Inside CBS’ Bold Move: A Black Royalty Soap Opera Revolutionizing Daytime TV

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As a movie enthusiast, I must commend CBS for daring to revive the daytime drama genre, a rarity in today’s television landscape after 25 years. However, “Beyond the Gates”, which made its debut on February 24, is not your typical afternoon melodrama. This captivating series revolves around a distinguished, affluent, and influential Black family, steeped in history and prestige – they embody the epitome of Black aristocracy. In these challenging times where many minority communities are grappling with feelings of marginalization and targeting, the arrival of “Beyond the Gates” could not be more timely. Even the NAACP has collaborated in the creative process, teaming up with CBS Studios and Procter & Gamble to bring this compelling story to life.

Michele Val Jean, the seven-time Daytime Emmy winner behind ‘Beyond the Gates’, expressed surprise when she said, ‘I didn’t expect this to happen; I’m still in a bit of shock.’ Four years ago, executive producer Sheila Ducksworth approached her with the idea of writing a bible for a Black soap opera. As a scriptwriter for CBS’ ‘The Bold and the Beautiful’, she initially thought nothing would come of it. However, she decided to give it a try, thinking it would be an enjoyable side project that would provide some extra income, allow her to exercise unused creative muscles, and eventually lead to retirement. ”

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“Michele Val Jean, the seven-time Daytime Emmy winner of ‘Beyond the Gates’, was taken aback when she admitted, ‘I didn’t anticipate this; I’m still a bit dazed.’ Four years ago, executive producer Sheila Ducksworth proposed writing a bible for a Black soap opera to her. At that time, Val Jean was a scriptwriter for CBS’ ‘The Bold and the Beautiful’, and she didn’t think much of it. Yet, she decided to give it a go, reasoning it would be a fun project to work on, bring in some extra money, help her explore new creative avenues, and eventually set her up for retirement.

Following Val Jean’s handover of the Bible, there was a long period of no contact, as she herself puts it. Then, unexpectedly, Sheila contacted her one day to announce that Procter & Gamble had finalized the deal, and we were good to go. I must commend CBS for this; they were taking a risk.

However, if the network decides to debut a new daytime soap opera, they are doing so with an accomplished dream team boasting over a century of combined experience in the genre. Notably, the executive producers themselves have impressive resumes: Val Jean has 35 years under her belt, Julie Carruthers brings 39 years, and co-headwriter Robert Guza Jr. adds another 36 years to their collective expertise.

Val Jean describes it as a close-knit group: the shared emotions, camaraderie, and affection for one another since they’re all part of something bigger. This includes not just those involved in making soaps, but also their dedicated fans. The soap genre might not receive as much recognition from other areas of the entertainment industry as it deserves, often feeling like the overlooked stepchildren. However, this shared struggle fosters a unique bond among us.

Absolutely, the intense effort required is undeniable – with fresh episodes premiering every weekday, daytime dramas operate under a grueling production schedule. As Val Jean puts it, “You need to be a specific breed of creature to handle daytime.” Many people aren’t able to keep up with the unyielding deadlines. They would offer trial contracts, which meant six scripts over a span of 13 weeks. By week three or four, it was often when they reached their breaking point.

Val Jean indicates that the soap community is experiencing an “immense enthusiasm” towards this project. The excitement isn’t solely due to a new soap appearing in the daytime schedule, but also because of the diverse cast and the intriguing world they inhabit. This series, set in a wealthy suburb outside Washington D.C., in one of the most affluent African American counties in America, revolves around the influential Dupree family, who are at the heart of the community. However, while they present an image of opulence and grandeur behind their grand mansions and pristine gardens, they harbor secrets and scandals that are poised to be revealed. Meanwhile, those living beyond the gates are eagerly anticipating the fall of the powerful.

Val Jean contemplated creating unique characters within a multi-generational family. He pondered, “Who could be intriguing?” he wondered. Then the idea struck him, “What if the matriarch of this family was Diana Ross?” she was once the lead singer for a renowned girl group and later pursued a successful solo career and acting ventures.

Val Jean started sketching the matrimonial journey of Anita and Vernon Dupree, portrayed by experienced soap opera actors Tamara Tunie and Clifton Davis respectively. Notable figures in their respective fields, Anita made waves in entertainment while Vernon was a key player in the Civil Rights movement, later ascending to the position of senator. They fell in love, built thriving lives, and raised two daughters together. The eldest, Nicole (Daphnée Duplaix), is a composed psychiatrist who has enjoyed a fortunate life and carries the family’s esteemed legacy gracefully. In stark contrast, the youngest, Dani (Karla Mosley), is her opposite – a high-fashion model with a penchant for outbursts during her teen years, and who continues to be a handful even now.

Val Jean explains, “These are new characters you’ve not encountered before.” Nevertheless, there’s a familiar aspect for fans: The series retains the soap opera aspects that captivate audiences. “It’s a tangled tale of secrets, deceit, betrayals, love, and hatred,” he describes. “But what truly stands out is the Dupree family, who despite their disagreements, arguments, and occasional anger, always come together when one of them needs help. I believe it’s crucial to portray a strong Black family that exudes sensuality.

This family that Val Jean envisioned holds great pride for her as its creator. As she recounts during her initial three-week shoot in Atlanta, a scene was filmed featuring all the Duprees at a country club. This included the matriarch, patriarch, the two sisters, and their children, all gathered together. In the control room, Val Jean felt an overwhelming emotion, exclaiming, “Oh my God, look at them! There’s my babies. That’s my family.

Her true and immediate family have blended harmoniously into a single unit, creating a heartwarming bond. One of the 27 scenes in “Beyond the Gates” features an old-school ’60s diner – the kind adorned with red vinyl booths and jukeboxes on tables. This diner goes by the name Orphey Gene’s.

Val Jean explains that he gave it this name because it reminds him of his mother,” he shares. “Unfortunately, she never got to witness my soap-writing career, but as long as my show continues, I feel like she’s still with me in that world. I know she’d be incredibly proud.

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2025-02-25 22:18