As a film enthusiast, I find myself deeply moved by the wisdom and resilience of veteran Hong Kong director Johnnie To. His journey, marked by challenges under increased regulation, is a testament to the indomitable spirit of artists who refuse to be silenced.
In a chat at the Tokyo International Film Festival (TIFF), seasoned director Johnnie To shared his thoughts on the hurdles faced in movie-making due to stricter regulations in Hong Kong, as he conversed with Japanese filmmaker Yu Irie.
In Hong Kong, there’s a significant amount of rule-setting, particularly concerning self-expression, as was mentioned on Thursday during a discussion about striking a balance between cultural values and personal liberty. This means it’s crucial to consider your words cautiously, as it’s all about being accountable for what you say.
Established in Hong Kong, the Fresh Wave film festival for young filmmakers unearthed numerous new talents. However, in 2023, the festival faced censorship. The filmmakers acknowledged the need for adaptability in response to this situation. “The Fresh Wave program came with a degree of censorship,” they said. “In such an environment, it’s crucial to be prepared and aware of what the censorship might entail.
Instead, it’s crucial for filmmakers not to stand idly by. They should actively engage and act thoughtfully, as follows: “Filmmakers mustn’t just observe; they need to step up and make a difference with careful decision-making.
On previous occasions, To has expressed disappointment over limitations on free speech. Back in 2023, at the Berlinale event, he stated that cinema is often one of the first casualties when totalitarian rule arises and people’s freedoms are suppressed.
Furthermore, in 2023, fellow countryman Chow Yun Fat also voiced his thoughts on censorship. “There are numerous censorship regulations in mainland China. Scripts must pass through multiple departments, so we need to depict scenarios clearly,” he stated at a press conference. “Honestly, we will strive to create movies that embody the spirit of Hong Kong.” In the 1980s, many people enjoyed watching Hong Kong films. I am proud, he added.
In their extensive dialogue in Tokyo, he delved into his unconventional approach to filmmaking and contemplated the evolving nature of Hong Kong cinema. He voiced worries about the industry’s fate, remarking that prominent studios such as Shaw Brothers and Golden Harvest no longer exist. He further commented, “Government subsidies aren’t sufficient. The productions have shrunk significantly. I aspire for more financial backers to enhance Hong Kong cinema. Unfortunately, with the Fresh Wave project, the Hong Kong government ceased investments. I turn 70 soon. In a decade, I’ll be an elderly man. The circumstances and times have shifted dramatically.
As the spotlight director at TIFF this year, I found myself in a unique position during my conversation at the TIFF Lounge, a series of talks between filmmakers. Unlike my chat with the talented Payal Kapadia, where she was predominantly in the hot seat, fielding questions about her life and career, our discussion took a more self-revealing turn for me. This change in dynamics allowed me to share insights into my creative journey, offering a glimpse behind the scenes of my work.
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2024-10-31 14:17