Every Oscar Winner for Best Animated Short Film, Ranked

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Originally released on February 21, 2019, this tale has since been revised to incorporate the victor of the 97th Annual Academy Awards.

Animated films have been a part of cinema since its inception, but it wasn’t until the fifth Academy Awards ceremony that a category for animated cartoons was introduced. This was during the Golden Age of Animation, a period when major studios were heavily involved in producing animated shorts to complement their films. These animations dominated the Oscars for about three decades, until the studios closed down their animation departments in the early 1960s. Afterward, independent and international filmmakers took over the category, leading the way through the ’70s and ’80s. In the early 1990s, studios such as Pixar, Aardman, and Blue Sky rejuvenated animation in English-speaking countries, leading to the creation of the Best Animated Feature category. Today, animation is one of the two largest branches of the Academy, with films from over 20 countries winning in various styles of animation almost every year.

The 93 winners of the Best Animated Short Oscar span the evolution of animation worldwide. By ranking them, you can see how the concept of what qualifies as animation has broadened, from the hand-colored cells of “Three Little Pigs” to the cutouts-on-acetate collage of “Frank Film.” From failed attempts with high ambition to timeless masterpieces that have shaped the medium, this is an attempt to rank every cartoon that won.

Keep in mind that the rankings have been adjusted several times since the original article was published. However, the list provided below currently represents the most reliable and established ones. This could potentially change based on future updates or reconsiderations from me.

93.
“Logorama” (2009)

In ‘Logorama’, everything from structures to characters and accessories are constructed using famous brand logos. Initially intriguing, the message becomes clear within the initial couple of minutes. However, what follows is an excessive action scene with poor dialogue and dubbing quality.

92.
“Sundae in New York” (1983)

1983 saw Larry Kramer, a gay activist, criticize then-Mayor of New York City, Ed Koch, in his essay “1,112 and Counting.” Kramer accused Koch of not publicly supporting the LGBTQ+ community, claiming he had “refused to be seen as helping us by the non-gay world.” It’s worth noting that Koch was private about his own sexuality, which adds complexity to the narrative. In the same year, Jimmy Picker created a Claymation short featuring Koch (voiced by an impressionist) singing an improvised version of the hit song “New York, New York” by Kander & Ebb. By the time Picker received his Oscar, at least 200 more gay men had lost their lives due to AIDS-related complications.

91.
“Knighty Knight Bugs” (1958)

https://youtube.com/watch?v=watch?v=yobj1Zv91KA

In a surprising twist, the Oscar-winning Bugs Bunny cartoon, “Knighty Knight Bugs,” is like Al Pacino winning an Academy Award for “Scent of a Woman” rather than “Dog Day Afternoon.” The irony lies in the fact that this less remarkable film was chosen over many of Bugs’s finest works, such as “What’s Opera Doc?”, which some consider the greatest cartoon ever made, and yet failed to even receive a nomination.

90.
“The Little Orphan” (1948)

In the animated short featuring Tom and Jerry, Jerry takes in a hungry orphan named Nibbles, spoils him with a Thanksgiving banquet, all while engaging in mock Pilgrim-Native American conflicts with Tom. The cartoon’s lack of sensitivity towards race and history is disappointing, and to make matters worse, it fails to be amusing.

89.
“Frank Film” (1973)

https://youtube.com/watch?v=watch?v=Orftuw8Q-w0

In simpler terms, Animator Frank Mouris narrates his life story through two competing audio tracks, while various magazine clippings are rapidly displayed on a screen like a moving collage. Although this animation is seen as a milestone, it’s a disorienting and intense experience that most people can only bear to watch once due to its complexity.

88.
“A Greek Tragedy” (1986)

1. This unremarkable animated scene featuring three women supporting a structure isn’t really a narrative but rather an extended moment lasting six minutes. However, in the same year, Pixar earned its first nomination for “Luxo Jr.”, a captivating three-minute tale that brilliantly portrays two lamps, each with unique characters.

2. This forgettable cartoon of three ladies propping up a building isn’t really a storyline but instead an elongated scene lasting six minutes. But in the same year, Pixar secured its first nomination for “Luxo Jr.”, a compelling short film that narrates an engaging story about two lamps with distinct personalities, each only three minutes long.

3. This unmemorable animated depiction of three girls holding up a building isn’t actually a tale but instead a prolonged moment spanning six minutes. However, in the same year, Pixar received its first nomination for “Luxo Jr.”, an engaging short movie that narrates a compelling story about two lamps with distinct personalities, each lasting just three minutes.

4. This ordinary cartoon showing three ladies sustaining a building isn’t really a narrative but instead a prolonged scene taking six minutes. On the other hand, in the same year, Pixar gained its first nomination for “Luxo Jr.”, an enthralling short movie that tells an engaging story about two lamps with unique characters, each being only three minutes long.

5. This commonplace cartoon of three females supporting a building isn’t actually a tale but instead a prolonged moment lasting six minutes. Nevertheless, in the same year, Pixar received its first nomination for “Luxo Jr.”, an engaging short film that narrates a compelling story about two lamps with distinct personalities, each being only three minutes long.

6. This average cartoon displaying three women holding up a building isn’t really a story but instead an extended moment taking six minutes. However, in the same year, Pixar earned its first nomination for “Luxo Jr.”, an enticing short movie that narrates an engaging tale about two lamps with unique characters, each lasting just three minutes.

7. This typical cartoon of three women keeping a building upright isn’t actually a storyline but instead a prolonged scene taking six minutes. On the flip side, in the same year, Pixar received its first nomination for “Luxo Jr.”, an intriguing short film that tells an engaging tale about two lamps with distinct personalities, each being only three minutes long.

8. This common cartoon of three ladies propping up a building isn’t really a narrative but instead an extended moment lasting six minutes. But in the same year, Pixar was nominated for “Luxo Jr.”, an enticing short film that narrates a compelling story about two lamps with unique personalities, each being only three minutes long.

9. This regular cartoon showing three females supporting a building isn’t actually a tale but instead a prolonged scene taking six minutes. However, in the same year, Pixar was nominated for “Luxo Jr.”, an engaging short movie that narrates a captivating story about two lamps with distinct personalities, each being only three minutes long.

10. This usual cartoon depicting three women holding up a building isn’t really a narrative but instead an extended moment lasting six minutes. Nevertheless, in the same year, Pixar was nominated for “Luxo Jr.”, an intriguing short film that tells an engaging tale about two lamps with unique characters, each being only three minutes long.

87.
“The Two Mouseketeers” (1951)

In the 18th century France, Tom, Jerry, and Nibbles participate in a fencing duel. While this short has decent tunes, it’s considered less strong compared to other cartoons within the same series.

86.
“The Milky Way” (1940)

In 1940, Disney’s impressive eight-year run without a nomination was shattered. The winner that year, “The Milky Way,” was an MGM production created by Rudolf Ising and Hugh Harman – animators known for their studio-hopping during the Golden Age of Animation. This cartoon followed three kittens as they journeyed into space in search of the Milky Way, which they mistakenly believed was a source of milk. The film’s content, like some “Happy Little Elves” episodes from The Simpsons, was often shallow and adorable. However, Ising and Harman are significant figures due to their role in establishing MGM and Warner animation studios, which also produced two other nominated shorts that year: “Puss Gets the Boot,” marking the debut of Tom and Jerry, and “A Wild Hare,” where we were first introduced to a rabbit who casually questioned a hunter, “What’s up, doc?

85.
“War Is Over! Inspired by the Music of John & Yoko” (2023)

As a fervent fan, I acknowledge Director Dave Mullins’ creative approach in incorporating the poignant melodies of John Lennon and Yoko Ono to convey the futile nature of World War I within his work. While the narrative undeniably stirs strong emotions, it seems that the piece fails to offer a fresh or distinctive viewpoint on the conflict itself, primarily functioning as a platform for a strategic song placement.

However, one noteworthy aspect that stands out in this production is the captivating score by Thomas Newman, who happens to have one less Academy Award than Dave Mullins. Despite this slight discrepancy, his musical contribution undeniably enriches the film experience.

84.
“The Fly” (1980)

An insubstantial jaunt from a fly’s point of view as it flies around a house.

83.
“Surogat” (a.k.a. “Ersatz,” a.k.a. “The Substitute”) (1961)

https://youtube.com/watch?v=watch?v=zb0PA-TaS4g

In 1952, Stanley Kramer’s adaptation of Jan de Hartog’s 1925 two-character play, “The Fourposter,” was released. UPA was commissioned to animate both the opening titles and intermittent segments of the movie, a choice that would prove groundbreaking for animation not just in the U.S., but also unexpectedly in Yugoslavia (specifically Zagreb, now Croatia), where it marked UPA’s first-ever screening. This film sparked the creativity of a group of young animators who went on to establish Zagreb Film, a studio that has been creating TV shows, cartoons, and commercials for the past 70 years. One of their earliest works, “Surogat,” became the first non-U.S. animation to win an Oscar. The UPA style remains a significant influence on this production. However, the film itself – featuring a trapezoid protagonist who inflates all surrounding props and characters – is largely considered strange for its unusualness.

82.
“Three Orphan Kittens” (1935)

This animated short film features adorable kittens causing mischief. It’s not particularly distinctive compared to other Disney cartoons, and it wasn’t used as a platform for experimental camera techniques or artistic styles, which later Silly Symphonies were known for in the 1930s. However, it receives lower scores due to the inclusion of racial stereotypes.

81.
“The Pink Phink” (1964)

https://youtube.com/watch?v=watch?v=41aGCrXM20E

In my perspective, “The Pink Phink” was where I first witnessed the on-screen introduction of The Pink Panther, a beloved animated figure who initially graced the opening credits of Blake Edwards’ 1963 film titled “The Pink Panther”. Similar to other cartoons featuring this character, it essentially revolves around the same humorous scenario – the Panther persistently turns everything pink, much to the chagrin of his counterpart who prefers blue. Nonetheless, I must admit that hearing Henry Mancini’s captivating and cool theme music never fails to be enjoyable.

80.
“Lend a Paw” (1941)

In one of Mickey Mouse’s rare list appearances, the movie “Lend a Paw” primarily revolves around Pluto, as he grapples with his inner good and evil, deciding whether to rescue a tiny kitten. The film carries a strong theme of helping friends in difficult times, hinting at a future conflict: Just two months after its premiere, the United States joined World War II, prompting Disney to transform his studio into a factory producing propaganda.

79.
“Dear Basketball” (2017)

Originally, when this piece was written in 2019, Kobe Bryant’s “Dear Basketball” ranked last among Best Animated Short winners; I referred to it as the “Crash” of winners. But since Kobe’s untimely passing, his heartfelt goodbye to basketball has gained a profound emotional depth, elevating it above the rest – though it still carries a strong resemblance to a Nike advertisement rather than a traditional short film.

78.
“Is It Always Right to Be Right?” (1970)

Orson Welles tells a tale about a world where people argue over who’s correct, leading to division. Although the visuals and music may be lackluster, the message serves as a useful reminder that being more humble can help us grow and improve ourselves.

77.
“Magoo’s Puddle Jumper” (1956)

https://youtube.com/watch?v=watch?v=OfSykvpIFYE

1949 marked the release of a UPA cartoon titled “The Ragtime Bear,” which introduced us to Mr. Magoo, a nearsighted elderly gentleman who inadvertently mistook a bear for his nephew Waldo. This production was a daring move for the newly established studio, formed by former Disney employees post-1941 animators’ strike. UPA honed its skills in the 40s, creating government cartoons and refining a unique animation style known as flat animation, characterized by highly stylized characters and backgrounds that lacked the three-dimensional quality of Disney productions. After nearly a decade as an independent studio, Columbia Pictures took on distribution duties in 1949. They were initially skeptical about “The Ragtime Bear’s” success due to human cartoon characters not being as popular as animal ones. However, the film surpassed expectations, launching Mr. Magoo as UPA’s first breakout character and a memorable role for actor Jim Backus, who later played Thurston Howell III on “Gilligan’s Island.” Despite Magoo being a one-joke character, his cartoons can become repetitive — like this short where he buys an underwater-capable car — but UPA’s distinctive style makes every animation worth watching. An interesting tidbit: Stephen Bosustow, one of the co-founders of UPA, produced all three nominees for Best Animated Short in that year, making him the luckiest man in Oscar history.

76.
“Leisure” (1976)

An exploration of humanity’s quest for relaxation, from our prehistoric roots to the modern era, titled “Leisure” employs an appealing mixed-media style, yet its overall appeal is somewhat lacking.

75.
“Great” (1975)

https://youtube.com/watch?v=watch?v=Vy4nhVslcq0

If you found yourself perplexed when Kenneth Branagh appeared at the 2012 Olympics Opening Ceremony resembling Abraham Lincoln, “Great” is a musical biography that delves into who he was truly portraying: Isambard K. Brunel, often referred to as the English counterpart of Thomas Edison. Although the tunes are catchy, it’s essentially an extended version of a “Schoolhouse Rock” video, lasting about half an hour.

74.
“The Tortoise and the Hare” (1934)

In a familiar retelling of Aesop’s tale, the protagonist Max Hare is often thought to have influenced the character Bugs Bunny, who playfully flips this story on its tail in “Tortoise Outpaces Hare.” This was followed by a continuation in 1937 titled “Toby Tortoise Makes a Comeback.

73.
“The Country Cousin” (1936)

In this telling, we encounter a reimagined fairy tale featuring the beloved creatures that embody Disney’s iconic studio. Adapting to the animation might require some time since these mice bear little resemblance to Mickey Mouse. However, the captivating soundtrack, blending country banjo melodies with a Gershwin-esque theme, perfectly embodies the unique personalities of the characters.

72.
“When Magoo Flew” (1954)

As a devoted cinema enthusiast, I recall the first time Peanuts character Magoo graced our big screens in CinemaScope – an unforgettable moment! In this extraordinary animation, Magoo mistook an airplane for a movie theater and decided to take a stroll on its wings mid-flight. The humor was amusing at times, but the stunning visuals of his shadowy figure striding across the plane were simply breathtaking. The film concluded with a witty self-referential joke that left the audience in fits of laughter.

71.
“Winnie the Pooh and the Blustery Day” (1968)

As a devoted fan, I marvel at how even posthumously, Walt Disney managed to secure his 26th Academy Award for one of the Winnie-the-Pooh cartoons produced by his studio. This project was among the last he approved before his passing, and he decided to roll them out individually to gradually introduce these now iconic characters to American audiences – a fact that seems almost unbelievable given their enduring fame today.

However, this specific short film serves as a poignant reminder of how the animation division was starting to lose its spark without Walt’s presence. For instance, the Heffalumps and Woozles sequence is a clear example of this, attempting to replicate the magic of Dumbo’s “Pink Elephants on Parade” but falling short of the original’s brilliance.

That being said, what truly shines in this cartoon is the exceptional voice acting – a testament to the fact that many of these talented actors had been lending their voices to these characters for over three decades.

70.
“Yankee Doodle Mouse” (1943)

Tom and Jerry engage in a war-like confrontation, reminiscent of World War II. They exchange sticks of dynamite, Jerry utilizes a bra as a parachute, and the soundtrack provides a delightful blend of patriotic tunes.

69.
“Manipulation” (1991)

A figure drawn in a cartoon strives hard to break free from the limitations set by his creator’s sketchbook. The humor and visual spectacle are entertaining, yet they can’t quite match up to “Duck Amuck,” the iconic Looney Tunes series that not only revolutionized the concept of toon-versus-animator cartoons but, in my view, stands as the finest cartoon ever made.

68.
“Flowers and Trees” (1932)

https://youtube.com/watch?v=watch?v=U0fM7gtOZhk

1932 marked the refinement of a three-color film system called Technicolor by Herbert Kalmus. This system combined three black-and-white movie rolls with cyan, magenta, and yellow to generate vibrant color films. Initially, animation studios showed no interest in this process, but Walt Disney took a risk with “Flowers and Trees,” a Silly Symphony that depicted a love triangle between two graceful trees and an ill-tempered stump who started a forest fire out of revenge. The cartoon showcased the typical mundane dancing reeds, birds, and trees common in early Silly Symphonies, and the animation was somewhat rough compared to future Disney productions. However, “Flowers and Trees” proved to be a massive success, earning the first Oscar for Best Animated Short Film and becoming the very first film produced using three-color Technicolor. Remarkably, this technology was later embraced by major animation studios by the end of the decade and was used in films like “Gone With the Wind,” “The Wizard of Oz,” and many other classic productions. As ever, Disney seemed to know what audiences desired even before they did themselves.

67.
“Piper” (2016)

Since 2001, Pixar has dominated the Best Animated Feature category, yet it didn’t win for its shorts until 2016 with “Piper.” This heartwarming short film about a timid sandpiper overcoming her water phobia ended their long wait for a win. However, “Piper” isn’t considered one of Pixar’s top productions. Nevertheless, it’s definitely worth watching for the exquisite bird animation.

66.
“Feast” (2014)

In a heartwarming tale, a lovable canine with a penchant for junk food plays a pivotal role in rekindling a relationship. This adorable pooch, who has an affinity for less than nutritious meals, ultimately helps his owner win back his girlfriend after she ended their relationship due to his dietary habits. The story is delightful, but the final 30 seconds can be overly emotional. Yet, there’s no denying that the dog in question is incredibly endearing.

65.
“A Herb Alpert and the Tijuana Brass Double Feature” (1966)

In a delightful turn of events, Storyboard Studios, led by John Hubley, clinched their third and last Oscar for the enchanting animated music video that featured two melodious tunes by Herb Alpert: “Spanish Flea” and “Tijuana Taxi.” (For additional details about Hubley and Storyboard Studios, continue reading below.)

64.
“Ferdinand the Bull” (1938)

https://youtube.com/watch?v=watch?v=UN62cxSs5Q8

Approximately 70 years before the Blue Sky film about this gentle bull, Disney produced a version of their own. While it was well-received when initially released, it has since become less prominent in the canon, likely due to the fact that it didn’t spawn any sequels. Milt Kahl (one of Disney’s renowned animators) provided the voice for Young Ferdinand, Don Wilson (announcer for Jack Benny) served as the narrator, and Walt Disney himself voiced Ferdinand’s Mother.

63.
The Windshield Wiper (2021)

Lovers of “Spider-Man: Into the Spider-Verse” might identify Alberto Mielgo’s work, the film’s background designer, in this poignant short film about the challenges of finding love in today’s swipe-based dating culture like Tinder. Some viewers may find the somber mood overpowering the stunning animation, while others might appreciate the beautiful visuals more than the melancholic undertones.

62.
“The Fantastic Flying Books of Mr. Morris Lessmore” (2011)

In collaboration, children’s book author and animator William Joyce directed this short film. It revolves around a man who is whisked away by a tornado to a mesmerizing library where books fly about. The animation showcases Joyce’s playful aesthetic, and the humor shines through, especially when Lessmore performs an operation on one of the books.

61.
“Tin Toy” (1988)

In 1986, Steve Jobs bought Pixar primarily for its computer hardware. He didn’t foresee profit from the small animation division, as it wasn’t generating revenue. The engineers were puzzled by the animators’ employment given the company’s financial situation. However, in 1988, John Lasseter and his team of animators requested $300,000 to create a short film named “Tin Toy,” featuring a one-man band toy named Tinny. Jobs agreed, and despite the animation being incomplete at its premiere, it impressed audiences. The following year, “Tin Toy” became the first computer-animated short to win an Oscar. Although the baby’s design was unattractive, and the animation was rudimentary for its time, these issues were largely due to technological constraints. The success of “Tin Toy” validated computer animation as a legitimate art form, persuading Jobs to continue funding the unit. In 1991, Lasseter wrote a script for a full-length film featuring Tinny and a cowboy doll on their journey home, titled “Toy Story.

60.
“The Boy, the Mole, the Fox, and the Horse” (2022)

As a passionate movie enthusiast, I’d say that I had the pleasure of co-directing an enchanting film adaptation of Charlie Mackesy’s book with the same title. This heartwarming tale follows a young boy who finds companionship in a mole, a fox, and a horse while lost in the woods. Through their adventures, he discovers valuable lessons about compassion, self-love, and the importance of family.

Although there were moments where the characters seemed to dispense life advice a bit too frequently, the exceptional animation and outstanding voice performances by Jude Coward Nicoll, Gabriel Byrne, Idris Elba, and Tom Hollander prevented it from becoming overly sappy, like a Hallmark card.

59-58.
“The Crunch Bird” (1971) and “For the Birds” (2001)

https://youtube.com/watch?v=watch?v=hNbYiIPJktw

At just two minutes long, “The Crunch Bird” is the briefest Oscar-winning animated short, and “For the Birds” isn’t much more extended. Both are humorous one-joke stories centered around birds, yet they manage to deliver their jokes effectively without becoming repetitive or overstaying their humor.

58.
“Speedy Gonzales” (1955)

In the first appearance of everyone’s beloved Mexican mouse, Speedy Gonzales, he consistently helps the downtrodden mice by acquiring cheese and outwitting the cheese-factory guard Sylvester. A notable joke involving this character is his ability to dart through Sylvester’s open mouth and emerge from the other end of his tail – a type of joke that directors like Tex Avery and Bob Clampett initially developed. Although Speedy might be considered a stereotype by some, he has remained well-liked among many Mexicans due to his knack for outsmarting opponents and serving as a positive depiction of Latinos when they were not commonly portrayed in media.

57.
“It’s Tough to Be a Bird” (1969)

Ward Kimball, one of Disney’s Nine Old Men, was the only one to receive an Oscar. This recognition came from a 20-minute animated film about birds, narrated by a bird character resembling Kimball himself. Known for his zany characters, especially those in ‘Alice in Wonderland’, Kimball showcases his mastery here, pulling out all the stops. The unique blend of animation and live action makes it the first mixed-media short to win an award. The climax, a chaotic montage, bears a resemblance to Terry Gilliam’s work on ‘Monty Python’. Interestingly, ‘It’s Tough to Be a Bird’ was released two months prior to the premiere of ‘Monty Python’, a coincidence in timing.

56.
“The Box” (1967)

https://youtube.com/watch?v=watch?v=sXFPT7FJ38k

A delightful animated tale featuring an elderly gentleman and his enigmatic container. The minimalistic backdrop, rhythmic soundtrack, and climactic unveiling greatly enhance its emotional resonance.

55.
“Mr. Hublot” (2013)

The French steampunk artist Stephane Halleux served as inspiration for the creation of “Mr. Hublot,” a film that breathes life into his futuristic realm. While it follows the familiar theme of friendship between a man and his companion, the twist lies in the fact that the canine friend is a robot, adding an intelligent angle to the storyline. The animation of the cityscape, reminiscent of “Blade Runner,” is nothing short of breathtaking.

54.
“Mouse Trouble” (1944)

In the animated short, Tom attempts various methods for catching mice from a book, but unfortunately, all his efforts end up as a series of unfortunate incidents. However, this cartoon is notable for featuring one of the funniest jokes in any Tom and Jerry episode. When Tom, battered and bruised, looks directly at the camera and says in a deep voice, “You won’t believe it!

52.
“Quiet, Please!” (1945)

The phrase “Quiet, Please!” puts Tom in a challenging position as he tries to keep Jerry from awakening Spike, the dog. A humorous scene unfolds when Tom skillfully catches lightbulbs that Jerry throws, thus preventing them from breaking on the floor. This gag references W.C. Fields’ movie “It’s a Gift,” although the climax of this joke is significantly more violent: Jerry electrifies Tom by plugging his tail into an electrical outlet, causing him to light up like a Christmas tree.

51.
“La Maison en Petits Cubes” (“The House of Small Cubes”) (2008)

https://youtube.com/watch?v=watch?v=j0YSFvPTm2A

Until “La Maison en Petits Cubes,” Japanese animation was not commonly recognized in this category. This film tells the story of a fisherman living in a flooded home who reflects on his life, using a smoking pipe as a trigger for memories that are vividly depicted through the animations of Kunio Katō. When Katō won his Oscar, he brought down the house with his closing statement “Domo arigato, Mr. Roboto!

50.
“Tango” (1982)

In a different turn of events, no one had an Oscar night more disastrous than Zbigniew Rybczyński, the Polish director of “Tango”, compared to the producers of “La La Land”. The night took a downward spiral for Rybczynski when Kristy McNichol announced his name incorrectly during the opening envelope read. As Rybczinski, who spoke minimal English, stepped onto the stage with his interpreter, the orchestra attempted to rush them offstage before they could complete their speech.

Later, outside the theater, Rybczyński smoked a cigarette while still holding his Oscar, only to forget his ticket inside and be denied reentry by security. This led to a physical altercation. When law enforcement arrived to take statements, Rybczyński is reported to have exclaimed, “American pig, I have an Oscar!” and allegedly struck one of the officers in the groin, leading to his detention for the night. Fortunately, no charges were pressed against him.

“Tango”, Rybczyński’s film, is a fascinating experimental piece where live-action characters repeat actions and movements in an incredibly vast room, with more and more characters joining until it resembles the crowded stateroom in “A Night at the Opera”. To fully appreciate the intricacies of the film, multiple viewings are recommended to notice how the characters intersect. After his tumultuous Oscar night, Rybczyński went on to create music videos for Mick Jagger and Lou Reed. When asked about his experiences, he remarked, “Success and failure often go hand in hand.

49.
“The Lost Thing” (2010)

https://youtube.com/watch?v=watch?v=CVV7kxQdolY

In simpler terms, “The Lost Thing,” narrated by Tim Minchin, features an unusual bond between a peculiar boy and a tentacled creature reminiscent of one from “Mr. Hublot.” This heartwarming tale concludes powerfully, and the scene in the Department of Strange Finds pays tribute to Terry Gilliam’s “Brazil.

48.
“Quest” (1996)

In simpler terms, this animated short movie by a German student features puppets venturing across different terrains such as deserts, rocky landscapes, and industrial areas in search of an enigmatic dripping sound’s origin. The animation is particularly impressive, with the backdrops standing out. However, upon further reflection, the ending might appear deep initially but could seem a bit typical of student films.

47.
“A Close Shave” (1995)

https://youtube.com/watch?v=watch?v=36GfaI0_B8E

In my opinion, could there be a more eloquently portrayed character in all of animated cinema than Gromit, Wallace’s loyal canine sidekick? Without a mouth, he skillfully expresses emotions through his eyebrows and eyes, blending the charm of Chaplin with Keaton’s dry wit. In this adventure, they expose a scheme to abduct sheep for use in pet food. As usual, Gromit assumes the roles of both detective and action star, while Wallace merely tags along. This film was the birthplace of Shaun the Sheep, who later spawned his own television show and film series. Regrettably, the 30-minute runtime sometimes works against the movie, particularly in the overly crowded climactic action sequence where director Nick Park strives to surpass his previous Wallace and Gromit film’s achievements. (I’ll delve deeper into that film at a later time.)

46.
“Johann Mouse” (1952)

1940 saw the collaboration of animators William Hanna and Joseph Barbera, who introduced a cat named Jasper and a mouse called Jinx in “Puss Gets the Boot”. However, this didn’t make a significant impact. A year later, they revamped these characters, renamed them Tom and Jerry, and produced a sequel film. This time, their efforts bore fruit as Tom and Jerry became MGM’s sensational stars. Hanna and Barbera created over 100 Tom and Jerry cartoons, earning MGM 13 Oscar nominations and winning seven. The last win was for “Johann Mouse”, where Tom and Jerry became a musical phenomenon in 1890s Vienna. The film featured some witty piano-playing jokes by Tom and music performed by the MGM orchestra, reminding us of how old studios didn’t skimp on their cartoons. Post MGM’s closure of its animation unit in 1957, Hanna and Barbera established their own company and went on to create iconic TV shows such as The Flintstones, The Jetsons, Scooby-Doo, among many others. Just like Disney, it all began with a mouse (and a cat).

45.
“The Danish Poet” (2006)

In simple terms, Liv Ullmann tells an emotional tale where circumstances and luck influence one’s fate, featuring a surprising turn of events. She single-handedly portrays all the characters, while her soothing voice enhances the delightful nature of this animated piece.

44.
“Special Delivery” (1978)

The man’s decision not to clear the snow from his front steps results in a tragic incident, claiming the life of his mail carrier. Amidst this unfortunate event, laughter arises.

43.
“Toot, Whistle, Plunk and Boom” (1953)

https://youtube.com/watch?v=watch?v=8iVf0pPHvjc

In Aaron Sorkin’s script for Steve Jobs, Apple co-founder Steve Wozniak inquires about the role of Steve Jobs, who lacked design and coding skills. Jobs responds by likening himself to a conductor, stating “Musicians play their instruments; I conduct the orchestra.” This analogy can also be applied to Walt Disney, as he was not a master animator, inventor of sound or color cartoons, nor the first to create an animated feature film. However, Disney was adept at recognizing talent, possessed extensive knowledge about dramatic storytelling, and most importantly, was an innovative filmmaker who constantly pursued new technologies to enhance animation. The short film “Toot, Whistle, Plunk and Boom,” co-directed by Ward Kimball (who directed “It’s Tough to Be a Bird”), was the first cartoon produced in CinemaScope, which Disney later used for all of his animated features starting with Lady and the Tramp. The flat animation — a significant departure from Disney’s typical style — reflects the influence of the UPA style within the industry. Although Disney created some groundbreaking and creative short films in the 1950s, by the end of the decade, he shifted his focus away from them as the company expanded into television, live-action films, and theme parks.

42.
“Closed Mondays” (1974)

Film director Bob Gardiner, renowned for developing Claymation, collaborated with his partner Will Vinton for 14 months to produce a stop-motion movie titled “Closed Mondays”. This film tells the story of a tipsy man who stumbles into a museum after dark and encounters animated artwork. For instance, an abstract painting transforms into a sequence of swirling musical notes, a talking slot machine delivers abstract poetry, and a conventional painting of a scullery maid responds to him. Unlike the upcoming discussion about “The Critic” (which criticizes art), “Closed Mondays” showcases the influence of art on our emotions. Subsequently, Gardiner and Vinton created many successful advertising campaigns, such as the California Raisins, and Will Vinton Studios eventually evolved into the prominent stop-motion studio, Laika Studios.

41.
“Bao” (2018)

Domee Shi, a Chinese-Canadian immigrant woman, became the initial female director at Pixar with the short film “Bao,” and she and producer Becky Neiman-Cobb were the first women to win the Best Animated Short Oscar. Shi drew inspiration for this heartfelt tale about a mom who nurtures a dumpling from birth to maturity on her own experiences with an overprotective mother. The employment of food as a symbol for parenting is unique to Chinese culture, with Shi explaining in interviews that Chinese parents often express their love by asking “Have you eaten yet?” rather than explicitly saying “I love you.” This cultural nuance allows “Bao” to convey universal truths about parenthood and children. Prior to the release of “Bao” in 2018, Pixar’s co-founder John Lasseter stepped down from the company following allegations of sexual harassment against women and for fostering an environment that discouraged female employees from advancing. Shi’s work on “Bao” and her subsequent feature film Turning Red has played a significant role in diversifying stories and creators within the animation industry.

40.
“Paperman” (2012)

https://youtube.com/watch?v=watch?v=eRl2OlyNMuc

As a devoted cinephile, I’ve always admired Disney’s dominance in animation’s early years. However, it wasn’t until “Paperman” that they claimed their first Animated Short Oscar since “It’s Tough to Be a Bird.” Remarkably, “Paperman” is the inaugural (and currently only) black-and-white animated short film to win this prestigious award. The protagonist, an unassuming office clerk, is set in motion by a single splash of color – a woman’s bold lipstick kiss on a scrap of paper. This simple burst of color sparks him to chase after her, navigating through a sea of papers. The minimalistic style and absence of dialogue perfectly complement the narrative.

39.
“Charade” (1984)

Have you ever found yourself utterly baffled when your pals can’t decipher your charades? The film Charade turns this predicament into a riotous spectacle! In it, the protagonist clearly enacts famous titles such as Jaws and Superman, yet his companions consistently misfire with their guesses. Meanwhile, one participant astonishes everyone by accurately mime-acting The Concise Oxford Dictionary of Rotations, something that leaves the others shaking their heads in disbelief!

38.
“Balance” (1989)

Just as stop-motion masterpieces leave viewers in awe, questioning the animators’ techniques, “Balance” does the same. The story unfolds on a platform floating in space, where five identical men are fishing for a precious artifact while their movements cause the platform to sway precariously. This captivating short film served as inspiration for the finale of the movie “National Treasure: Book of Secrets“.

37.
“The Dot and the Line” (1965)

Following the shutdown of Warner Animation Studio in 1963, Chuck Jones moved to MGM and produced a short film that earned him his sole competitive Oscar. This animation was inspired by Norton Juster’s book about a family line who attempts to woo a dot, and it represents a striking contrast to Jones’s previous Warner cartoons, mirroring the style of abstract artist Oskar Fischinger. The transitions where the line transforms from two dimensions to three are exceptionally well-executed. Narrator Robert Morley adds humor with his math puns delivered in a dry tone. Later on, Jones aimed to replicate this success with a feature film based on Juster’s renowned book “The Phantom Tollbooth“, but the movie received lukewarm reception from both audiences and critics.

36.
“Crac!” (1981)

One wonderful aspect of animation is how it brings feelings to lifeless items. In “Crac!”, our main character is a rocking chair that comes alive when a French-Canadian farmer crafts it from tree wood. Throughout its existence, the chair witnesses the farmer, his spouse, and their descendants for countless generations. Much like the opening sequence of “Up“, the movie condenses a hundred years into approximately 15 minutes, creating a seamless narrative in the closing scenes, as the chair ponders over all it has experienced in its final resting place – an art museum.

35.
“The ChubbChubbs!” (2002)

https://youtube.com/watch?v=watch?v=n71ob035Z8M

In a stunning victory, Sony Animation secured its first Oscar for a computer-animated science fiction movie titled “ChubbChubbs”. This tale revolves around an ambitious alien janitor with a hidden talent for karaoke, who confronts the ominous ChubbChubbs. The film is brimming with nods to sci-fi enthusiasts, featuring appearances by Yoda, E.T., and Jar-Jar Binks (who meets an untimely end within the first couple of minutes). The unexpected finale is also quite intriguing.

34.
“Moonbird” (1959)

In a turn of events, John Hubley from UPA had to venture into television commercials following his blacklisting and dismissal from the company. However, he struck gold with the ad campaign for Maypo Oatmeal that featured an animated child character voiced by his son Mark. The earnings from these ads allowed him and his wife Faith Hubley to create “Moonbird,” a film inspired by a tape recording of Mark and his brother Ray playing together. In comparison to the earlier shorts, “Moonbird” presented a drastic shift in style, transcending UPA’s flatness to develop characters using only roughly sketched outlines. While the improvisation of the two boys sometimes fell short, it was a significant leap for Hubley. A 1968 sequel titled “Windy Day” took animation of his daughters’ improvisation a step further, and was even more impressive.

33.
“A Christmas Carol” (1972)

https://youtube.com/watch?v=watch?v=ZTzyC9CZuOA

In 1971, Richard Williams’ television adaptation of Charles Dickens’ classic tale became incredibly popular, earning theatrical distribution the next year and becoming eligible for an Oscar (the rules were later altered to prevent such occurrences). The film was exceptionally well-adapted, with Alistair Sim and Michael Hordern reprising their roles as Scrooge and Marley from the iconic 1951 movie. Notably, Marley’s performance stood out, as he simply opened his mouth wide to deliver his lines without any lip movements. An additional strength was its inclusion of the shriveled children symbolizing Ignorance and Want, a powerful scene often omitted in adaptations. However, the film’s primary weakness lies in its brevity – at 25 minutes long, it can feel somewhat hurried, especially when Scrooge undergoes his transformation at the end.

32.
“The Old Mill” (1937)

https://youtube.com/watch?v=watch?v=MYEmL0d0lZE

During the progression of the production for “Snow White and the Seven Dwarfs“, Disney utilized his short films to test technologies he believed would make his debut full-length movie exceptional. The most renowned of these experiments is “The Old Mill,” which marked the first use of the multiplane camera in animation, a device that positioned a camera atop multiple layers of glass to create an unprecedented depth of field. Much like Disney adopted Technicolor before live-action filmmakers, he employed deep-focus cinematography four years prior to “Citizen Kane,” giving this animal-themed short about surviving a storm the visual impact of being shot by Gregg Toland, the cinematographer of “Citizen Kane.” The storm sequence in particular is among the most suspenseful scenes in any animated film. If possible, watch it on a large screen.

31.
“Tweetie Pie” (1947)

In a standoff with producer Edward Selzer, director Friz Freleng considered leaving Warner Bros., as he disagreed with Selzer’s stance on a cartoon concept featuring Tweety (renamed “Tweetie Pie”) and Sylvester (now called Thomas), but this project eventually led to their first Oscar. The movie showcased Freleng’s extraordinary talent, particularly his skillful synchronization of action with music and his use of absurd humor. What truly set him apart as a genius was his ability to infuse his characters with human-like moments amidst the chaos — for instance, when Thomas throws his hammer down after completing a contraption. When asked about this scene, Freleng simply explained, “Because it’s human.” After Selzer’s passing, the Oscar was given to Freleng.

30.
“Bob’s Birthday” (1994)

Bob’s Birthday”: An Unconventional Sitcom

The show “Bob’s Birthday” introduced the characters Bob and Margaret, a middle-aged British couple who gained their own television series in the late 1990s. Known for its daring and risqué content, it was the most audacious cartoon to ever win an award. The story revolves around Bob, who is petrified of turning 40, and his reactions at home, where he vents his fears to Margaret unknowingly, as she had planned a surprise party for him. Unbeknownst to him, all the guests were hiding, listening to his rants and witnessing some embarrassing moments, such as Bob walking around in no pants. The uncomfortable scenes and Bob’s insensitive remarks make viewing challenging at times. However, there’s a palpable tenderness between Bob and Margaret that shines through, and the ending, where Margaret understands the importance of being there for him despite everything, is heartwarming.

29.
“Bear Story” (2014)

https://youtube.com/watch?v=watch?v=htugcbr9Q8o

In simpler terms, Gabriel Osorio’s Chilean film titled “Bear Story” subtly portrays the hardships of a kidnapped bear as an allegory for the Augusto Pinochet regime’s atrocities. The intricate details on the mechanical music box and its contrast with the bear’s environment are beautifully depicted. Essentially, “Bear Story” is a profound exploration of how narratives can reflect and heal from traumatic experiences.

28.
“Der Fuehrer’s Face” (1942)

https://youtube.com/watch?v=watch?v=bn20oXFrxxg

Titled originally as “Donald Duck in Hitler’s Reign,” this iconic Disney World War II animated short portrays Donald Duck surviving under the oppressive rule of Hitler. His residence and many props are designed like swastikas, and he is compelled to work in a munitions factory, where each time an image of the Fuehrer passes down the assembly line, he is obliged to exclaim “Heil Hitler!” in his distinct quack. This film, one of the few Disney productions with comedic moments that still make audiences laugh, remains as amusing today as it was 77 years ago, and includes one of the most surreal instances in Disney animation, where the shells come to life. The title song gained popularity when performed by Spike Jones and his band. However, it receives criticism for its insensitive depictions of the Japanese.

27.
“Birds Anonymous” (1957)

If you were to name a saint for cartoon voiceovers, it would undeniably be Mel Blanc. From his passing in 1989 until then, he lent his voice to nearly all Looney Tunes characters, including Tweety, Sylvester, and a cat named Clarence who guides Sylvester through Birds Anonymous, a feline version of Alcoholics Anonymous. This idea was later utilized in the movie “Finding Nemo.” While Sylvester and Tweety’s voices are well-known, it’s his performance as Clarence that truly stands out. He uses a monotonous tone to give the impression of control, even when Clarence relapses at the end. This was one of Blanc’s favorite cartoons, and after producer Edward Selzer’s demise, his Oscar was inherited by the “man of a thousand voices.

26.
“Peter & The Wolf” (2007)

Translating Sergei Prokofiev’s iconic work, intended for the creative minds of its audience, is a complex task (one that even Disney struggled with), yet director Suzie Templeton manages this challenge effectively in her half-hour film adaptation. She makes shrewd alterations to the narrative – such as updating it to modern times, transforming the three hunters into bullies who harass Peter, and developing an engaging relationship between the main characters that culminates in a heartwarming and poignant ending. The stop-motion style of animation appears to have left its mark on Wes Anderson’s films like Fantastic Mr. Fox and Isle of Dogs.

25.
“In the Shadow of Cypress” (2024)

Filmmakers Shirin Sohani and Hossein Molayemi spent six years crafting a poignant movie about a retired military captain battling PTSD, who faces his inner turmoil as he and his daughters strive to return a stranded whale to the sea. As the child of a soldier, Sohani delicately captures her theme through stunning visual allegories, like portraying a flock of seagulls as a phalanx of planes, causing the veteran’s countenance to pale with fear. The characters experience fragmentation and regrouping through visual symbols representing their pain, such as when the captain’s daughter dissolves into a podium in sorrow, or when she topples him during a fight and he splinters like brittle glass. The 2-D animation, using simple geometric forms, amplifies the movie’s emotional resonance.

24.
“For Scent-imental Reasons” (1949)

Edward Selzer, a Looney Tunes producer who once skeptically declared to his animators, “I don’t comprehend why humor is necessary in the creation of animated cartoons!”, underestimated Chuck Jones when he said no one would find humor in Pepé Le Pew, his amorous French skunk, proving him wrong once more. In all his productions, Pepé pursues Penelope Pussycat, believing she is a skunk, but she has no interest in him. However, this time around, the situation is reversed: it’s Pepé who is chased by Penelope at the end, causing him great distress. The dialogue written by Michael Maltese, mimicking French speech, adds an extra layer of hilarity to the scene.

23.
“Munro” (1960)

https://youtube.com/watch?v=watch?v=eNgiWU9LY7A

Originally penned as a short story by Jules Feiffer, who recently turned 95 and is renowned for his career in cartooning, children’s book illustration, and scriptwriting, “Munro” features a mischievous four-year-old boy who is sent into the army as punishment. However, no one in the military believes it due to their conviction that anyone joining must be driven by the army’s ideals. The biting satire and witty animation, inspired by Feiffer’s artwork, make this cartoon as amusing as a Mark Twain tale. Notably, this distinctively American short was the first Oscar winner produced outside of the U.S., with its animation originating from Gene Deitch’s studio in Prague, where he moved for financing in 1959 and continued producing cartoons until his passing in 2020.

22.
“Geri’s Game” (1997)

Many individuals first encountered “Geri’s Game” when it was screened prior to the release of “A Bug’s Life” in 1998, marking the beginning of Pixar’s practice of showing a short film before their main feature. This animation is one of Pixar’s funniest productions, masterfully portraying a basic idea – an elderly man engaging in a chess match with himself. What makes it exceptional is that the old man exhibits two distinct personalities during the game, one being manipulative and dependent, while the other is cold and calculating. The intriguing part lies in the fact that their interplay leads you to believe you’re watching two separate individuals rather than just one. Geri can also be spotted in “Toy Story 2”, where he appears as the repairman who mends Woody’s arm.

21-20.
“Anna and Bella” (1985) and “Bunny” (1998)

“Anna and Bella” is a Danish short hand-drawn film about two sisters revisiting their past and reconciling after a painful falling out, while “Bunny” depicts an elderly rabbit’s struggle against a persistent moth. Both stories share a similar structure: They start as one thing but take an unexpected turn, leading to some of the most emotional conclusions on this list. Tom Waits contributes the soundtrack for “Bunny” and sings during the end credits.

19.
“Every Child” (1979)

Derek Lamb, the producer, created “Every Child” as part of UNICEF’s International Year of the Child campaign. Instead of being overly sentimental, he injected humor into the story of a baby moving from household to household. An electronic duo named Les Mimes Electriques provided all the voices, sound effects, and music in this short film. The opening and closing scenes feature them in a recording studio, which takes on a deeper significance when the child is ultimately adopted by two elderly men at the end.

18.
“Harvie Krumpet” (2003)

Adam Elliot’s compassion for individuals with differences is consistently apparent in his short films, including the acclaimed “Mary and Max”. Similarly, “Harvie Krumpet” showcases a dry wit alongside profound emotion to narrate the story of a Polish immigrant in Australia who remains optimistic despite numerous hardships. The film is neither overtly comedic nor excessively emotional, but rather strikes a perfect balance that avoids both irony and sentimentality. Elliot always treats his characters and their circumstances with respect, demonstrating his genuine humanitarian spirit.

17.
 “Father and Daughter” (2000)

Initially when the article was released in 2019, “Father and Daughter” held a lower position due to my initial perception that it hadn’t left as strong a cultural imprint as its Oscar-winning competitor, the groundbreaking absurdist film “Rejected” by Don Hertzfeldt. However, upon viewing “If Anything Happens I Love You,” which was inspired by “Father and Daughter,” I acknowledged my mistake. The story of a girl who waits her entire life for her absent father, “Father and Daughter” delivers an emotional punch and demonstrates that a profound impact can be made without creating endless memes or catchphrases, as was the case with “Rejected.

16.
“The Sand Castle” (1977)

In a narrative teeming with ambiance yet lean on characters, “The Sand Castle” by Co Hoedeman presents strange, serpentine beings that emerge from the sands, construct a fortress, and see it disintegrate under the wind’s sweep. This movie serves as a poignant testament to the transitory nature of art, echoing the sentiments of Bill Watterson, creator of Calvin and Hobbes, who once adorned his dorm ceiling with a Michelangelo-inspired masterpiece, fully aware it would be erased by the next occupant. As he put it, “My most cherished recollections are [of] instances when things were done for some unfathomable inner compulsion, rather than because they were required.

15.
“The Moon and the Son: An Imagined Conversation” (2005)

As a film reviewer, let me share my thoughts on “John Canemaker: An Imagined Conversation,” a profound work by NYU professor and animation historian John Canemaker. This moving piece is loosely based on his real-life relationship with his father, an Italian immigrant who served five years in prison for insurance fraud when young John was just a child.

Ten years after his father’s passing, John decided to create this heartfelt dialogue between them, with the talented John Turturro portraying John Canemaker and the legendary Eli Wallach as his father. The narrative unfolds through a unique blend of animation, live-action clips, and photographs, creating a universally relatable tale about the emotional distance children often need from their parents.

The story delves into the complexities of parental flaws, as John’s father is depicted as a man “fucked up in [his] turn/By fools in old-style hats and coats,” echoing Philip Larkin’s poignant words. Despite its brief 30-minute runtime, this film is nothing short of remarkable, showcasing the exceptional acting talents of Turturro and Wallach.

While it could have easily been expanded into a full-length feature, even at half an hour, it stands as a testament to the power of storytelling and the human experience.

14.
“Three Little Pigs” (1932–33)

Starting from the remarkable influence of arguably the most beloved animated short cartoon ever created, let’s explore some unique aspects that set it apart. For instance, its unprecedented run in theaters for extended periods due to overwhelming audience demand. Moreover, the vast array of merchandise it generated was another testament to its popularity. A memorable tune served as the basis for one of America’s most renowned plays, further cementing its impact. As Chuck Jones rightly pointed out, this cartoon marked a breakthrough in bringing characters to life with their distinctive appearances and behaviors, distinguishing it from other Disney Silly Symphonies at that time. The trio – Fifer, Fiddler, and Practical Pigs – provide an entertaining dynamic, with the first two being carefree individuals contrasted by their sensible brother. When they join forces to outwit the cunning Big Bad Wolf, who adopts a series of disguises (including a stereotypical Jewish peddler), they prove formidable. To add humor, there are macabre family portraits in Practical Pig’s home featuring Uncle Earl (a football) and Father (sausage links).

13.
“Creature Comforts” (1989)

https://youtube.com/watch?v=watch?v=PCOWE0EiCyo

The short film “Creature Comforts” by Nick Park, which initiated a prolonged ad campaign in the U.K., features street interviews with homeowners discussing their living conditions but with the dialogue spoken by stop-motion animals instead. The incongruity between human voices and animal characters is hilarious, such as a lion with a Brazilian accent expressing a desire for more warmth. Park’s unique skill in using eyes to portray emotions exceeds that of other stop-motion animators (as demonstrated by Gromit), and the animals’ stoic, melancholic expressions further enhance the humor.

12.
“The Critic” (1963)

In 1962, Mel Brooks attended a showing of an abstract animated film by Norman McLaren. A spectator was muttering sarcastic remarks, which caught Brooks’ attention. He subsequently employed animator Ernest Pintoff to create three minutes of abstract visuals. Brooks then added his own improvised commentary as an elderly viewer, reacting to the images in a humorous manner. For instance, he exclaimed, “This must be some kind of symbolism — I think it’s symbolic of trash!” and “Oh no, it’s a cockroach!” The film lasted just three minutes but left audiences wanting more. Luckily, we have more, as Mel Brooks has produced numerous sketches, comedy routines, films, musicals, and even a TV show during his 70-plus years in the entertainment industry. Interestingly, “The Critic” served as an inspiration for Martin Scorsese’s first NYU film titled, “What’s a Nice Girl Like You Doing in a Place Like This?

11.
“Mona Lisa Descending a Staircase” (1992)

https://youtube.com/watch?v=watch?v=4J-ypC8M35o

Joan Gratz condenses the evolution of 20th-century art into just seven minutes by seamlessly blending famous masterpieces together – for instance, a Picasso nude transforms into Munch’s “The Scream.” This creative juxtaposition underscores the fact that artists often inspire each other, even when their work may seem unrelated. What makes this animation extraordinary is that it was entirely crafted using oil-based clay applied on a vertical easel, giving the artwork a dynamic and lifelike quality, much like King Kong’s fur in the 1933 film seems to move. Gratz dedicated eight years to planning and two and a half years to filming this project, and her hard work is evident in the final piece.

10.
“Hair Love” (2019)

https://youtube.com/watch?v=watch?v=kNw8V_Fkw28

The idea for the HBO Max series “Young Love,” titled “Hair Love,” originated when NFL player-turned-filmmaker Matthew A. Cherry was moved to create the short film “Hair Love” after he started posting YouTube videos of Black fathers styling their daughters’ hair. When these videos gained popularity, Cherry noticed that they showcased an unexplored aspect of Black fatherhood in U.S. media – both in animation and live-action. To fund the production of “Hair Love,” Cherry launched a Kickstarter campaign and raised $300,000 with support from donors such as Jordan Peele and Gabourey Sidibe. He also enlisted the help of “The Proud Family” creator Bruce W. Smith and Sony animation producer Karen Rupert Toliver to bring the project to life. Similar to its inspiration, “Hair Love” sheds light on race in an innovative way by not focusing on heavy themes about acceptance but rather by telling a heartwarming story about a father, daughter, and mother styling their hair together. The film effectively blends humor without diminishing the characters and emotional depth without resorting to melodrama. The animation of the hair is also visually stunning.

9.
“The Ugly Duckling” (1939)

https://youtube.com/watch?v=watch?v=qafXdmFsTbE

The final installment of Walt Disney’s Silly Symphonies series, “The Ugly Duckling,” is a modernized version of an earlier black-and-white cartoon. This is the only instance where a Disney short underwent remaking. Unlike its predecessor, which was primarily comedic, this reimagining contains one of the most poignant and heart-wrenching scenes in Disney’s history. The outcast duckling finds companionship with a duck decoy – the only being who doesn’t pass judgment. However, when the decoy startles him, you might find yourself grabbing a tissue. As Disney himself stated on one of his television shows, “the main objective of any fine art is to evoke pure emotional responses from the audience.” While this may not apply to all art forms, it certainly holds true for much of Disney’s work, and for this film in particular.

8.
“The Hole” (1962)

https://youtube.com/watch?v=watch?v=PGB3eudJwOU

In a bold move, John Hubley openly expressed his political views through animation in this influential 1962 film titled “unspecified title”. This short film features two construction workers, portrayed by character actor George Matthews and jazz musician Dizzy Gillespie, engaging in a thought-provoking debate about the causes of accidents. The movie was launched during the same year as the Cuban Missile Crisis and bears similarities to films like “Fail-Safe” and “Dr. Strangelove”. Given the backdrop of the civil-rights movement, it serves as an insightful dialogue between a complacent white man and a person of color who can discern hidden messages. Notably, all dialogue in this film was improvised, yet Matthews and Gillespie’s conversation became as profound as that between the tramps in “Waiting for Godot”. This timeless tale serves as a cautionary reminder about the importance of paying attention to the warnings that surround us.

7.
“The Old Man and the Sea” (1999)

https://youtube.com/watch?v=watch?v=W5ih1IRIRxI

Although Russia has a rich history in animation, it wasn’t until Aleksandr Petrov created this 20-minute adaptation of Ernest Hemingway’s novella that a Russian cartoon won an Oscar. This masterpiece, reportedly one of the greatest film adaptations of any of Hemingway’s books, was painstakingly hand-crafted over two and a half years by Petrov and his son. They meticulously painted 29,000 oil-pastel frames on glass, filmed each with a special Imax camera, and moved the pastels by hand between shots. The art style, evoking early 20th-century paintings by George Bellows, perfectly encapsulates Hemingway’s robust prose, particularly in the scene depicting the grueling 24-hour arm-wrestling match where the tension of the muscles seems palpable. The romanticism of Hemingway’s work is also beautifully portrayed through the old man’s vivid dreams of Africa and the added dream sequences featuring him swimming and flying alongside his cherished fish. Denis L. Chartrand and Normand Roger provide the enchanting score.

6.
 “If Anything Happens I Love You” (2020)

https://youtube.com/watch?v=watch?v=DsrVaPNANak

Samuel Goldwyn famously criticized “message movies” with his statement, “If you want to send a message, use telegraph.” However, the film “If Anything Happens I Love You,” demonstrates that the most effective way to convey a message is through compelling storytelling. In this case, it tells the heart-wrenching tale of two parents mourning their daughter who was a victim of a school shooting. The animation team, consisting entirely of women, created a visual style reminiscent of “Father and Daughter.” The film follows the parents as they go about their day, evading subconscious projections that eventually compel them to confront their grief through memories of their daughter. A key scene involves her parents’ shadows attempting everything possible to prevent her from going to school, but their inability to alter the past creates a foreboding atmosphere that intensifies the impact of her death’s revelation. In just one week after its Netflix release, it quickly became one of the most-watched films globally, went viral on TikTok, and sparked a critically acclaimed graphic novel adaptation. Even the coldest hearts find it hard not to shed tears while watching this powerful film.

5.
“Ryan” (2004)

https://youtube.com/watch?v=watch?v=nbkBjZKBLHQ

In a similar vein to Anaïs Nin’s observation that “we don’t perceive things as they truly are, but rather as our own experiences and perspectives dictate,” Chris Landreth’s captivating documentary, titled “Ryan,” showcases the life of Canadian animator Ryan Larkin. During the 1960s and ’70s, Larkin was a rising star in animation, earning an Oscar nomination for his short film “Walking.” However, by the time Landreth began working on the documentary, Larkin had been homeless in Ottawa for over two decades due to his struggles with alcohol and drug addiction.

Landreth spent two and a half years crafting this film, conducting interviews with Larkin and collaborating with a team of animators to depict the characters as elongated beings with bodily holes and facial markings that symbolize psychological distress. When these characters discuss their emotional wounds, spikes and colored lines appear on their faces, vividly portraying the torment they face daily.

Remarkably, none of the characters were created using motion capture technology – a testament to the extraordinary skill of Landreth’s team in achieving such lifelike movements. The documentary served as a means of bringing Larkin out of obscurity: Upon his death in 2007, he was working on “Spare Change,” his first animated film in over three decades, which was completed the following year by his collaborator Laurie Gordon.

4.
“Gerald McBoing-Boing” (1950)

https://youtube.com/watch?v=watch?v=Zpl0KRFdj1E

The character ‘Gerald McBoing-Boing’ marked a significant shift for UPA, transforming it into a leading innovator in American animation, surpassing even Walt Disney’s influence. This groundbreaking cartoon was based on a Dr. Seuss record about a unique boy who communicates through sounds. It broke away from the norm, featuring no cuddly animals or cartoon violence, and instead introduced an unprecedented style of flat animation that captivated audiences. ‘Gerald McBoing-Boing’ embodied UPA’s distinctive characteristics. The background designs lacked walls, seamlessly blending into one another with locations transitioning only through props and colors. As the backdrops changed, so did Gerald’s skin tone, adding an emotional depth to the film. Bright yellow was used when Gerald was happy, while dark blue dominated during sad moments. The unconventional art style enabled innovative camera angles, such as a Dutch angle stairway scene reminiscent of Carol Reed’s 1948 film ‘The Fallen Idol’. During the 1950s, many animators adopted UPA’s techniques, and today, over 70 years later, ‘Gerald McBoing-Boing’ remains one of the most influential cartoons ever made.

3.
“The Man Who Planted Trees” (1987)

Frédéric Back, who is known for directing the film “Crac!”, was an ardent environmentalist who spent his life planting thousands of trees on his own land. This made him the ideal choice to adapt Jean Giono’s short story, “The Man Who Planted Trees”. This poignant movie narrates the bond between a young man and an old farmer who has dedicated his life to sowing seeds across his barren homeland. Spanning over three decades and two world wars, he remains unyielding in his quest to transform the French-Canadian wilderness, leaving government officials in awe as they fail to comprehend that all this beauty originated from one man’s labor. To create the film’s unique aesthetic, Back and his assistant, Lina Gagnon, drew on matte acetate with colored pencils, building layers of shading as scenes seamlessly transitioned, using multiple exposures and no cuts. Similar to “Gerald McBoing-Boing”, the colors adapt according to the landscape’s progression, starting from dark, jagged lines and culminating in rich blues and greens. As an environmental allegory, “The Man Who Planted Trees” refrains from being didactic; instead, it presents a poignant exploration of a saint-like character that would have resonated with Tolstoy.

2.
“The Cat Concerto” (1946)

https://youtube.com/watch?v=watch?v=uKZgi06fVsk

In a remarkable turn of events, the most exceptional escapade for Tom and Jerry unfolds at a grand piano recital. Here, Tom, playing Liszt’s “Hungarian Rhapsody No. 2,” inadvertently causes discomfort to Jerry who has ingeniously transformed the piano into his residence. The ensuing chaos sees both characters using various parts of the instrument to torment each other. Unlike typical cartoons, this one presents a balanced conflict: Tom retaliates just as fiercely as he is hit back, and it’s amusing to witness Jerry endure repeated slaps across the keys. The gags featuring Tom’s fingers, particularly when he strives to produce a tremolo while dodging a mouse trap, are sure to make any pianist nervous. Warner Bros.’ cartoons frequently employed “Hungarian Rhapsody” – even in a strikingly similar sketch titled “Rhapsody Rabbit,” where Bugs assumes the role of Tom. However, with “The Cat Concerto,” MGM outshone its competitor, forever linking this piece of music to animation’s cherished cat and mouse duo.

1.
“The Wrong Trousers” (1993)

https://youtube.com/watch?v=watch?v=A16YuzuKN58

In a twist following their initial film “A Grand Day Out” from 1989, Nick Park’s next creation featuring Wallace and Gromit is considered their finest among four animated shorts. Titled “The Wrong Trousers,” this installment finds our heroes up against the cunning penguin antagonist, Feathers McGraw, who aims to exploit Wallace’s mechanical pants for stealing a valuable gemstone. The chilling, expressionless gaze of Feathers contrasted with Gromit’s facial expressions creates a riotously funny scene as the penguin insidiously replaces him as Wallace’s partner. The humor is rapid and varied, ranging from subtle (Gromit reading “Pluto’s Republic”) to broad (Wallace experiencing his first “walk” in the trousers and getting pulled around wildly).

Despite other contenders, “The Wrong Trousers” stands out due to its comedic elements and engaging storyline. However, what truly elevates it is the thrilling chase scene featuring Wallace, Gromit, and Feathers on a miniature train within their expansive house. This sequence has been admired by directors like David O. Russell for the finale of Three Kings, and Danny Boyle considers it “the best action sequence in any film.” Indeed, this scene is one of the most outstanding examples of animation, demonstrating the power of editing, music, and sound design, proving that animation can compete with live-action films and isn’t just a genre.

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2025-03-03 06:00