Minority Mindset

As a newbie gamer diving into Destiny 2, I can totally relate to Acrobatic_Airline605’s post. The initial journey into this game has been quite the roller coaster ride for many of us. A common theme that emerged in our discussions is that the “New Player Experience” has been tough for years now.

Acrobatic’s queries about the free-to-play model, multiplayer aspects, and the structure of the campaign weren’t just idle chatter; they echoed the confusion that many, including myself, have experienced.

One user, OneFinalEffort, broke down the game’s narrative landscape in great detail. It’s a vast, fragmented terrain with major campaigns and seasonal stories that are both rich and disjointed at times. For fresh Guardians like me, it sometimes feels like trying to solve a jigsaw puzzle with only half the pieces, before we even get into the different game modes like strikes and raids.

Navigating what’s essential can be tricky when the player guide references a history that spans multiple expansions and eras. It’s like being dropped into a foreign land without a map!

According to Sluggs_, in the second battle against the Shrieker bosses from the Sundered Doctrine, critical hits don’t seem as effective as they once were. Even when crit indicators appear, the damage dealt is often insignificant. This observation resonates with players who are doing everything correctly—landing perfect shots, increasing crit chances, and still seeing base damage numbers instead. ImawhaleCR humorously pointed out that their weapon, the Queenbreaker, which relies on critical hits, made their solo missions painfully unproductive—two entire phases and only about 10% of the required damage dealt. This level of performance could certainly dampen one’s enthusiasm. Many players have expressed a sense of perplexity over the underlying mechanics, feeling more like puzzled kittens trying to understand how a can opener works rather than powerful Guardians vanquishing formidable foes.

The supporters of Nanako raise insightful observations, revealing that our beloved character is not just a sugar-coated exterior but also has hidden depths. User Rare-Income-8417 recounts an instance during the summer festival when Nanako reminisces about her father, Dojima, teaching her target shooting. This tidbit of history hints at Nanako’s ability to handle herself in self-defense situations. They confidently assert that she would effortlessly outmatch any opponent, implying that she might suddenly produce a toy gun from behind her innocent grin. If there’s any form of combat training involved, they suggest that Nanako would undoubtedly outmaneuver Maiko, perhaps visualizing her gracefully moonwalking around danger while still holding onto ice cream cones.

The discourse highlights the profoundly personal nature of the relationship with these songs for many participants. One participant shared a poignant memory connected to “Memories of You,” admitting it’s one of only two tracks that always brings them to tears. For numerous players, this music resonates deeply with significant moments in their gaming experience, amplifying their emotional attachment to the storyline. The ability of music to stir up memories of triumph or sorrow is especially powerful in games like Persona, where the narrative frequently explores weighty themes such as friendship, loss, and self-discovery. Another user added to the discussion, emphasizing the nostalgic feelings associated with songs like “Burn My Dread,” pointing out that certain tunes remain timeless reminders of their in-game adventures even after the game’s conclusion.

In their early experiences of game development, many Reddit users agree that it’s important to begin at the very beginning, just as one emerges into the world. One user humorously put it, “As soon as my mom tossed me out of her tummy, I started from scratch—with only my two little baby hands and a dream.” This amusing analogy underscores a shared perspective among new developers: everyone must start somewhere, even if that starting point feels as unready as a bird learning to dance ballet. For some, the initial dip into game development took place on platforms like Unity or GameMaker, which, despite their power, can appear overwhelming for beginners. Others experimented with creativity through level editors in games such as LittleBigPlanet, where they began to explore fundamental programming concepts in a manner that felt more like play than academic study.

Creating a compelling trailer within a brief 15 seconds is similar to pulling off an impressive magic trick – one misstep, and the entire act crumbles. As underscored in the comments, “You’re a swift, shooting thing that looks awesome!”, it’s crucial that the trailer delivers captivating visuals promptly, or viewers may be left puzzled about the overall experience. The challenge isn’t merely in the visuals but in the narrative as well. The trailer must succinctly introduce the game’s concept to entice potential players while simultaneously racing against time. This demands developers to carefully select the most important and attention-grabbing aspects of their game to present in the limited timeframe available.