Minority Mindset

Okay, HUNTR/X fans, listen up! If you missed seeing your faves on the big screen, you’re in luck! To celebrate Halloween, *KPop Demon Hunters* is getting another run in theaters! From October 31st to November 2nd, you can catch it at AMC, Regal, and Cinemark locations. And it’s not just in the US and Canada – they’re bringing it to Korea, the UK, Mexico, Ireland, Spain, Germany, Brazil, Australia, New Zealand, Argentina, Chile, and the Netherlands! What’s super exciting is that this is the first time *KPop Demon Hunters* will be shown in theaters in Korea, the Netherlands, Spain, Germany, Ireland, and all across South America! I’m so hyped!

Similar to *Yellowstone*, *Lioness* is one of the few shows not continuing with a new season in 2025. Taylor Sheridan’s other dramas, *Tulsa King* (Season 3) and *Mayor of Kingstown* (Season 4), will be back this fall, and *Landman* Season 2 will stream on Paramount+ in November. Despite this, a third season of *Lioness* should be good, particularly with familiar actors from Sheridan’s other projects involved.

Released more than ten years after the first film, *The Texas Chainsaw Massacre Part 2* feels like a natural continuation of the story. It introduces a new group of victims and expands on the terrifying history of the Sawyer family, also featuring new characters who have become franchise staples. Beyond its entertainment value, the film cleverly uses a common Hollywood technique – and when executed well, as it is here – a sequel can often be even better than the original.

Rebecca Miller’s film, *Mr. Scorsese*, isn’t a traditional documentary but rather a portrait of the director’s life and career. Across five episodes, Miller covers a vast amount of ground, from the formative stories of Scorsese’s childhood – which shaped films like *Who’s That Knocking at My Door* – to the production of his latest movie, *Killers of the Flower Moon* (also an Apple TV+ project).

Netflix rarely releases movies in theaters, but they’ve started doing limited releases for some of their bigger films before they stream online—like they’re planning to do with the new *Knives Out* sequel. However, they’ve never re-released a movie in theaters months after it was already available on Netflix. Now, *KPop Demon Hunters* is breaking that pattern.

The eight-part series, *The Ed Gein Story*, chronicles the life of Ed Gein, from his upbringing and relationship with his mother, Augusta, to the crimes he committed – both proven and suspected – in the 1950s. It also covers his time in a mental institution and ultimately, his death. A surprising part of the series depicts Gein assisting the FBI in solving the Ted Bundy case. When exploring the lives of such infamous individuals, understanding the true events surrounding them is crucial.

The new *Bosch* show, *Bosch: Start of Watch*, will be different from previous installments, as it explores Harry Bosch’s early days as a rookie police officer – something Michael Connelly hasn’t focused on much before. Traditionally, each *Bosch* season adapts one or two of Connelly’s books, but this one is set in 1991 and follows a 26-year-old Bosch as he investigates a major heist and widespread corruption, putting his principles to the test. (Don’t worry, he remains dedicated to his job!) Unlike other *Bosch* series, this one will stream on MGM+ instead of Prime Video. But fans can still get their fix with the recently renewed second season of *Ballard*, or by watching *The Lincoln Lawyer* on Netflix – did you know the two shows share a universe, as Bosch and the Lincoln Lawyer are half-brothers? A fun fact to share at your next gathering!

You’ve almost certainly seen the work of Drew Struzan, even if you don’t know his name. He created iconic movie posters for films like *The Thing* and the *Harry Potter* series, and essentially defined the look of the modern blockbuster. His paintings were known for their smooth, radiant quality – they seemed to glow and hinted at the magic within. These posters promised exciting adventures, memorable characters, and high production values. Beyond that, his work, especially the *Indiana Jones* posters, linked the new wave of blockbuster films to the classic glamour of Hollywood’s Golden Age. They marked a shift away from the grittier style of the 1970s and signaled a return to big, glossy visuals and sweeping scores.