Hong Kong Producers Aim to Connect With Filmmakers Around the World as FilMart Facilitates More Programs for Outreach

For many years, Hong Kong has primarily focused on international markets and served as a key center for the film industry in the Asia Pacific region. However, this year’s FilMart reveals a shift in strategy, as the regional film industry is actively seeking partnerships with global producers and fostering connections with filmmakers worldwide.

A glance through FilMart’s halls demonstrates an effort towards globalization – there are 750 exhibitors from 30 different countries and regions, with 32 country/region pavilions being led by their respective governments.

An essential part of FilMart 2025’s worldwide reach is an event called Producers Connect. This event is orchestrated by the Culture, Sports and Tourism Bureau, the Cultural and Creative Industry Development Agency, Hong Kong Film Development Council, and the HKTDC, with financial support from the government’s Film Development Fund. Producers Connect offers a variety of sessions designed to bolster Hong Kong producers in the international marketplace, such as panel discussions, business networking opportunities, and workshops.

Jacob Wong is in charge of the Hong Kong International Film Festival’s Industry Division, an organization responsible for programs like the Hong Kong-Asia Film Financing Forum (HAF), which takes place alongside Filmart.

As a movie enthusiast, I’ve noticed that maintaining a vibrant film industry within a city of over seven million people isn’t easy. In fact, Hong Kong is actively seeking collaborative opportunities beyond its borders, particularly with China. Many local filmmakers are already creating content in China, and the government is also nurturing relationships with Southeast Asian countries. So, it seems that Hong Kong is strategically moving towards a more global approach to filmmaking.

Historically, Hong Kong was recognized for its gritty action films, crime dramas, and martial arts productions. However, the local cinema has significantly transformed over time. A significant factor contributing to this change is mainland China. Initially, Hong Kong movies were categorized as foreign films by Beijing, subjected to the same import limits as U.S. and other non-Chinese productions. The regulations shifted in the 2000s, allowing for numerous joint ventures and facilitating wider distribution of Hong Kong films.

Cornelia Klimkeit, who leads Film Sales Support at European Film Promotion, stated that FilMart functions as a crucial industry milestone between the Berlinale and the preparations for the Cannes Film Festival.

According to Klimkeit, some sales companies leverage their visit to FilMart as a basis for additional regional industry events, thus making their journey not only appealing but also productive.

And Hong Kong also needs to better leverage its role as a facilitator in the region.

For growth, it’s best to emphasize collaborative productions between countries, as this could potentially secure financing from multiple sources,” Wong explained. “Seasoned filmmakers might find opportunities in China, given their industry’s vast audience and substantial financial resources.

On the other hand, it can be challenging for those who are younger as they lack the practical experience and formal education in the field.

Wong stated, “In Hong Kong, we’re hoping that our collaborative film projects with Southeast Asia might yield results, leading to joint productions. Similarly, countries like Singapore in Southeast Asia also have funding programs, so perhaps we can establish successful partnerships within the regional cinema industry.

Back in the 1990s, there was an extraordinary period where Hong Kong produced more than 200 movies annually. However, it’s highly doubtful we’ll witness such prolific days again. As Wong put it, “It was a rare occurrence, and I don’t think we can expect the same to happen twice. It’s theoretically possible, but extremely unlikely. To be successful today, you need to create content that appeals globally — something I’m not seeing happening again, given the significant increase in filmmaking costs.

Read More

2025-03-19 02:46