J.J. Abrams’ 1970s-Set ‘Duster’ Is a Gas Until It Hits the Skids: TV Review

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In my perspective, I’ve always been captivated by shows like “Criminal Minds” and “Mindhunter,” delving into the FBI’s relentless pursuit of the nation’s most dangerous criminals. Now, in J.J. Abrams and LaToya Morgan’s latest collaboration, “Duster,” they’ve added their unique touch to this genre. As the inaugural series under Abrams’ substantial Warner Bros. deal, “Duster” stands apart from his other Bad Robot-produced series like “Alias,” “Lost,” and “Westworld.” Initially, it promises a gripping tale of an ambitious FBI agent, but unfortunately, the narrative doesn’t always maintain its intended pace.

In the sweltering summer of 1972, as President Richard Nixon’s Watergate scandal unfolded, a newcomer to the FBI, Nina Hayes – brilliantly portrayed by Rachel Hilson – seeks to join the Phoenix office. With an unwavering determination to bring down the Saxton organized crime family, Nina is relentless in her pursuit. The charismatic and ruthless head of this criminal empire, Ezra Saxton, played masterfully by Keith David, is reminiscent of Al Capone in the Southwest. A man of quick temper and hasty decisions, he wields power over his business, employees, son Royce (Benjamin Charles Watson) and daughter Genesis (Sydney Elisabeth) like an iron-fisted ruler.

Although the senior team is hesitant to approve Nina’s proposal, the Saxton case has become a problematic issue for the bureau. Saxton operates freely, and the investigation into him has stalled. Despite facing racism, sexism, and sabotage, Nina locates an unexpected vulnerability in Saxton’s scheme: Jim Ellis (Josh Holloway), Saxton’s charming and devoted escape driver.

Nina’s unexpected arrival in Phoenix causes a significant shift in Jim’s life. He was comfortable cruising through life, performing tasks for Saxton in his sleek cherry-red muscle car, dating various women, and hanging out with Izzy (Camille Guaty) and her lively daughter Luna (Adriana Aluna Martinez). However, a traumatic event from two years prior forces him to listen to Nina. As he reevaluates his boss, Saxton’s actions start to appear sinister. This unlikely pair embark on an investigation into Saxton’s past while attempting to uncover his latest plot, which he claims has far-reaching consequences. Unfortunately, Jim discovers that covering up his tracks could lead to even bigger problems.

Beyond the probe, “Duster” artfully portrays the persistent microaggressions Nina experiences within a predominantly white and male profession. She forges connections with her fresh ally, Awan Bitsilly (Asivak Koostachin), an Indigenous operative who’s long been overlooked at the bureau. Regardless of her small size, Nina forcefully breaks through the Phoenix office and into Saxton’s realm, demonstrating to Awan and Jim that sometimes, the most effective way to uncover truth is by challenging the status quo and overcoming the hurdles in your journey.

The TV show “Duster” boasts an array of fascinating and endearing characters. Among them is Charlotte Dean-Ellis, played by Gail O’Grady, who serves as Jim’s stepmother but harbors a longstanding dislike for him due to her past acting days. Additionally, there’s the enigmatic Police Sergeant Groomes, portrayed by Donal Logue, who is an evangelical and consistently works against Nina and Jim’s operation by using blackmail for personal gain. Greek Sal (Jack Topalian) emerges as Saxton’s adversary, with his own motivations for sabotaging Saxton’s business ventures. Lastly, Kelly (Esther Omegba), a cleaner at Nina’s office, takes it upon herself to support another Black woman by keeping a watchful eye. However, the narrative becomes somewhat complex as it juggles numerous characters and storylines, potentially causing some confusion for viewers.

The primary flaw in the show lies in its tendency to veer away from exploring the nuances of mob boss corruption and instead introduce unrelated subplots. For instance, the eccentric millionaire Howard Hughes (Tom Nelis), a lethal assassin, and Elvis Presley’s blue suede shoes find their way into the sprawling narrative of the series. Consequently, what was intended to be an intriguing mystery transforms into a disorganized and perplexing mess.

Towards the last three episodes, the writers packed in numerous unexpected elements, leaving out only the kitchen sink. Initially, the show progresses slowly like a simmering pot, but it quickly speeds up with multiple plotlines unfolding rapidly. Some of these developments might have been better saved for later or not included at all. Nina and Jim find themselves working extra hours to bring back focus to crucial story elements that become obscured amidst numerous twists and turns of lesser importance.

Despite some stumbling after Episode 5, “Duster” remains intriguing due to its ’70s style and a touch of campiness. Classic soul tunes from artists like Marvin Gaye, The Spinners, and James Brown permeate each episode. Directed by Steph Green and Darren Grant, with costumes designed by Dayna Pink, the show feels authentic historically. By the season finale, the truth behind the vast conspiracy is unveiled, offering insights into the main characters and their motivations.

Although “Duster” isn’t flawless, its charm and stellar performances keep viewers engaged, particularly as the storyline concludes. Characters like Nina, Jim, Luna, and Jim’s father, Wade (Corbin Bernsen), bring heart and human touch to a series that could have easily fallen apart. The show may not be fast-paced or polished, but there’s an underlying fun element that makes it worth sticking with until the end, where you might find a glimmer of satisfaction amidst the chaos.

“Duster” premieres May 15 on Max with new episodes dropping weekly on Thursdays.

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2025-05-15 17:16