Hans Zimmer on His Most Unusual and Underrated Scores
As a film enthusiast myself, I must admit that not many artists outside the realm of pop stardom can pull off the kind of tours Hans Zimmer has been executing for the last few years. Beyond being a current Academy Award nominee for his work on Blitz, this veteran composer is currently performing shows all across the United States and Europe, with dates scheduled as far ahead as March 2026.
On stage, Zimmer compresses his 43-year career into a grand spectacle that traverses the numerous genres he has worked in. One moment you might be hearing the melodies from Driving Miss Daisy, and the next you could find yourself enveloped by the tunes from Pearl Harbor or The Prince of Egypt. Before long, you’ll be immersed in the haunting themes from Inception. Spanning over two to three hours, this largely self-taught German multi-instrumentalist, who built his Hollywood legacy on the foundations of his work with late-’70s New Wave bands, showcases the unique melodic structures and innovative techniques that have made his work a staple in pop culture.