Supergirl Movie Budget Revealed In New DCU Report & If It Cost More Than Superman

A new report from Forbes revealed the budget for the upcoming Supergirl movie: $200 million. For comparison, the recent Superman film starring David Corenswet cost $225 million to produce after accounting for tax benefits and incentives. That film, released in 2025 by James Gunn, earned $616 million at the box office, making it the year’s highest-grossing superhero movie.

Andor Has Officially Ruined Star Wars

Andor isn’t just a fantastic Star Wars show; it’s a truly exceptional series, period. While Disney+ has had some successes and failures with Star Wars – like the well-received Ahsoka and the more controversial The Book of Boba Fett – nothing compares to Andor’s overall quality. Even The Mandalorian, with its popular character Din Djarin (Pedro Pascal), doesn’t quite reach Andor’s level of excellence.

She’s Leaving Review: Unique Forensics Mechanic Amidst Barebones Gameplay

I felt compelled to discover what made this game special. The appeal of ‘She’s Leaving’ lies in its unique approach to the survival-horror genre. While many excellent games exist in this space, none before have allowed players to experience the game as a police officer utilizing authentic forensic techniques. The developers at Blue Hat Studio meticulously researched real-life forensics to ensure the game felt genuine and realistic.

DC Officially Confirms Killer Moth’s Design For Batman’s New Appearance

Killer Moth, with his winged suit and brightly colored design, seems like a better fit for the lighter tone of James Gunn’s DC Universe than the darker world of Matt Reeves’ The Batman. Considering we’ll likely have to wait a while for The Brave and the Bold movie, it’s great to see Batman’s new TV series featuring this often-overlooked villain in an unexpected way.

The Best TV Shows of 2025

2023 and 2024 were turbulent years for television. Strikes by writers and actors, combined with California wildfires, halted production and led to job losses. Financial struggles at companies like Warner Bros. Discovery, Paramount, and Disney (with the planned elimination of standalone Hulu) created a lot of anxiety about the industry’s future. Despite all this, some shows proved that TV still has incredible potential. The best series of the year felt deeply connected to the real world, prompting viewers to really see what’s happening around them. One show even featured Malin Åkerman finding creative ways to use a particularly strong word – a testament to the power and freedom of the medium.