Filmmaker R.J. Cutler on Capturing Martha Stewart’s Rise for Netflix Docu: ‘Her Story Has So Much to Say About American Womanhood’

As I delved deeper into the captivating world of Martha Stewart, I found myself utterly enamored by her indomitable spirit and unwavering vision. Her story is a testament to the power of perseverance, creativity, and the pursuit of one’s dreams, no matter the obstacles that stand in the way.


The Netflix documentary “Martha” features a wrestling-like struggle depicted within its frames, providing a vibrant portrayal of Martha Stewart’s life.

In the private interviews that form the basis of the story, seasoned filmmaker R.J. Cutler often engages, in a mostly amiable manner, with the matriarch of household wisdom. Occasionally, Stewart appears to be invigorated as she recounts parts of her life; at other moments, she seems to find the questioning only slightly more intriguing than a legal deposition.

In a carefree manner typical of someone in their eighties, Stewart seems to be enduring everything for the purpose of sharing her untold narrative with a fresh audience and inviting Baby Boomers and Generation X to reassess her legacy, as they were the ones who catapulted her to stardom.

Martha meticulously delves into an abundance of historical records on its topic, producing impressive results. Moreover, it successfully connects Stewart’s accomplishments and trailblazing feats as a female entrepreneur to current times. Stewart has openly expressed her reservations about certain aspects of the documentary, which Cutler discusses in the ensuing conversation.

Cutler selected an extremely apt moment to delve into the upsurge, decline, and resurgence [after her 2004 conviction and imprisonment for insider trading] of a prominent American woman, as depicted by Stewart in the movie. Titled “Martha,” this film is directed and produced by Cutler under This Machine Filmworks and also co-produced by Jane Cha Cutler and Alina Cho.

You have amazing access to your subject. How did you connect with Stewart to get her cooperation?

At our dinner with Jane Cha Cutler, Alina Cho (a producer on the film) and I, Martha Stewart unexpectedly dropped by. Alina had called to let us know that Martha wanted to join us. We were delighted and exclaimed, “What a wonderful addition!” Martha shared stories about her life, from childhood memories to her modeling years, Wall Street experiences, and more, which captivated me. It seemed she was ready to share her story, an essential aspect for me as a filmmaker. That night, I told her her story encapsulated American womanhood, sparking our desire to explore this further. Thus, we arranged a lunch at Martha’s office, and eventually decided to collaborate on a film together.

Is she a producer or your business partner in any way in the film?

Yes, it’s true we discussed the significance of my having creative control from the beginning. You invest a considerable amount of time in creating these films—from filming and researching to editing and promoting them. It’s crucial that they are taken seriously, and this is more likely when the director has final say. In this case, Martha was not involved as a producer. She fully understood and supported my position on this matter. We all know that she has expressed her opinions about herself in public.

Do you have any thoughts or comments regarding Stewart’s review and analysis of the movie, as shared with the New York Times?

It took great bravery for her to rely on me to produce the movie, as I believe some aspects of it may be tougher for her to watch than others. Given her resilience and survival instincts, this isn’t surprising. The film, like life, has its highs and lows, and Martha tends to focus on the positive. However, this can make certain parts of the movie challenging for her. It’s not unexpected that if Martha Stewart were creating a film about herself, it would differ from one made by someone else.

Filmmaker R.J. Cutler on Capturing Martha Stewart’s Rise for Netflix Docu: ‘Her Story Has So Much to Say About American Womanhood’

What were some of the things that were most revelatory as you got into the research?

Several aspects stood out notably. One of them was her forward-thinking nature. She grasped the concept of ‘content being king’ well before it became a common phrase, at a time when the idea of synergy was often met with resistance in corporate circles. Martha foresaw that synergy would shape the future and recognized its potential when few others did. Furthermore, long before the term ‘influencer’ came into existence, Martha recognized the power of a personal brand and its significance in connecting with consumers. At a time when high-end home quality was primarily for the wealthy, she believed that everyone deserved access to it. These were truly visionary ideas. Although we now consider them commonplace, they were all integral parts of Martha Stewart’s forward-thinking vision. This is point No. 1.

2. In her quest to realize her vision, she encountered individuals or groups who constantly criticized her, but she refused to entertain their negativity. When she approached Conde Nast, S.I. Newhouse proposed that she name the magazine Conde Nast Living. However, she insisted on calling it Martha Stewart Living because she was the heart of the brand. Newhouse responded that if she wanted to call it Martha Stewart Living, he couldn’t do business with her. To which she replied, “Until later.” Such determination wasn’t just about her resilience, but also her firm belief in her vision and her unwavering conviction. There are countless other instances where this was evident.

Was she as ready to tell her story as you’d hoped?

She is not prone to looking backwards. She’s prone to charging forward. But we found ways. I did a number of zoom interviews with her where she and I just talked for hours at a time. And then, and then I did five days of interviews with her, eight hours a day, with a lovely break for lunch that the crew greatly appreciated. …And when she did have difficulty going places like with the divorce or with her time in prison, she provided this incredible archive: Her letters to her husband, her prison diaries, and she pointed us to footage that was shot by a crew in the weeks between her conviction and her sentencing.

In the early stages of her media career, what was it about Martha Stewart that resonated during that specific cultural timeframe?

Martha recognized that amidst cultural transformation, what we’ll all cherish is the significance of our homes, families, celebrations, rituals, and the delight in a skillfully prepared meal. She also noted that even as the culture remains somewhat fragmented.

How did it get to Netflix? Was it a commission from the start?

No, no. We worked on it for a little while, and then brought it to them.

In the documentary, several voices provide insights about Stewart, but none appear visually; instead, they’re only audible. Can you explain why this creative decision was made?

It’s a great example of the how the editorial process can lead to formal discovery that illuminates the meaning that you’re seeking. We’re always looking for alternatives to talking head interviews, because I want the films to live as much in the right brain as possible. … As I was editing the film, I found these interviews weren’t telling me about Martha in the way that I wanted to. The content was, but not the form of having these talking heads on screen so we pulled out the talking heads and all of a sudden, Martha as a center of the film leaped forward in a way that was very exciting.

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2024-11-09 19:17