The 2017 horror film “Get Out” stands out scarcely in the horror genre, yet its sequel offers a strong challenge. With an impressive debut for a director, “Get Out” was a shining gem in Universal Pictures’ collection from the start. Few expected the American comedian Jordan Peele to become a significant figure in horror, but “Get Out” undeniably made him a contender. Among all of Jordan Peele’s films, it is widely considered that “Get Out” is his best work. However, some might find Peele’s second film more appealing due to several reasons.
Jordan Peele’s inspirations for “Get Out” stem from his deep dive into classic horror genres, with films like “Rosemary’s Baby” and “The Stepford Wives” playing significant roles in shaping the unique blend that is “Get Out.” Building upon these influences, Peele continued to maintain high-quality production values and a critical examination of the American dream. However, his subsequent film was an entirely distinct entity. The highly acclaimed “Us,” with a rating of 93% on Rotten Tomatoes (only 5% lower than “Get Out”), delves into America on a grander scale, providing a broader perspective of the nation as a whole and offering a more comprehensive vision of the United States.
Us Is One Of The Best Psychological Horrors In Recent Memory
Jordan Peele’s Second Movie Did Not Disappoint
Remarkably, Jordan Peele’s first film, boasting an almost flawless Rotten Tomatoes rating of 98%, found a worthy follow-up in the movie Us. Daniel Kaluuya’s outstanding performance in Get Out and Lupita Nyong’o’s stellar role in Us are hard to beat. It is safe to say that Us ranks among the greatest psychological horrors ever produced. The film cleverly immerses viewers into the idyllic, everyday life of its relatable family, whom we can genuinely support, only to shatter this tranquility.
Jordan Peele’s first movie, Get Out, and its successor, Us, are both fantastic. Daniel Kaluuya is amazing in the former, while Lupita Nyong’o shines in the latter. Many consider Us as one of the best psychological horror movies ever made because it takes you into a family’s normal life and then turns it upside down.
In the film, Lupita Nyongo’s character, Adelaide, imparts valuable insights to the audience, including the importance of the classic 1995 song “I Got Five On It” by Luniz. The movie subtly integrates bits of social commentary like this, reminiscent of the numerous horror references in “Get Out”. However, as the plot delves further into a sinister, fantastical side of America, where body doubles remain unrecognized and ready to replace, the actors find themselves terrorized. The movie serves both as a suspenseful thriller and a reflection of some of today’s most profound societal fears and heinous crimes.
How Jordan Peele’s Us Compares To Get Out
Get Out And Us Are Both Distinctly Jordan Peele Movies
In simpler terms, both “Get Out” and “Us” share characteristics typical of Jordan Peele’s filmmaking style, but “Us” might lean slightly more towards abstract concepts. While “Get Out” delivers a smart, focused narrative that’s hard to believe isn’t real, “Us” incorporates similar storytelling elements and occasionally explores its themes in creative ways, such as a striking home invasion sequence set to N.W.A’s “Fuck Tha Police.” However, overall, “Us” is quite distinct from “Get Out,” particularly in terms of its themes.
In “Get Out,” filmmaker Jordan Peele delves deep into a particular form of subtle, modern-day racism. On the other hand, “Us” doesn’t explicitly focus on racism like its predecessor, but race remains an undercurrent throughout the intriguing narrative. While “Get Out” concentrates on one family, it appears that “Us” revolves around a single family as well. However, by the film’s climax, it becomes evident that “Us” deals with the suppression and mistreatment of groups considered lower classes in American society. As the Tethered pose a global threat by the end, the movie unfolds into an apocalyptic horror scenario, reflecting humanity’s retribution for its oppressive and repressive actions towards these marginalized communities.
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2025-06-03 19:17