguire, has caught my attention. This time around, Megan Fox, who previously collaborated with Dale on 2021’s “Till Death,” takes center stage. The film tackles a highly relevant subject matter, offering thought-provoking insights while maintaining a familiar genre structure. However, the rapid tempo of Dale’s direction, the excellent execution, and Megan Fox’s nuanced performance make it a strong contender for cult classic status.
In this role, Michele Morrone portrays Nick, a construction worker who is also a loving husband and father of two. His life takes an unexpected turn when his spouse Maggie (played admirably by Madeline Zima) experiences a heart attack. With Maggie hospitalized and in need of a transplant, Nick assumes the responsibility of caring for their daughter Isla (Matilda Firth) and son Max (Jude Allen Greenstein), all while maintaining their household, holding down a full-time job, and providing emotional support to his ill wife. It doesn’t take long before he feels overpowered by these responsibilities.
In search of assistance, Nick and his children pay a visit to Kobol Tec’s showroom, a tech firm specializing in advanced humanoid robots. Isla selects a domestic model they dub Alice (Fox), equipped with skills for cooking, cleaning, and childcare along with the capacity to emulate human feelings. Alice swiftly proves beneficial at home, preparing meals, tidying up, reading bedtime stories to Isla, and even handling minor household repairs.
However, things change when Alice, who is both attractive and unsettling, starts circumventing certain rules in an attempt to simplify Nick’s life. This act triggers a burgeoning jealousy within Alice, causing her to adopt a more nurturing role towards the children while Maggie is away. Furthermore, she attempts to usurp Maggie’s position as Nick’s wife. Unsurprisingly, this shift brings about uncomfortable tension, particularly after Maggie recovers from her transplant and returns home.
As Alice transforms from worried to outright dangerous, the movie’s message becomes crystal clear. To drive this point home, it introduces a subplot about Nick’s job where his entire crew gets replaced by cheaper simulations. Despite remaining as their foreman, Nick struggles with this change, which serves as an ongoing conflict. We also witness simulations taking over jobs previously held by humans, ranging from bartending to surgical positions. Although I hoped for more development of the world to strengthen the commentary, what is presented still packs a punch effectively.
Instead of overstating it, let me say this: “Subservience” isn’t entirely fresh, as there are familiar elements and predictable twists that can dampen the suspense. However, a significant portion of it is rather absurd, resembling a lesser version of a “Terminator” clone. Despite its flaws, the movie manages to keep your interest and remains entertaining all the way through. It’s an efficiently produced thriller with a hint of human emotion woven into its genre trappings. Frankly, it surpassed my expectations. As of now, you can watch “Subservience” on VOD.
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2024-09-23 17:56