In Brief: Litecoin, like a phoenix from the ashes, rises 9% amidst the digital currency desert, with speculators whispering of $135 breakthroughs and subsequent orgies of profit. And what of the fabled LTC ETF? Its likelihood, they say, is as certain as the sunrise, with a probability surpassing 80% by the year of our Lord, … Read more
Third Ear Studio, a Scandinavian podcast production company, is also merging with the two film and TV production groups.
Cinétévé, based in Paris, has collaborated with France TV and Be-Films from Belgium to create ‘Danger in the Valley’. This thrilling production is set to debut at the February 23rd-27th edition of MIP London.
The world of gaming is a dynamic blend of friendship, competition, and a dash of turbulence, yet when it comes to charitable endeavors, gamers frequently unite. Bethesda’s recent auction serves as a testament to the potential of gaming to surpass mere entertainment and foster something meaningful. As stated by user _Robbie, while some may grow disenchanted with Bethesda’s games, they acknowledge the company for channeling the auction earnings towards a noble cause – Make-A-Wish. This spirit of giving is evident as users engage in discussions about charity within the gaming sphere, with many advocating for more developers to emulate Bethesda’s actions. Indeed, who wouldn’t wish for their favorite game series to contribute to charitable organizations? It’s all too simple to adopt a skeptical outlook on game publishers, but when they utilize their power for the greater good, it’s challenging not to feel a sense of admiration.
To defeat all the geniuses in the Suicide Squad universe, one needs an extraordinary level of determination. A gamer called “dasal95” described their adventure, saying they defeated the third brainiac after spending 24 hours playing. For those who aren’t experts at calculating game time, this is roughly equivalent to a whole weekend of continuous gaming. The twist? They admitted that to face the next brainiac, they had to level up to 35 first. To put it in perspective: after exhausting yourself for 24 hours straight playing games, you think you’re getting close to finishing, but then realize there’s still another significant hurdle requiring even more gaming time. It’s like eating a large meal and finding out you have to wait a bit longer before dessert is served.
The opinions in the comments span a wide range, mostly debating whether the next Suicide Squad game should explore the past or venture into new grounds. User NateHohl initiates this discussion with two captivating ideas: a game predating Arkham Asylum’s events or a story focusing on the Bat Family following Arkham Knight. The former idea, given the departure of Kevin Conroy as Batman, presents both risk and nostalgia. However, this approach might bring back Roger Craig Smith as Batman, yet it could create uncertainty about the gravity of a narrative leading to a predetermined dark outcome. On the other hand, exploring a post-Arkham Knight universe, as suggested by NateHohl, could provide novel experiences, though it may seem like missed potential considering the revelations in the recent series.
The deal was worked out by Melissa Boag (executive VP of Shout! Studios), Mark Balsam, Bruce Eisen from Eisen Law, Steven Katz (VP of business affairs at Shout), and Werner Kienberger (film writer and producer from Plaion). Sola Media is transferring the rights for the remaining territories during Berlin’s European Film Market.
In collaboration with Luminous Beast, Wild Sheep – a production company led by Barmack, who was previously in charge of international originals at Netflix and oversaw popular series like “The Witcher,” “Money Heist,” “Kingdom,” and “Sacred Games” – will co-produce the show titled “Good Bones.
The main issue at hand revolves around the character models, as numerous users have observed apparent flaws leading to what they consider as disastrous alterations in the faces of cherished characters. User “AlfaMr” articulated this observation concisely: “It seems there’s something peculiar about the faces in certain models, as others have mentioned, there appears to be an issue with the chins.” This problem is often encountered in gaming, where even a small detail like the chin can significantly impact the overall experience. Players reason that if the fundamental aspects of facial structure are not accurately portrayed, it can cause discomfort and disrupt the immersion in a game featuring gods performing grandiose actions. It’s somewhat ironic, as encountering the Mona Lisa with an unibrow in an art gallery would feel equally incongruous—it simply doesn’t fit!
As a devoted enthusiast, I eagerly awaited the arrival of Smite 2, dreaming of an eye-catching revamp that symbolized the pinnacle of contemporary gaming. Yet, it appears that instead of a grand masterpiece, many players feel they’ve been given a refurbished edition of their beloved companions adorned with slightly more polished armor. F4ll3nKn1ght aptly captured the collective disappointment, stating, “The primary flaw in Smite 2 is its character design quality.” He emphasized that while some characters seemed more vibrant, they often missed the mark—they weren’t merely off-target; they forgot their art supplies! We anticipated that transitioning to a cutting-edge engine would result in captivating, innovative designs. However, it feels like they slapped a fresh coat of paint on an old, rusty toy. Ouch indeed!