Is Superman Taking Flight with Critics?

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For supporters eagerly anticipating a powerful character capable of rejuvenating the DC Universe, James Gunn has reportedly fulfilled this expectation, as indicated by critical reviews. The new interpretation of Superman, featuring David Corenswet as Superman, Rachel Brosnahan as Lois Lane, and Nicholas Hoult as Lex Luthor with a blonde appearance, is set to premiere in theaters on July 11, marking the beginning of the DCU’s “Gods and Monsters” phase. The film’s depiction of Superman’s superpowered dog Krypto has been highlighted by critics as a way for Gunn to demonstrate the human-like vulnerabilities of his interpretation of Superman while also foreshadowing the film’s upcoming dorky and heartfelt tone. Although some have suggested that the plot, which involves various metahuman adversaries, is somewhat overstuffed, most critics concur that the overall production successfully captures the essence and enjoyment of classic comic books. The verdict from Clark Kent’s Daily Planet is yet to be heard, but here’s a roundup of what the press has been saying thus far.

James Gunn’s new movie presents Superman in a refreshingly unique way, blending earnestness and humor that makes it feel like stepping out into a bright, sunny day after years of gloomy DC action films. Unlike some interpretations, he doesn’t turn Superman into a political figure. Instead, he stays true to the character’s origins as a creation of two Jewish American men who had immigrated from families that fled persecution, and gives him a backstory as a refugee himself.” – Alison Willmore, Vulture

As a movie enthusiast, I found myself immersed in Gunn’s skillfully crafted superhero epic that was both gripping and emotional yet occasionally overwhelming. It’s a must-see for audiences, but there remains a lingering doubt regarding the broader DC Universe: Will the quality of construction be enough to attract viewers?

Gunn’s “Superman” can be confusing at times, but it never fails to entertain. One of its main assets is that it avoids the dark and complex portrayals of superheroes in recent years, instead evoking a charming sense of childlike wonder. – David Rooney, The Hollywood Reporter

The poppy superhero movie, offering an enjoyable adventure, delivers on its promise with the best Superman since Christopher Reeve. The film is filled with optimism, a truly awesome dog, and a vibrant comic-book style. Despite the crowded superhero genre being somewhat repetitive and familiar, this new take manages to feel authentic and pulsating.” – Brian Truitt, USA Today

Gunn’s unique style in filmmaking is unpredictable, blending the absurd and endearing in a single stroke. He might randomly include a donut in a scene with metahumans or abruptly switch from an action sequence to a mundane event like a Alka-Seltzer tablet dropping into a glass. Some viewers may find such instances flippant, which could be a fitting description for Gunn’s work. However, I would argue that these moments add a touch of humanity to the often formulaic world of modern superhero movies.

He made a Superman film that truly captures the essence of a comic book character – making it feel alive and realistic.

What’s the purpose of a movie that’s trapped in its digital and generic limitations, unable to show any semblance of action or vitality? With so many superhero films, especially Superman movies, all ending with the same artificial city-wide catastrophe featuring CGI buildings collapsing, how many more do we really need? They were entertaining initially… but the excitement seems to have waned.” – Peter Bradshaw, The Guardian.

James Gunn’s “Superman” might not be the most exceptional superhero tale ever spun, but it aspires to be, and I admire that ambition. The director of “Guardians of the Galaxy” packs every ounce of Superman’s super-ness into one movie, and the result is a picture that’s brimming with unusual, captivating, intricate concepts. “Superman” is an ingeniously smart and engaging film, with shortcomings that stem from overreaching… which are the finest flaws a film can have, according to William Bibbiani of The Wrap.

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2025-07-08 23:54