As a devoted fan of Ti West’s “X” film series, I was eagerly anticipating his latest installment, “MaXXXine.” Having been both underwhelmed and pleasantly surprised by the first two films, my expectations were a mix of excitement and trepidation. West’s unique style and penchant for genre-bending storytelling had me intrigued, but I was also wary of the potential for another uneven experience.
As a film enthusiast, I’ve been on an exhilarating journey with Ti West’s “X” film series so far. His debut film, “X,” was marketed as a loving tribute to slasher movies, but in my opinion, it fell short. Instead of delivering a genuine homage, he spent too much time exploring other interests, resulting in a watered-down imitation.
As I eagerly anticipated “MaXXXine,” the third installment in the captivating trilogy following “X,” I found myself pondering what to expect, given the impressive cast addition in this direct sequel. Mia Goth, our series lead, graces us once more with her presence. And what a transformation! Joining her is an illustrious ensemble, boasting the talents of Kevin Bacon, Elizabeth Debicki, Bobby Cannavale, Michelle Monaghan, Giancarlo Esposito, Lily Collins, Halsey, and Moses Sumney. The difference in scale from the first two films is palpable, and the arrival of such renowned actors undeniably amplifies the supporting roles.
In a departure from its previous small-town backdrop, “MaXXXine” moves to the gritty 1985 Los Angeles scene, where the gruesome Night Stalker killings dominate the news headlines. Amidst this chaos, 34-year-old Maxine Minx (previously known as Goth) is in Hollywood, unyielding in her pursuit of fame. When she isn’t consuming cocaine or performing at peep shows, Maxine has managed to make a name for herself in the adult film industry.
As a fan, I’ve noticed that West is passionate about painting Hollywood as a harsh, gritty world. However, in his eagerness to showcase exploitation, it seems he may be treating his own characters unfairly. His retro fixations often overshadow the storyline, depth, and thematic consistency. The result is a flat and superficial experience, where 80’s nods and Hollywood references dominate, instead of adding richness to the narrative. Even the sleaze he immerses his audience in feels more like an artificial creation by West, rather than an authentic representation of a particular era.
After years of hard work and perseverance, Maxine is given a major role in her first genuine film production, titled “The Puritan II: A New Terror.” This horror sequel is helmed by the formidable Elizabeth Bender (Debicki). However, as Maxine revels in the joy of seeing her dreams materialize, she faces an unexpected challenge. A persistent private investigator, portrayed comically yet excessively by Bacon, is hot on her trail, representing a client intent on disclosing Maxine’s past violent actions.
As a seasoned detective with years of experience under my belt, I’ve seen it all – from petty crimes to gruesome murders. But this latest case has me baffled. Maxine, a woman I once knew in the red light district, is now living a seemingly successful life. Yet, her old friends are turning up dead one by one, drawing the attention of two tenacious L.A. cops.
From a cinephile’s perspective, I must admit that “MaXXXine” is a visually stimulating experience with an intriguing premise. However, I cannot help but feel that its potential is left untapped. The filmmaker seems to have bitten off more than they can chew, trying to incorporate an excessive number of ideas and influences into the narrative.
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2024-07-16 15:56