Is Wicked Popular with Critics?

As a lifelong musical theater enthusiast who has seen her fair share of stage productions and film adaptations, I must say that Jon M. Chu’s cinematic interpretation of “Wicked” is nothing short of magical. The vibrant colors, intricate sets, and captivating performances transported me back to my childhood memories of being swept away by the enchanting world of Oz.

In my perspective as a moviegoer, did the critics unfairly burden Jon M. Chu’s adaptation of Wicked with negativity? Following a months-long, intensely pink and green promotional tour, complete with emotional interviews and AMC’s inescapable pre-show ads in cinemas, Wicked left Oz for Earth upon its premiere in Sydney on November 3. As theaters brace for hordes of theater kids singing “Defying Gravity,” film critics are dissecting Chu’s interpretation of this musical sensation. While some were as captivated by the world of Oz as theater enthusiasts, they found the movie a bit overwhelming at times. However, even those few who felt the film’s “self-importance” wasn’t convincing or that something was lacking beneath Ariana Grande and Cynthia Erivo’s stellar performances can’t suppress Wicked, which is projected to earn over $100 million during its opening weekend. If you were destined for a good movie experience, or in this case, born eager for the cinema, you can’t change who you are. Therefore, here’s a roundup of critics’ reactions to Wicked: Part One—the positive, the negative, and everything in between.

Despite its grandeur and spectacle, “Wicked” seems to maintain a significant resemblance to the original source material, potentially due to the play’s existing size and visual impact. A large portion of the production is filled with speeches, tours, and expositions, which, while fitting for the stage, can become tiresome when adapted to film. The recurring theme of a grand allegory is emphasized by the Oz population appearing as an undifferentiated mass of simple-minded individuals, easily influenced and capricious. They serve primarily as a chorus throughout the show. The audience anticipates more nuanced emotional expressions from the main characters, something sensitive and human, to foster empathy beyond their iconic or symbolic roles.

Grande and Erivo bring a genuine, spontaneous feel to Stephen Schwartz’s songs, making it seem as if the characters are truly bursting into song when emotions overwhelm spoken words. This live recording approach on set whenever possible adds authenticity, helping us overlook the artificial nature often associated with modern musical films. Notably, Erivo delivers her best screen performance yet, portraying Elphaba with a raw vulnerability and emotional depth that deeply immerses viewers in the story and characters’ experiences.” – Paraphrased by AI Model

A trip to Oz demands exceptional artistry, so kudos go to the stunning cinematography of Alice Brooks, impressive costume design by Paul Tazewell, impressive production design by Nathan Crowley, and captivating choreography by Christopher Scott. The music score by John Powell, harmonizing with Schwartz’s classic tunes, is flawless. Director Chu has crafted a musical film, as enchanting as Chicago, though it leaves the audience wanting more during its ‘intermission.’ This film not only stands alone as an engaging screen experience but also tantalizes us for the second half we can’t wait to witness.” – Pete Hammond, Deadline

Ultimately, home is where Dorothy was aiming for, as one might expect. However, Chu intended for ‘Wicked’ to be enjoyed in a traditional manner: on the largest screen available, surrounded by an excited theater audience who can’t resist joining in the singing during certain showings. Unlike other recent musicals that have sought to conceal their melodic aspects from viewers, ‘Wicked’ proudly owns its identity, much like Elphaba does her green skin. Interestingly, this self-assurance significantly impacts how it is received.” – Peter Debruge, Variety

If you don’t find the enchanting influence of “Wicked” by Chu appealing, there are valid explanations. The film is exceptionally vibrant and relentless in its message that it’s okay to be unique, which can almost overpower you. Furthermore, part one of this saga was released, with the second installment due in November 2025. Interestingly, “Wicked” skillfully performs a unique yet disheartening magic trick: it transforms cherished Broadway memories into an extended ordeal for its audience. – Stephanie Zacharek, Time

As a devoted admirer, I’d rephrase the review as follows:

If you’re not already a fan of the musical “Wicked,” this movie might not win you over. The movie concludes with a song titled Defying Gravity, but unfortunately, that’s not something the film itself manages to accomplish. It lacks the witty humor, surprising plot twists, and impressive dance numbers that could have left a lasting impression. Instead, it’s burdened by underdeveloped subplots, underused supporting characters (who may shine in Part Two), and an overbearing sense of self-importance. Despite every empowering anthem, “Wicked” seems to proclaim its artistic significance. However, the message against discrimination based on green skin isn’t particularly subtle, and the questions it answers aren’t pressing. If you’re interested in a “Wizard of Oz” prequel, I’d suggest Sam Raimi’s “Oz the Great and Powerful,” released in 2013, instead.

However, the screen adaptation of “Wicked” will captivate theater enthusiasts as it stays true to its roots while injecting playfulness. It continues to tell a story emphasizing unity over social structures that thrive on fear and discord. With another sequel in the works, “Wicked” has become an unstoppable force. Yet, the pressure of high expectations can be burdensome, slowing down this competent film adaptation as it prepares for takeoff. Although it might initially struggle to gain altitude, once it does, it becomes a deeply moving experience, delivering a message of liberation and resistance that holds significant relevance in today’s world. – Katie Walsh, Los Angeles Times

2024-11-22 09:54

Is Wicked Popular with Critics?

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