As a seasoned gamer and survivor of numerous virtual apocalypses, I can confidently say that Homestead falls flat in the realm of nuclear survival dramas. It’s more like a firecracker compared to the H-bomb I was expecting.
Homestead aspires to delve into the hardships of human endurance following a fictitious nuclear explosion on the East Coast. Regrettably, this project from Angel Studios turns out to be less like a powerful hydrogen bomb and more like an ailing infant instead.
Over time, Angel Studios has amassed a devoted following thanks to their collection of films focusing on Christian and historical themes, which includes the incredibly popular TV show, “The Chosen.
Hits like Sound of Freedom sparked public interest from its polarizing subject matter, and equally, Homestead is a apocalyptic nightmare that poses the question: how prepared are you for the end?
Regrettably, it seems that Homestead didn’t quite manage to provide a satisfactory response to that question. Although there were commendable efforts put forth, the upcoming apocalyptic thriller, destined for streaming, unfortunately lacks the punch to leave a lasting impression.
What is Homestead about?
In the event of a nuclear explosion in Los Angeles causing turmoil on the East Coast, multiple families scramble to the vast residence of Ian Ross (played by Neal McDonough) as a refuge, intending to hunker down and prepare for potential conflict that might ensue, suggesting a struggle for survival.
As a devoted fan, I’d rephrase it like this: Among the group are Jeff Eriksson, a former Green Beret, along with his family; Evie McNulty, an ill-prepared mother with her kids; and Rick Baumgartner, a panicking father accompanied by his famished offspring. Upon reaching their settlement, Jeff offers suggestions to Ian regarding enhanced security protocols. Eventually, Jeff and Ian find themselves butting heads over their differing management approaches.
No pain, no gain & no conflict
In a more relaxed context, it can be said that Ian and Jeff’s relationship experiences tension at times, but it’s not as severe as a clash might imply. Despite situations that could escalate to a nuclear war in a storybook sense, there is generally no intense conflict between them. Their disagreements on the gravity of a situation are present, yet these disagreements never escalate or reach a climax.
It’s important to note that if Jeff assumes control over Ian’s territory, or if Ian questions Jeff’s expertise, there will be repercussions. However, more often than not, these disputes result in one or both parties leaving the situation, their pride hurt but their working relationship remains unscathed.
There are hints of authentic chaos at the edges of the property, but nothing ever escalates beyond minor troubles. For instance, what would happen if food supplies dwindled or someone inside became unruly to an alarming degree? You wouldn’t have to worry about it, because such situations never arise. This is just over an hour and a half of insignificant difficulties that remain unresolved.
This isn’t a type of minor conflict suitable for building a narrative around a nuclear disaster, given that the central focus is completely unrelated to the bomb itself. In fact, it feels as if the explosion in Los Angeles never happened because there are no visible consequences or effects (figuratively speaking).
The explosion in LA appears as a distant, blood-red sunset, yet it’s as if the devastating aftermath is ignored entirely. It’s not expected to reveal profound insights like Oppenheimer’s post-bombing clarity, but some hint of reaction would be appreciated. The most puzzling aspect is: why doesn’t anyone seem genuinely afraid?
A half-story with half-cooked characters
It’s quite intriguing and logically consistent that Homestead is just a forerunner to an upcoming streaming series. This new series is scheduled to debut on the same day as its theatrical release. The storylines are still vague, hinting at mysteries such as Evie’s missing husband, the medical turmoil of Ian’s secluded daughter, and the enigma surrounding Jeff’s psychic child.
Just as I found myself underwhelmed by another American homage launched this year, much like Kevin Costner’s Horizon: An American Saga, the series finale of Homestead left me somewhat disoriented with a whirlwind preview of future episodes.
If the movie had done a better job developing relatable characters with depth or establishing significant conflicts (the story lacked compelling stakes), then the transition from film to series might have been successful. Instead, Homestead seems to concentrate on an unexciting aspect of a potentially thrilling exploration of diverse reactions to a genuine danger.
TopMob Review Score: 1/5
homesteading could potentially struggle to keep audiences engaged throughout a multi-season show, yet it seems somewhat unfinished. It’s true that stories about people banding together during challenging circumstances can be compelling, but the Homestead series seems scattered and hesitant to delve into more complex themes.
In my viewpoint as an enthusiast, the characters in this story swiftly find solace and comprehension, and no danger ever seems truly formidable, even the repercussions of the bomb explosion itself. One character’s reaction to the nuclear detonation is a perfect illustration of this apparent nonchalance – they simply exclaim, “Oh, bother!” in a rather unperturbed manner.
If you’re looking for a more complex, richer take on the potential “end of days” future, then save yourself the trouble and watch Civil War. Or literally anything else.
Homestead will be released in theaters on December 20.
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2024-12-13 17:38