Credit sequences for Paramount’s “Mission Impossible – The Final Reckoning” and Disney’s “Lilo & Stitch” may feature work from VFX companies MPC (Visual Effects and Post Production) and The Mill, which were previously owned by Technicolor. Regrettably, Technicolor went bankrupt in February due to severe financial difficulties.
In the end credits for the last installment of Tom Cruise’s “Mission Impossible” series, approximately a dozen visual effects (VFX) studios were thanked, among them MPC and The Mill. It should be noted that Industrial Light & Magic, who led VFX on both “Final Reckoning” and “Lilo & Stitch,” likely took over some of their tasks when the companies owned by Technicolor suddenly closed down.
A portion of MPC’s final projects, including their work on “Mufasa: The Lion King” and Jon Favreau’s 2019 “The Lion King,” were showcased at the FMX conference in Stuttgart, Germany. Audrey Ferrara, the VFX supervisor from MPC who worked on the VFX for the Oscar-nominated production, presented these projects expertly at the event.
During the meeting, she graciously recognized and expressed gratitude towards the MPC artists who contributed to the movie’s production. At its busiest point, over 1,700 artists from various parts of the globe were involved in the project.
She additionally delved into the craft and methodology behind “Mufasa,” encompassing technical advancements like the Quadcap motion capture system that afforded Jenkins a more tangible approach to animation by enabling him to “direct in real-time;” and Loma, MPC’s sophisticated hair simulation technology.
In the Q&A session, when Ferrara was questioned about the fate of MPC’s advancements following Technicolor’s closure, she reassured that they are not completely lost. She explained, acknowledging her lack of detailed knowledge about France’s bankruptcy system and its implications on the Paris-based MPC, that MPC is still operational in Paris. She added that even though specifics were unclear, she believed that the skilled artists who worked on these projects would move to other companies. Although they might not have the exact tools at their disposal, they would bring their experience to similar or superior tools and utilize any new technology emerging.
Ferrara communicates to EbMaster that she intends to keep her independence, at least in the short term. Prior to her move, Ferrara was employed by MPC in Paris; she transitioned to the London headquarters in 2011. During her time in London, Ferrara contributed to “The Lion King” and the VFX Oscar-winning “The Jungle Book,” eventually being promoted to VFX supervisor for “Mufasa.
Most recently, updates about the previous members of MPC have been made public. Notably, the UK’s Milk VFX and Lola Post have brought on Sarah Essam as their Business Development Producer and Jonny Vale as Head of Marketing and Communications. In her fresh position, Essam, an experienced producer, will assist in fostering business growth and client relationships for both Milk and Lola studios, which have locations in London, Bordeaux, Barcelona, and Dublin.
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2025-05-27 19:46