As a cinephile with a keen eye for storytelling and character development, I find myself utterly captivated by the upcoming releases on our screens this September. From the gritty realism of “En el barrio” to the fantastical adventures of “El hombre que amaba los platos voladores,” there’s something for everyone.
Buenos Aires – Mafalda, the cherished and clever six-year-old character created by renowned Argentine artist Quino, will make her transition from comics to screen with socially aware antics. The news of this adaptation, led by Academy Award-winner Juan José Campanella, was revealed on Monday evening during Netflix’s presentation of their 2024 ‘Argentina Productions’, which excited a lively gathering of industry and media professionals.
I’m involved in a Netflix Original series where I’ll be serving as the director, producer, and showrunner. Gastón Gorali, who will co-write the script, is also on board as the general producer. Sergio Fernández takes up the role of production director. This project is being produced by Netflix, along with Campanella and Gorali’s Mundoloco CGI studio, known for creating “Metegol,” the largest Latin American animated production to date.
“According to Campanella’s July declaration, Mafalda and her companions not only provided plenty of laughter but also occasionally left me scratching my head to look up words in a dictionary. Each new term I deciphered brought on another bout of laughter.”
“We feel it’s crucial to maintain the wit, humor, irony, and insights found in Quino’s work. While Mafalda’s greatness cannot be surpassed, we hope that those who have loved her since the beginning can pass on this joy to their children. Even if some jokes are meant for adults, we aspire to share laughter as a family. Occasionally, maybe we’ll even find ourselves consulting the dictionary together.”
Led by actor Darío Barassi, host of the upcoming reality show “Love Island Argentina”, sneak peeks were given to various anticipated productions. These included Bruno Stagnaro’s graphic novel adaptation “El Eternauta,” starring Ricardo Darín, two projects by Daniel Burman, and a sequel to “El marginal,” titled “En el barro.” This last one focuses on the lives of women in prison, serving as a gritty counterpart to “Orange is the New Black.”
Adrian Suar’s title “I Can’t Live Without You” and Griselda Siciliani’s production “Envious” both released trailers, featuring their main characters, providing a tantalizing glimpse for viewers.
Addressing the tenacity that fueled the creation of “The Eternaut,” Darín, present in the gathering, commented, “This was a collaborative effort of many, requiring determination, passion. We endured long and arduous days, as is often the case with such projects.”
Moving forward, I’m excited about this upcoming story adaptation as it seems meticulously planned, inspired by ‘The Eternaut.’ I think it will be something we can be proud of, potentially opening doors to imagine more projects with comparable qualities and ambitions. It’s a grand endeavor, indeed, which understandably stirs some apprehension.
Paco Ramos, Netflix’s Vice President for Content in Latin America, expressed that it will be a “significant undertaking for the audiovisual sector in Argentina and Latin America.” He noted that the dedication, diligence, ambition, and care displayed by each team member is truly inspiring. The effort being put into this project is commendable.
The occasion was held at Centro Cultural San Martin, a well-known arts center nestled within the downtown theater district and a staunch advocate for local cinema, following tough government measures aimed at reducing financial support from the state for the nation’s audiovisual industry. With INCAA suffering significant losses this year and Ventana Sur moving to Montevideo, Uruguay after being based in Buenos Aires for many years, Netflix aims to entice audiences deeper into Argentina’s rich artistic pool under its “Made in Argentina” label.
The broadcaster may struggle under the weight of single-handedly supporting the entire industry, yet the occasion brought a glimmer of optimism that every project on the schedule could stimulate curiosity in the vast pool of Argentine talent, brimming with diverse and distinctive stories, easily adaptable to various markets.
About a year and a half back, we gathered here and shared numerous projects with everyone. Now, those very same projects have come to fruition. A few of them are already operational, like ‘Descansar en Paz’ and ‘Goyo,’ as pointed out by Ramos.
Today, we’re currently working on approximately 20 diverse productions, ranging from series, documentaries, movies, and a special presentation by our host this evening. To clarify, this indicates our continued investment in Argentina, and we have no plans of slowing down.
Preparing to exhibit a diverse range of emerging and polished talents from across the country, our network boasts 19 upcoming projects in the pipeline.
Further info on the upcoming titles:
Series
“Ángel Di María: Romper la pared” (Dir: Juan Baldana, Prod: PEGSA)
As a passionate soccer fan who has followed Ángel Di María’s career for years, I am thrilled about this upcoming three-part documentary series that promises to give us an intimate look into his life and career. Having watched him rise from humble beginnings to become one of the greatest Argentine soccer players, I cannot wait to see how the series will delve deeper into his personal journey.
“Atrapados” (Dir: Miguel Cohan, Hernán Goldfrid, Prod: Haddock Films)
In Harlan Coben’s novel “Caught,” the TV series unfolds around journalist Ema Garay, who gains recognition by apprehending criminals that have previously eluded justice. Later, she encounters Leo Mercer, a notable socialite, who emerges as the primary suspect in her probe into a missing teenage girl’s case. Soledad Villamil, Juan Minujín, and Alberto Ammann headline the cast. The series premiered in 2025. (Paraphrased)
“División Palermo Season 2” (Dir: Santiago Korovsky, Rafael López Saubidet, Prod: K&S Films)
In the second season of the show, Director Korovsky not only developed it but also stars in it. The storyline now introduces an urban guard character who joins our main character. As they explore new rhythms, the Palermo Division encounters novel difficulties and mysteriously finds itself enmeshed within the peculiar criminal network of the city. Filming is actively progressing at this moment.
“El Eternauta” (Dir: Bruno Stagnaro, Prod: K&S Films)
Drawing inspiration from the renowned graphic novel by Héctor G. Oesterheld and Francisco Solano López, this series follows Juan Salvo, portrayed by Ricardo Darin, along with other survivors as they struggle against an extraterrestrial danger within a nearly destroyed cityscape following an unusual snowstorm that decimated millions. The cast includes Carla Peterson, César Troncoso, Andrea Pietra, and Ariel Staltari, who are set to debut the project in 2025.
“Envidiosa” (Dir: Gabriel Medina Prod: Adrián Suar)
At nearly 40 years old, Vicky finds herself secretly envious of her friends’ happy marriages. Encouraging her boyfriend to propose, things don’t go as intended, causing her to reconsider her approach. Navigating the single life once more, she embarks on a personal journey of self-discovery. The upcoming series, starring Griselda Siciliani, Esteban Lamothe, Pilar Gamboa, Violeta Urtizberea, and Benjamín Vicuña, will be released on September 18.
“En el barro” (Dir: Alejandro Ciancio, Prod: Underground Producciones)
In a departure from the original hit series “El marginal” by Sebastián Ortega, the new show revolves around the lives of female inmates, with protagonist Gladys Guerra and her fellow prisoners delving into the complexities of life within prison walls. The production of this series is ongoing, and it features a talented cast including Ana Garibaldi, Valentina Zenere, Rita Cortese, Lorena Vega, Marcelo Subiotto, and Carolina Ramírez.
“Las maldiciones” (Dir: Daniel Burman, Martín Hodara, Prod: Oficina Burman, Cimarrón)
Daniel Burman’s political drama, titled after Claudia Piñeiro’s novel, centers around the story. Leo Sbaraglia and Gustavo Bassani head the cast, with the narrative unfolding as the governor’s daughter is abducted by her trusted associate, all while a crucial law regarding lithium extraction is up for vote. As the plot unfolds, motives behind the kidnapping are gradually disclosed, revealing a 13-year-old secret in the process. Currently in production.
“Love Is Blind Argentina” (Dir: Ariel Burta, Prod: Fremantle)
Wanda Nara and Darío Barassi will be the hosts of the Argentine version of “Love is Blind,” a show where singles attempt to find love that transcends physical attraction. They’ll embark on journeys, live together, and prepare for their weddings in this emotional and intriguing journey towards the altar. The series is scheduled to debut in 2024.
“Mafalda” (Dir: Juan José Campanella, Prod: Netflix, Mundoloco CGI)
Beloved cartoon character Mafalda is brought to life in an animated production directed by Juan José Campanella, a renowned Oscar winner. In this Netflix Original, he reinterprets the famous comic strip character created by Quino and her amusing antics for modern audiences.
Films:
“27 noches” (Dir: Daniel Hendler, Prod: La Unión de los Ríos)
In its production phase, the movie is based on the novel “27 Nights” penned by Natalia Zito. Overseen by producers Santiago Mitre and Agustina Llambi Campbell, it chronicles the life of Natalia Kohen, a creative individual who finds herself confined by her daughters.
“Campamento con Mamá” (Dir: Martino Zaidelis, Prod:100 Bares Producciones)
Patri is a mother who finds it hard to bond with her teenage son, and she’s decided to live with his father. In an effort to seem trendy and keep him living at home, she proposes a camping road trip for both herself, her son, and his friends. The movie, featuring Natalia Oreiro, Milo Lis, and Pablo Rago, is set to premiere in 2024 while she competes for her son’s affections.
“Heart Informant” (Directed by Marcos Carnevale, Produced by Sony Pictures International Productions, Legend Films, Kuarzo Entertainment)
In a heartwarming tale set for release in 2025, the life of wealthy businessman Juan Manuel takes an unexpected turn when he receives a transplant from modest family man Pedro. Post-surgery, Juan Manuel becomes intrigued by Pedro’s story and develops a deep connection with Pedro’s widow. Sharing an immediate and unique bond, they find themselves drawn to each other, as the woman now shares a piece of her late husband within Juan Manuel. Benjamín Vicuña and Julieta Díaz bring this heartfelt story to life on screen.
“El hombre que amaba los platos voladores” (Dir: Diego Lerman, Prod: Campo Cine & Bicho Films)
Diego Lerman’s most recent film, which has been chosen for this year’s San Sebastian Film Festival, focuses on entertainment journalist José de Zer (Leonardo Sbaraglia) and his cameraman Chango as they embark on a journey to Cordoba to explore a mysterious crop circle. This investigation unexpectedly spirals out of control and uncovers an ancient tale of extraterrestrial romance. The film is scheduled for streaming in 2024.
“Las hermanas fantásticas” (Dir: Fabiana Tiscornia, Prod: Patagonik Film Group)
Sofia Morandi and Leticia Siciliani portray two sisters who were estranged, living in different worlds, until their father’s passing left them an apartment in the upscale district of Puerto Madero in the city. Suspicious of each other, they must confront their feelings and cooperate when they stumble upon 3 million euros concealed behind a fake wall. This captivating drama premieres on the streaming platform on August 30th.
I cannot live without you (Directed by: Santiago Requejo, Produced by: Preludio Producciones Sa, 02:59 Films, Pris&Batty)
Carlos, who can’t seem to put down his cellphone, finds himself at a crossroads after ruining a family gathering. In an attempt to make amends with his wife, he decides to participate in a therapy group for individuals grappling with similar phone addictions. This drama, featuring Adrián Suar and Paz Vega, will premiere on Aug 16th.
Coming to Netflix after theatrical release:
“La mujer de la fila” (Dir: Benjamín Ávila, Prod: Mostra Cine, Buffalo Films)
Drawing inspiration from real-life events, this narrative focuses on Andrea, a typical middle-class mother who finds herself tragically separated from her wrongfully imprisoned son. Facing the harsh reality of this injustice, she will rally her resilience to fight for her son’s freedom while battling personal turmoil. Along her journey, other families in similar situations offer support and companionship as they all strive together against overwhelming odds.
“Directed by Agustina Macri, Produced by Morena Films, Pensa y Rocca Cine, and titled ‘The Warning of Rivard AIE’, we have ‘Miss Carbón’.“
In this small town, Carlita, who identifies as a woman, is breaking new ground as the first female miner. This role was once considered taboo for women due to a local superstition that mines would collapse if women worked in them. The story, based on real events, revolves around Carlita’s tenacity and ambition to shatter traditional norms and fulfill her dreams. Lux Pascal takes the lead in this inspiring film.
“Transmitzvah” (Dir: Daniel Burman, Prod: Oficina Burman)
I, as an audience member, am drawn into a heartwarming tale penned by Burman, where sibling love takes center stage. The story revolves around Mumy Singer’s quest to understand her true self. This journey is filled with playful twists and turns leading to acceptance, all underpinned by the unbreakable bond between brothers. On screen, Penélope Guerrero and Juan Minujín beautifully portray their roles.
“Simón de la montaña” (Dir: Federico Luis, Prod: 20/20)
As a movie reviewer, I’d rephrase that as follows:
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2024-08-06 12:18