Every Oscar Best Picture Winner, Ranked

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Originally published on Valentine’s Day, 2019, this tale has since been revised to acknowledge Anora’s Academy Award victory.

Every year, from late August until around late February or early March, there’s intense competition in Hollywood to win an 8.5-pound gold trophy. Despite the abundance of awards ceremonies, the Oscars continue to be the most prestigious prize. Winning Best Picture secures filmmakers and actors a prominent place in cinema history. However, it also means that many people will criticize your movie as not being as remarkable as they believe it should have lost to another movie they felt was more deserving.

It’s understandable to question the Academy’s selections for Best Picture, yet when we ranked every winner, we found that there aren’t many truly awful choices. Sure, some films might not be exceptional, but they are generally good movies, sometimes even very good or occasionally outstanding. The burden of a Best Picture winner is that the film may not age well and might seem subpar in hindsight, but truthfully, we believe most Oscar recipients aren’t too concerned with our opinions. After all, they have an Academy Award, something we don’t possess.

In this humble film enthusiast’s opinion, I’ve compiled a list ranking each and every one of the 97 Best Picture Oscar winners, and I can already hear you arguing! That’s the beauty of the Academy Awards – they spark conversation and debate among movie lovers like us. So sit back, grab some popcorn, and let’s dive into this cinematic journey together, agree or disagree!

97.
The Broadway Melody (1928)

https://youtube.com/watch?v=watch?v=P5Xr3wQkwPI

Generally regarded as the initial significant “Hollywood musical,” it’s fair to say that this is one of its few redeeming qualities. Its overused tropes, absurdity, and excessive cheesiness may have been somewhat novel in 1928, but it’s challenging to find enjoyment in it today. The fact that it was a movie with dancing and singing was, at the time, groundbreaking, but its charm has significantly diminished over the years. Frankly, we’re not convinced it would even make the top 200 musicals of all time. To put it in perspective, it might be like comparing early basketball games using peach baskets to modern-day basketball.

96.
Cimarron (1930)

The poster is reminiscent of a novel cover featuring Fabio, and overall, we might have preferred that supposed romantic novel more than this one. We’ll make an effort not to be judgmental with this selection, but it’s hard not to acknowledge how truly offensive some of the Native American stereotypes in this movie are. (In fact, it seems the film believes it is on the right side!) Remarkably, this was the last Western to win Best Picture until Dances With Wolves. It would be reasonable to conclude that the Academy overlooked a few contenders during those 60 years.

95.
Crash (2005)

A common criticism of Paul Haggis’s film “Crash” often overlooks its technical merits. J. Michael Muro’s cinematography is stunning, and Mark Isham’s score is impactful. Performances from actors like Don Cheadle and Michael Peña are commendable in this ensemble drama. However, the strength of the filmmaking techniques used in “Crash” can be its downfall. The screenplay’s forced contrivance and overly serious tone result in a portrayal of intricate social issues that comes off as oversimplified and insincere. The skill with which the story is poorly executed continues to amaze.

94.
The Great Ziegfeld (1936)

If you think it’s strange to see this grand, excessively lavish film musical – featuring William Powell, Myrna Loy, and Fanny Brice herself – placed so low on this list for you, let us assure you: You haven’t experienced the endurance required to watch it. Despite the impressive costumes and obvious effort put into every aspect of the production, this nearly three-hour film is a challenging viewing experience. What once seemed epic may appear mindlessly bloated today; you will likely find yourself extremely drowsy during the viewing.

93.
The Greatest Show on Earth (1952)

The second-to-last film directed by Cecil B. DeMille, who passed away in 1959 at 77, titled “The Greatest Show on Earth” is a grand spectacle, indeed. However, it’s also quite cheesy. This is the movie where Jimmy Stewart takes on the role of a clown with a troubled past. Notably, Bob Hope and Bing Crosby make appearances, while Charlton Heston, before becoming a superstar, adds an appealing charm as the character struggling to keep the circus financially stable. Moreover, DeMille brought in real Ringling Bros. performers to lend authenticity to this drama. Given his love for the circus, it’s no wonder that DeMille once said, “Under that big top, there are 20 languages spoken. It’s like a League of Nations in operation.” While the movie may not be great, its trailer certainly is captivating.

92.
The Artist (2011)

Michel Hazanavicius and Jean Dujardin had previously worked together on a couple of playful, lighthearted James Bond parodies before joining forces for this much grander and romantic tribute to the silent film era. A delightfully rich and somewhat shallow homage, The Artist, served to remind us once more of cinema’s might, the enduring nature of love, and a plethora of other outdated tropes, all presented in delectable black-and-white cinematography and seasoned with Dujardin’s demure, self-effacing wit. Hmm.

91.
Cavalcade (1932)

In a departure from Noël Coward’s original intent, this film adaptation of his play leans heavily on melodrama and emotional excess, an unfortunate fate that many playwrights have faced when their works are adapted for Hollywood. Despite these changes, the money still flows in, as it often does. Spanning four decades, this production falls squarely within the Academy’s focus, but the special effects and makeup technology were not quite advanced enough at the time. The result is a polished, predictable story that lacks the edge and vitality of the original work.

90.
Driving Miss Daisy (1989)

As you watch numerous films from various decades, you need to tolerate a degree of historical insensitivity; not every era shares our current cultural awareness, for better or worse. However, it’s more forgivable when considering movies from the late 1930s than those from the late 1980s. The Bruce Beresford drama seems to be preserved in amber and tinted with sepia, giving an impression of timelessness. The film’s attempt to be “old-fashioned” creates a sense of permanence, but its quirks have not aged gracefully over the past 30 years. Even Morgan Freeman’s performance seems outdated now, offering a glimpse of his future, more polished work rather than anything uniquely impressive. It’s also worth noting that this film earned Dan Aykroyd a Best Supporting Actor nomination.

89.
A Beautiful Mind (2001)

The movie “A Beautiful Mind,” directed by Ron Howard, feels overly sentimental and gloomy. It’s based on the life of John Nash, a brilliant mathematician who struggled with paranoid schizophrenia. Despite Russell Crowe’s efforts to infuse realism and ruggedness into his portrayal, the film tends to be excessively heartwarming. The movie attempts to depict Nash’s descent into mental illness, providing Howard with opportunities for suspenseful paranoid-thriller storytelling. However, the overly inspirational narrative of the film makes “A Beautiful Mind” an exemplary representation of the prestige-picture genre, designed to attract awards.

88.
Wings (1927)

The very first movie to win the prestigious Best Picture award, and the only silent film to do so without considering The Artist, was a groundbreaking film called Wings. Its awe-inspiring flying sequences, considered revolutionary at the time, remain captivating even today. Filmed on an Air Force base in San Antonio, these scenes may not match the intensity of recent war epics like Dunkirk, but they still manage to impress with their realism. Despite some clumsy storytelling and a love story that verged on being too passionate (reportedly angering Howard Hughes), the film’s historical significance is undeniable, especially considering that its stars, Gary Cooper and Clara Bow, carried on an affair during production, which certainly added to its intrigue.

87.
Dances With Wolves (1990)

Known ever since as “the film that surpassed Goodfellas,” Dances With Wolves is imbued with noble intentions. With Bull Durham and Field of Dreams behind him, Kevin Costner, a beloved figure in American cinema, sought to create a movie addressing the struggles of Native Americans, a significant topic. However, what we received was a lengthy Western that depicted a disenfranchised Civil War soldier discovering empathy through interactions with indigenous people. Dances With Wolves paved the way for numerous Oscar-worthy films – a white protagonist championing an underserved community – and the most generous assessment of it today is that Costner genuinely strives to be modest and sincere in his endeavors. The biggest criticism, on the other hand, is that it spawned The Postman – and let’s not forget, Goodfellas was unfairly overlooked.

86.
Green Book (2018)

Over the last few years, the Academy has made significant efforts to diversify its membership, welcoming more women and people of color to create a more varied and inclusive group. Although the 91st Oscars will be recognized for celebrating diversity in numerous categories, it will also be remembered as the year when Green Book was awarded. This film, a seemingly innocent salute to tolerance and racial harmony, features Mahershala Ali’s heartwarming performance as Don Shirley, a talented black pianist who hires an Italian bouncer (Viggo Mortensen) for his tour across the Deep South in the early 1960s. The filmmaker Peter Farrelly, known for his brother Bobby and their crude humor in films like There’s Something About Mary, uses this sweetness here to deliver a comforting, yet simplistic message suggesting that despite racial differences, we can all coexist, even while sharing fried chicken and laughter. This message is heartwarming but also outdated and naive, and the win of Green Book indicates that, despite the Academy’s progress, there is still a preference for overly sentimental, simplistic films that oversimplify complex issues. The film may be based on true events, but it lacks authenticity.

85.
The Life of Emile Zola (1937)

The film’s approach to portraying fascism and anti-Semitism has sparked much debate, as it subtly acknowledges the rise of the Nazi Party without directly addressing the issue. Instead, the focus seems misplaced, as the film could have been solely about the Dreyfus Affair, an event that led Emile Zola to write his influential “J’accuse” letter. However, the movie spends a lethargic half hour setting up Zola’s background before delving into the main subject matter. It would have been more effective and thought-provoking if the film had solely focused on The Dreyfus Affair, as this approach might have demanded tougher decisions that would hold up better over time.

84.
Oliver! (1968)

A Space Odyssey” in winning the Best Picture award, an achievement that will forever be remembered about this movie, until the end of time. And rightfully so.

83.
Slumdog Millionaire (2008)

In movies such as “Shallow Grave” and “28 Days Later”, Danny Boyle has frequently explored humanity’s darker aspects. It’s no shock then, that for his Oscar-winning film, “Slumdog Millionaire”, he introduced a glimmer of hope. This movie follows Dev Patel as Jamal, a destitute teenager in Mumbai, who is on the brink of winning the Indian equivalent of “Who Wants to Be a Millionaire”. To justify his extensive knowledge, Jamal shares a sequence of past events, primarily revolving around his affection for Latika (Freida Pinto), another street kid. Boyle employs his signature arsenal of stunning cinematic techniques for this uplifting tale, the soundtrack is energetic, and the actors’ on-screen chemistry is tangible. However, we must admit that we enjoy Boyle more when he’s grittier.

82.
American Beauty (1999)

In retrospect, “American Beauty” is rightly rated, considering that when it comes to dysfunctional family comedy-dramas, “The Ice Storm” takes the lead. Initially, “American Beauty” was seen as an overly heavy piece of suburban despair peddling profundity it didn’t possess. However, the film boasts a highly skilled cast, with Kevin Spacey winning the Oscar and Annette Bening deserving just as much recognition. Conrad Hall’s photography beautifully captures the contrast between the characters’ troubled inner lives and the superficial perfection of their surroundings. Take “American Beauty” as seriously as it takes itself, and you might be left feeling disappointed. Instead, consider it a promising pilot for a peak TV series that you may or may not choose to follow over an entire season.

81.
Mutiny on the Bounty (1935)

Your enjoyment of this film adaptation of the 1932 novel might hinge on your perception of Clark Gable as Fletcher Christian. For us, Charles Laughton as Bligh and Marlon Brando as Fletcher have a stronger impact, but it was hugely successful in its time. The movie closely follows the book’s plot because it had been published only two years prior, which is understandable. However, some might find it somewhat reserved. Regardless, it’s Mutiny on the Bounty, a classic that’s hard to go wrong with. Additionally, this film holds a significant place in Oscars history as it received three nominations for Best Actor, which ultimately led to the creation of the Best Supporting Actor category the following year.

80.
Braveheart (1995)

It’s often believed that Oscar-worthy movies are only released during the fall or winter seasons, but this isn’t always the case. For instance, Mel Gibson’s three-hour summer blockbuster, “Braveheart,” showcases how William Wallace (portrayed by Gibson) inspired the Scottish people to resist the English in the 13th century. While Gibson had previously directed another film, the sweetly sentimental “The Man Without a Face,”, “Braveheart” was the kind of movie he was destined to create. It’s a grand, violent, energetic, and straightforward spectacle that laid the groundwork for films like “Apocalypto“, “Hacksaw Ridge“, and, in a way, “The Passion of the Christ“. On one hand, the movie’s spirited, rallying spirit is admirable. However, on the other, Gibson’s excessive portrayal of violence becomes overwhelming, numbing the audience. And when he shifts gears to palace intrigue and political strategizing, the film becomes surprisingly dull.

79.
Argo (2012)

Redefining Ben Affleck’s resurgence era as the ‘Afflecknaissance’, the movie ‘Argo’ exemplifies classic studio filmmaking, masterfully intertwining suspense, drama, a hint of humor, and an extraordinary real-life tale. However, it also embellishes history, distorting facts and intensifying incidents, portraying Affleck’s character Tony Mendez as a seasoned CIA operative who collaborates with Hollywood to rescue American hostages in Iran. ‘Argo’ invites you to nitpick its factual inconsistencies and marvel at its fast-paced excitement; it’s simply too engrossing in delivering pleasure to notice. In essence, ‘Argo’ is an enjoyable watch that lacks longevity – the kind of entertaining thriller that would be more fondly remembered if it hadn’t won Best Picture.

78.
Gentleman’s Agreement (1947)

Should you ever seek a classic example of award-winning films, I’d recommend “Gentleman’s Agreement,” a movie that tackles a grave subject. In this film, Gregory Peck portrays a journalist who disguises himself as a Jew to investigate anti-Semitism. Although it may appear dated today, the film remains sincere in its intentions, even if it occasionally overreaches with self-congratulation. For 1947, it was quite daring, and rightfully so: Its production led to director Elia Kazan being summoned before the House Un-American Activities Committee.

77.
Out of Africa (1985)

This film was tailor-made to be referred as exquisitely produced. Featuring charismatic actors like Robert Redford and Meryl Streep, an award-winning soundtrack by John Barry, breathtaking African landscapes for expansive cinematography, and a poignant love story that leaves one person mourning another throughout their life – it’s quite intense. But if you’re looking for something less emotional, you might want to reconsider your choices. It’s even possible that it made your mother shed tears.

76.
The King’s Speech (2010)

In our opinion, director Tom Hooper has only produced one outstanding film to date: the relatively unknown 2009 soccer drama, The Damned United. Following that, his films have garnered more recognition, although they’ve lost some of their initial intrigue. The pinnacle of this evolution is evident in The King’s Speech, a compelling tale about a king (Colin Firth) who stutters and the speech therapist (Geoffrey Rush) who assists him. This heartwarming narrative ticks all the boxes for inspiration, and it exudes an air of sophistication. However, the film remains confined within the boundaries of its polite, slightly witty mold, and at times, its polish can feel a bit too comfortable. Nevertheless, the unusual camaraderie between these two unlikely individuals is undeniable.

75.
A Man for All Seasons (1966)

Pauline Kael observed that the film’s pace resembled a school play, and her assessment was spot on: It seems overly formal and stiff, hardly allowing viewers to relax. Nowadays, one might compare it to run-of-the-mill British period dramas, but let me clarify that this comparison doesn’t diminish the film’s merits; it mostly highlights Paul Scofield’s exceptional performance as Sir Thomas More, for which he won Best Actor. However, despite the admiration for the production of A Man for All Seasons, one may not find themselves deeply moved by it.

74.
Gandhi (1982)

35 years on, Gandhi’s image may have been tarnished slightly, which can influence your viewing of the film, but Ben Kingsley’s portrayal remains as captivating, tranquil, and spellbinding as ever. While Richard Attenborough wasn’t known for his innovative directing, he could reliably deliver a solid production; this is no exception, being a well-executed, traditionally structured biopic. However, it’s Ben Kingsley, who was relatively unknown before winning an Oscar for this role and never went unrecognized again afterward, that truly brings the film to life.

73.
Chariots of Fire (1981)

Could a film like “Chariots of Fire” triumph as Best Picture primarily due to one standout song? It’s true that this movie was an undeniably British tale about two runners overcoming adversity, but Vangelis’s timeless score was the real game-changer. Even today, it resonates with athletes all over the world, becoming their unspoken cheer as they approach the finish line. While “Chariots of Fire” is a solid sports film on its own, it was this song that elevated it to something truly epic.

72.
Rain Man (1988)

The acclaimed performance of Dustin Hoffman as Raymond, an autistic savant, in “Rain Man” has led many critics to notice the standout role might actually belong to Tom Cruise, who portrays a character initially cold and self-centered, yet befriending his estranged brother for the inheritance of their late father’s estate. It’s worth noting that as “Rain Man” unfolds, it becomes evident that Cruise was skillfully blending his brash persona from “Top Gun” with his serious acting abilities. The film itself is heartwarming and sentimental in a way that is both unobtrusive and subtly inspiring – often attributes associated with Academy Award-winning productions.

71.
In the Heat of the Night (1967)

The “powerful” portrayal of racism in Norman Jewison’s Southern drama, “In the Heat of the Night,” may not resonate as strongly today due to a sense of distance or staged quality. However, Sidney Poitier’s performance in the lead role is undeniably moving and he transcends the film’s shortcomings as a symbol of dignity and strength. Nevertheless, this topic would be addressed more effectively in later years.

70.
Forrest Gump (1994)

A nostalgic tale about life in America post-World War II, as depicted in the film Forrest Gump, directed by Robert Zemeckis, presents a perspective that some might find overly traditional and skeptical towards the counterculture movement. This movie, which moved millions to tears, can be compared to many of Zemeckis’s films, blending large-scale emotional scenes with straightforward, somewhat simplistic commentary. In the story, Tom Hanks portrays Forrest Gump, a kind and innocent character who struggles to comprehend that he’s inadvertently involved in significant historical events during his life (such as reporting the Watergate break-in to the authorities!). Soft and emotional, Forrest Gump was fortunate enough to be released prior to social media, which might have sparked endless debates about it if it were launched today.

69.
You Can’t Take It With You (1938)

I must admit that while this film may not reach the heights of Frank Capra’s greatest works or even make it into his top ten, it was still the one that earned him his last Oscar. This could be seen as foundational Capra, with Jimmy Stewart delivering a performance that he would master more effectively in later films. However, let’s not forget, we’re talking about Jimmy Stewart, so it’s still top-notch.

The film is undeniably charming and enjoyable, but it doesn’t quite reach the ethereal quality of some of Capra’s other masterpieces. As you watch it, you might find yourself craving a more polished Capra production. Yet, even in its lesser form from this era, Capra’s work outshines most other options available.

68.
Gigi (1958)

This film seems to take heavy inspiration from the famous Broadway musical “My Fair Lady,” as evident by its depiction on the poster. At times, it feels like an affectionate tribute or even fan-made content. However, while it may not reach the same level of excitement as “My Fair Lady,” it’s still a delight to watch. Vincente Minnelli certainly captures Paris in a way that makes it look stunning, and the film’s positive vibe is hard to resist. Though it’s a smaller production, there’s an infectious joy about it.

67.
Around the World in 80 Days (1956)

The film is so jam-packed with content that even Buster Keaton gets a brief appearance. This type of chaotic, energetic fun might not hold up as well over time… yet one can’t help but wonder if our world would be slightly improved if we had more of it. In the movie Around the World in 80 Days, there’s a scene featuring 10,000 extras during a bullfight, and this is just one of many extravagant scenes. It’s an excessive, overflowing spectacle, but we enjoy it; you can’t dislike a movie that goes all out.

66.
Going My Way (1944)

As a die-hard fan of musical movies, I must confess that one of Bing Crosby’s finest films, while still charming, seems somewhat lightweight by today’s standards. It’s a cheerful trinket that can’t help but put a spring in your step, despite feeling a tad hollow at times. Interestingly enough, it might not be Crosby delivering the standout performance here; that honor goes to Barry Fitzgerald, who clinched the Best Supporting Actor award for his portrayal of Father Fitzgibbon. His acting was so exceptional that he was even nominated for Best Actor, a category he narrowly lost to Crosby. (The rules were later adjusted to prevent such occurrences.)

65.
Grand Hotel (1932)

The unique movie that clinched the Best Picture award without being nominated in any other category could be due to its impressive ensemble cast from the time, featuring stars like John Barrymore and Lionel Barrymore, Joan Crawford, Jean Hersholt, Wallace Beery, and Greta Garbo. It’s worth watching just for Garbo, even though the film’s episodic structure somewhat limits its potential greatness.

64.
CODA (2021)

As a movie enthusiast, I can’t help but sing praises for the heartwarming film, “CODA.” Since its triumphant premiere at Sundance where it won both the U.S. Dramatic Prize and the Audience Award, this gem has been a quiet yet captivating presence in the cinematic world. It’s refreshing to see that uplifting, audience-pleasing films aren’t always synonymous with poor quality.

Written and directed by Sian Heder in her sophomore venture, “CODA” is based on a 2014 French film. The story revolves around Ruby, played brilliantly by Emilia Jones, the only hearing member of her hardworking fishing family. Her dilemma: Should she stay at home to help her family or follow her dream of becoming a singer?

From the outset, “CODA” sets its course, but the exceptional cast, particularly Troy Kotsur and Marlee Matlin as Ruby’s complex parents, breathe life into what could have been a overly sentimental tale. While it may tug at your heartstrings (and it definitely does), Heder’s tear-jerker is mostly well-executed schmaltz, delivered with genuine emotion and humor.

Though it outshone some superior films, “CODA” stands firmly on its own as a commendable piece of cinema. In essence, it embodies the characteristics of a typical Best Picture winner.

63.
The Sound of Music (1965)

This adaptation of Rodgers and Hammerstein’s musical, directed by Robert Wise, emphasizes catchy tunes over darker themes from the true story. Julie Andrews delivers a sparkling performance that makes “The Sound of Music” unforgettable, despite some cringeworthy moments which seem quaint now. The movie invites mockery, but it’s nearly impossible to shake off those memorable melodies.

62.
Everything Everywhere All at Once (2022)

Movies that premiere at South by Southwest, movies released in March, or films with a unique blend of genres like science fiction, action, family drama, and humor don’t typically win the Best Picture award, especially when they include jokes about adult toys like butt plugs and dildos. The film Everything Everywhere All at Once, which follows the Wang family on a chaotic day as they visit the IRS for an audit, doesn’t appear to be the typical Oscar contender, given it was only the second production from directors Daniel Kwan and Daniel Scheinert, known for their eccentric humor in projects like Swiss Army Man and the “Turn Down for What” video. However, despite these factors, EEAAO surprisingly won Best Picture, largely due to its unique and refreshing feel. The film tells the heartwarming story of Evelyn (Michelle Yeoh), a disgruntled wife and mother, who reconnects with her unhappy husband (Ke Huy Quan) and dissatisfied daughter (Stephanie Hsu), while discovering she’s destined to save the multiverse. Although EEAAO often embodies its title by being overly abundant at times, this excessive nature can be both an appealing aspect and a sometimes tiring constraint. However, the film’s exuberant earnestness and bizarre qualities make it stand out from the ordinary, which is something to commend.

61.
Gladiator (2000)

In the Oscar-winning performance of Russell Crowe as Maximus, a powerful general reduced to fighting in the arena for vengeance against Joaquin Phoenix’s corrupt Commodus, director Ridley Scott crafted a story that could have been just another mindless summer blockbuster. Instead, he infused it with depth and emotion, thanks to Crowe’s portrayal of gritty determination and the film’s compelling narrative.

60.
The Shape of Water (2017)

If I were to describe her to you, what would I tell you?” Sally Hawkins portrayed an impressive range of characters, from ‘Happy-Go-Lucky’ to ‘Blue Jasmine’, before taking on the role in Guillermo del Toro’s period fantasy/romance, ‘The Shape of Water’. Elisa might not be her most remarkable character, but the heartwarming charm that is a key part of Hawkins’ appeal is vital in making us care for this quiet, kind-hearted figure. While ‘The Shape of Water’ has some limitations common to many of del Toro’s films (it gets too caught up in its own magical allure), the director skillfully blends several genres to create a unique tribute to classic cinema that, in turn, becomes a captivating enigma itself.

59.
Shakespeare in Love (1998)

Absolutely, it’s unfair to suggest that this film should have bested “Saving Private Ryan” in the Best Picture category. To some, the fact that Harvey Weinstein and Miramax managed to win over Steven Spielberg’s masterpiece sparked concerns about excessive Oscar campaigns and revealed the unsavory nature of Harvey Weinstein. However, if we consider it independently, this film offers a delightful spin on the superhero origin story with Shakespeare as the protagonist. Co-written by Tom Stoppard, who harbors a deep affection for Shakespeare, the movie is rich in Bard-related inside jokes. Over time, people seem to have forgotten that the film has a humorous side and isn’t as somber as its tagline (“Love is the only inspiration”) and reputation might suggest. It’s a pleasant little movie, but it’s not on par with “Saving Private Ryan”.

58.
The Sting (1973)

This entertaining yet paper-thin heist movie, “The Sting,” produced by George Roy Hill (previously collaborated with Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid), aims to portray a cinematic experience of the 1930s. Instead of merely setting the film in that era, he wanted it to evoke the essence of movies made during that time. As a result, we get a nostalgic journey where two con artists seek revenge on a gangster (Robert Shaw), filled with subtle nods to the audience. The movie is enjoyable but also seems overly eager for you to appreciate its numerous tributes to the past. However, the Marvin Hamlisch score, adapted from Scott Joplin tunes, remains impressive.

57.
Chicago (2002)

The movie “Chicago,” which sparked the resurgence of musicals in Hollywood, was adapted from the Tony Award-winning Broadway play that delved into society’s insatiable appetite for scandals and sensations (although Bob Fosse’s production was overshadowed by an even more legendary show, “A Chorus Line”). Rob Marshall’s cinematic rendition is a bold display of flashy spectacles, catchy melodies, and powerful performances. Despite its lack of nuance or restraint, it succeeds brilliantly, leaving you in awe without any regard for subtlety.

56.
Patton (1970)

Biopics are typically seen as comprehensive summaries of notable figures’ lives from birth to death. However, the film Patton focuses on only a few crucial years in General George S. Patton’s (George C. Scott) life during World War II, a period that includes both successful and unsuccessful military operations. While Scott gives a remarkable performance, Patton is not just a straightforward portrayal of an American hero. It subtly questions what truly defines a hero, blending patriotism with a sense of caution. The film’s opening speech by Patton suggests a certain unease about transforming men into legends. With each passing year, his statement that “Americans have never lost and will never lose a war: The very thought of losing is hateful to Americans” seems increasingly ironic and bitter.

55.
The English Patient (1996)

Over the years, Anthony Minghella’s grand romantic tragedy “The English Patient” has often been dismissed as a joke due to a particularly humorous Seinfeld episode featuring Elaine who dislikes the film and resents everyone else’s admiration for it. The general public has adopted her stance, making fun of the film’s traditional period elegance. However, this movie is incredibly moving, showcasing Ralph Fiennes and Kristin Scott Thomas at their most enchanting as star-crossed lovers navigating their destiny in the African desert. It’s a film that Elaine would disdain due to its sincerity and conventional nature, favoring nobility and decency over everything else. Yet, any viewer who is not cynical cannot help but be drawn into its tragic passion.

54.
The Hurt Locker (2009)

In simpler terms, “The Hurt Locker” was a groundbreaking war movie during the “shock and awe” period, which allowed director Kathryn Bigelow to express her interest in male camaraderie while telling a warning story about an endless conflict. The character of Staff Sergeant William James, played by Jeremy Renner, doesn’t seem to mind if he never returns home from this conflict. Although it didn’t create new themes, the film resonated with audiences grappling with the impact of Operation Enduring Freedom and the phrase “Mission Accomplished.” Essentially, it represented the preoccupations of Hollywood at that time.

53.
Midnight Cowboy (1969)

Discussing the footnote on “Midnight Cowboy” – being the sole X-rated movie to claim the Best Picture title – reflects more about the peculiarities of the rating board at that time rather than the film itself. However, despite its age, “Midnight Cowboy” remains quite edgy for an Academy Award winner. The raw realism has softened over the years, but the central focus on two timeless, downtrodden characters is still impactful, poignant, and uncommon – you find yourself caring about these unsavory individuals despite their flaws. These characters continue to resonate, even if the New York depicted in the film no longer does.

52.
Million Dollar Baby (2004)

At first glance, Clint Eastwood’s film Unforgiven might have seemed like his final work, given that he was in his 60s at the time. However, Eastwood continued to make films, and Million Dollar Baby is a prime example of his later style. This movie tells the story of a boxer (played by Hilary Swank) from a trailer park who trains with an old, gruff coach (Eastwood). Both characters find redemption as she climbs the ranks in boxing. Although some aspects of the movie are overly sweet, most of its emotional impact is genuine and heartfelt. Essentially, if you’ve seen other boxing movies, Million Dollar Baby will seem familiar, but it offers unique insights into the characters and their struggles with difficult choices in life.

51.
Birdman (or the Unexpected Virtue of Ignorance) (2014)

Despite receiving criticism from numerous viewers, we can’t help but admire the bold audacity of Alejandro Gonzalez Iñárritu’s unconventional concept in the film. Michael Keaton, reprising his role as an aging artist, delivers a captivating performance that pours emotion into a quirky, ill-fated project. The movie offers a dreamland for actors, with Edward Norton showcasing unprecedented agility and charm. While the film may have initially caused resentment due to its extravagances, we’ve come to appreciate them more than we dislike them. So, if you’re not on board yet, step aside!

50.
Ordinary People (1980)

In Robert Redford’s directorial debut, a film considered serious and made by an acclaimed actor for his first time at the helm, outshone one of Martin Scorsese’s masterpieces – namely, “Dances With Wolves”. Remarkably, Redford demonstrated impressive directorial prowess and self-restraint in this movie, surprising many. Forty years on, the ending remains powerful; it is a film that evokes raw emotions from beginning to end.

49.
Kramer vs. Kramer (1979)

In perfect sync with its cultural era, the film “Kramer vs. Kramer” sparked a nationwide dialogue about divorce and evolving family dynamics, ultimately earning a Best Picture Oscar. This was undoubtedly the movie that families engaged in deep discussions about at their gatherings, as portrayed in “The Ice Storm”. However, it’s important to note that the film is not confined by its historical context. It displays fairness, intelligence, and an unwavering maturity in its narrative. The performances are outstanding, particularly those of Dustin Hoffman and Meryl Streep, who managed to work effectively together despite rumors of Hoffman’s challenging behavior on set. This collaboration resulted in Streep winning her first Oscar.

48.
Spotlight (2015)

In a surprising turn of events, “All the President’s Men” didn’t take home the Best Picture award, instead, the gripping drama “Spotlight,” centered around the Boston Globe’s investigation into the Catholic Church’s child-abuse cover-up, emerged as the unexpected winner, outshining the more spectacle-driven “The Revenant.” Tom McCarthy’s film salutes tenacious perseverance, as the Spotlight team doggedly follows leads and coaxes people to go on record. However, it also honors understated performances (with the exception of certain Mark Ruffalo scenes) and simple storytelling – allowing a captivating, gripping narrative to unfold naturally. Among the talented cast of “Spotlight,” Rachel McAdams stands out, her straightforward portrayal is often overlooked, but her character’s unwavering pursuit of truth is nothing short of inspiring – and earned McAdams her first Oscar nomination.

47.
Terms of Endearment (1983)

James L. Brooks excelled in television through his work on The Mary Tyler Moore Show and Taxi. Later, he shifted focus to films, with the first one he directed earning five Academy Awards (three of which were for him personally). This film, Terms of Endearment, based on Larry McMurtry’s book, is a moving drama that stands out in its genre as it avoids being overly sentimental. Brooks skillfully evokes emotion in the mother-daughter narrative played by Shirley MacLaine and Debra Winger, whose strained relationship hints at an unspoken bond they both struggle to express. The film depicts life, love, loss, and difficult truths, all delivered with such finesse that it’s challenging not to be moved by the emotional resonance. (It’s also worth noting that we hold his subsequent film, Broadcast News, in high regard.)

46.
Rocky (1976)

When film enthusiasts reminisce about the romanticized American cinema of the 1970s, they often point to “Jaws” or “Star Wars” as the movies that seemingly extinguished Hollywood’s daring innovative spirit. Interestingly, “Rocky” is rarely brought up in these conversations, despite not being as commercially successful as those other films. However, the film’s straightforward storytelling technique, which outlines a hero’s journey complete with anticipated challenges and emotional arcs, has become a common teaching tool in screenwriting classes. This overlooks the genuine emotional resonance of this underdog boxing movie. Nonetheless, “Rocky” is the kind of inspiring Oscar-winning film that, upon reflection, reveals flaws and less convincing moments. These imperfections are less noticeable at the time, as Sylvester Stallone’s everyday boxer was so endearing that one couldn’t help but cheer him on.

45.
Platoon (1986)

At one point, Oliver Stone’s films weren’t as intensely anxious and agitated as they are now, allowing them to be subtly heartbreaking. For instance, the film Platoon, which was based on his own experiences in Vietnam, provided a soldier’s view of war that the 1970s classics like The Deer Hunter and Apocalypse Now didn’t quite capture. Charlie Sheen portrays a soldier who is torn between Tom Berenger’s harsh Barnes and Willem Dafoe’s compassionate Elias. The movie’s message, “war changes a man,” might seem familiar, but Stone’s emotional turmoil over his combat experiences gives the film its depth of sorrow and pain.

44.
All the King’s Men (1949)

Ponder how the course of history might have shifted if John Wayne had accepted the role of Willie Stark, the rural lawyer who rose to corrupt politics despite his initial disdain for it (he turned down the offer due to his questionable view that it was unpatriotic). In this adaptation of the Pulitzer-winning classic novel, a lavish and emotive portrayal unfolds, though at times it retains a stage-like quality. Remarkably, for a big-budget Hollywood film of its era, it manages to be surprisingly gritty. Compared to the Sean Penn remake from 2006, this version stands stronger. Interestingly, Mercedes McCambridge, who played Stark’s loyal assistant Sadie in her film debut and won an Oscar for her performance, would later voice the demon in ‘The Exorcist’, 24 years on.

43.
Ben-Hur (1959)

Previous adaptations of Judah Ben-Hur exist, yet William Wyler’s 1959 film starring Charlton Heston stands as the most lasting. (As for Timur Bekmambetov’s 2016 remake, it might as well be forgotten.) The nearly four-hour-long Ben-Hur is arguably most recognized for its breathtaking chariot race, but the storyline that unfolds beforehand—which includes some of its best scenes—is equally captivating. We witness Judah (portrayed by Heston) being deceived by his former friend Messala (Stephen Boyd), leading to his enslavement as a galley rower. If you’ve seen Gladiator, the plot of that film is essentially borrowed from Ben-Hur. Heston’s strong, regal portrayal of Judah reaches its peak—not even a brief appearance by Jesus at the end can outshine his powerful heroism.

42.
Tom Jones (1963)

It’s quite surprising that “Tom Jones” won Best Picture, considering its raucous, unconventional, satirical, and even slightly postmodern nature. It seemed to foreshadow the cultural shifts that would occur throughout the rest of the decade while maintaining a strong connection to its own era. The film showcases an exceptional performance by Albert Finney, but it does become somewhat lengthy and overstays its welcome toward the end. Nevertheless, given its unique qualities, we should likely discuss “Tom Jones” more frequently than we currently do.

41.
Marty (1955)

Originally, Marty, a film based on Paddy Chayefsky’s teleplay, was deemed too “television-esque” for cinema. However, the heartwarming and straightforward love story it portrays is so universal that it surpasses any medium. Rod Steiger as Marty and Nancy Marchand (Livia Soprano) as Clara deliver beautiful performances, making this a rare, charming love tale seldom seen on screen. It’s the kind of sweet, endearing love story that many claim to create but rarely do. Even today, it will still put a gentle smile on your face.

40.
How Green Was My Valley (1941)

Similar to how Oliver! is often remembered less for its Best Picture victory and more for the film it unfairly ousted, a lesser-known masterpiece named Citizen Kane, it’s regrettable that the latter was denied its expected win due to a potential bloc vote by film extras. Despite not surpassing Citizen Kane, this film stands out on its own merits as an epic working-class drama directed by John Ford. It chronicles the struggles of a Welsh family faced with hardship and loss. While it may not reach the heights of Citizen Kane, few films do. Nevertheless, it remains impactful. Interestingly, this film is also Clint Eastwood’s favorite movie of all time.

39.
Rebecca (1940)

It’s surprising that this film, which won Best Picture, is one of Alfred Hitchcock’s works. Nevertheless, it serves as a fantastic representation of classic Hollywood polish, with an exceptional story expertly delivered… though its creator would eventually achieve greater and less Academy Award-centric accomplishments. In the chronicles of Hitchcock’s career, this movie is particularly significant because it marks his debut in Hollywood filmmaking. The insights he gained from this project paved the way for a legendary career… and remarkably, it all began with an Oscar win.

38.
The Lost Weekend (1944)

https://youtube.com/watch?v=watch?v=2iQpa9MNnVA

In some respects, “The Lost Weekend” stands out in the annals of cinema due to its depiction of a man stumbling drunkenly under neon lights, symbolizing his progressively deteriorating state and numerous stops throughout the night. Interestingly enough, this scene remains impactful even in contemporary series like “Better Call Saul.” Whether or not it’s Wilder’s finest work – with both “The Lost Weekend” and “The Apartment” winning Best Picture – there’s no denying that he produced an impressive body of work during those two decades, wouldn’t you agree?

37.
Mrs. Miniver (1942)

This family drama, set amidst the tumult of World War II, gains significant impact by being embedded within the heart of the strife: It portrays a family’s life as World War II encroaches upon England, particularly focusing on an unpolitical, blissfully contented mother (Greer Garson). Filmed during the height of the war, and with the United States growing less impartial, Mrs. Miniver underwent revisions that not only served propaganda purposes but also enhanced its overall quality as a film.

36.
The Lord of the Rings: The Return of the King (2003)

It’s odd to single out one movie from this trilogy as noticeably distinct: Peter Jackson’s epic creation has often felt like a single extended nine-hour film divided into three parts. However, The Return of the King remains our preferred installment, as it skillfully blends Jackson’s grand cinematic scope with elements reminiscent of his gory filmmaking past: Certain scenes possess such raw and powerful intensity that they seem to emerge from a dream. The epilogue featuring the hobbits is still lackluster, but everything else in this film continues to leave a lasting impact.

35.
Anora (2024)

In the retrospect of living during the Trump 2.0 era, Anora might be the movie that encapsulates the overwhelming sense of chaos and powerlessness we felt most authentically. Its ability to achieve this while remaining enthralling, original, and funny, yet heart-wrenching, seems almost magical. Sean Baker, an unexpected candidate for such a filmmaker, mirrors the independent DIY spirit that truly embodies modern cinema – a testament to his love for the art form and its necessity to reflect our world. And let’s not forget, it’s also an entertaining movie blast to watch. When we look back on its successful years from now, we may marvel at how anyone could have been taken aback by its impact.

34.
Titanic (1997)

In a new era, “Titanic” can be compared to the next grand epic for generations, much like how “Gone With the Wind” was for its time. As colossal and uncontrollable as the actual ship it’s named after, this film tells the story of Jack (Leonardo DiCaprio) and Rose (Kate Winslet), two unlikely young lovers destined to meet, conceived by James Cameron, a director more recognized for his action-packed films rather than romantic tragedies. It’s challenging now to express the impact that “Titanic” had – it was predicted to crash and burn, but then, surprisingly, it became a worldwide phenomenon, as if Cameron somehow brought its greatness into being singlehandedly. The film revealed Cameron’s shortcomings as a scriptwriter – oh dear, some of the dialogue was questionable – while cementing his status as a master of cinematic drama forevermore.

33.
An American in Paris (1951)

Despite being released a year too late to be considered one of the best musicals from the 1950s, Vincente Minnelli’s colorful love story, An American in Paris, starring Gene Kelly as an aspiring painter and Leslie Caron as his love interest, remains a timeless classic. Similar to many musicals, it faces the common issue where the story segments aren’t as captivating as the song-and-dance sequences. However, the musical aspects of this film are exceptional, with numerous performances, skillfully using Gershwin tunes and resulting in an impressive spectacle. The 17-minute ballet sequence is particularly noteworthy, although it should be noted that Kelly’s performance in Singin’ in the Rain was equally outstanding.

32.
No Country for Old Men (2007)

Discerning the best Coen Brothers’ films is quite challenging, but for this selection, we humbly propose that “No Country for Old Men” might appeal to those who aren’t already deeply invested in Joel and Ethan’s cinematic universe. For dedicated fans, who often lean towards their more esoteric or unusual pieces, this adaptation of Cormac McCarthy’s novel has always felt like a skillful yet familiar variation on Coen Brothers’ recurring themes. It depicts a botched crime, examines a specific regional American environment, delves into the enigma of evil, and features both startling violence and dark humor. “No Country for Old Men” showcases the Coens at their best, creating what is arguably their most unsettling antagonist in Javier Bardem’s Anton Chigurh. The film’s ending continues to leave a hauntingly ambiguous impression, and we still shudder at the thought of cattle guns.

31.
The Last Emperor (1987)

It’s hard to believe that “The Last Emperor” was made at all, given its unique opportunity to film within Beijing’s Forbidden City: Bernardo Bertolucci doesn’t miss this extraordinary chance. The movie is both grand and intimate, telling the story of a child, a man, and a nation of billions. Time has been kind to it because it’s not truly a political film: By zeroing in on the specifics of Puyi’s life, it makes the narrative relatable no matter one’s origin. It requires effort from viewers, but the reward is richly worth it.

30.
The Departed (2006)

As a film enthusiast, I must confess that while “The Departed” may not be Martin Scorsese’s magnum opus, it is undeniably a cinematic gem that continues to captivate viewers today. Despite the fact that some might argue for his earlier works like “Raging Bull” or “Goodfellas” to have earned him the Oscar, it seems fitting that he ultimately received it for this masterpiece. Once you’ve watched it, you’ll find yourself reluctant to ever turn it off when it pops up on cable – a testament to Scorsese’s effortless ability to craft an endlessly engaging spectacle, even as he subtly explores the recurring themes that have defined his career.

29.
Annie Hall (1977)

Regardless of your opinions about Woody Allen at any given time, it’s indisputable that the film “Annie Hall” encapsulated a unique period in American humor and society, leaving an enduring impact on us to this day. The success of “Annie Hall”, initially envisioned as a murder mystery but eventually refined during editing, was its ability to transform a bittersweet romantic comedy about a neurotic New Yorker and a puzzled, enigmatic woman into a universally relatable tale. We’ve all experienced relationships that evoke both the creation of new love words and feelings of dealing with a spoiled fish. The influence of “Annie Hall” on American comedy and romance cannot be overstated – it reshaped these genres, for good or for ill.

28.
Nomadland (2020)

In a natural and easy-to-read manner:

Writer-director Chloé Zhao has demonstrated an early knack for creating intimately moving films that center on the lives of ordinary people, portraying them in vivid detail as everyday Americans. With Nomadland, a frontrunner for awards, she faced criticism, primarily claims that it glamorized nomad life or was lenient towards Amazon, one of Frances McDormand’s character’s employers. However, we believe these criticisms missed the mark due to their lack of empathy, as they failed to grasp the film’s generous and nuanced portrayal of the challenges faced by those in the gig economy. While some might view Nomadland as a celebration of the open road, we see it more as an exploration of the transient quality of life itself – a struggle that Fern, the drifting, grieving protagonist, encounters as she meets fellow travelers on her journey. Fern’s story is deeply moving, yet she does not seek your sympathy; instead, she is determined to find her own path and will know where she’s going when she arrives.

27.
All Quiet on the Western Front (1929)

What significant impact and influence did the initial “All Quiet on the Western Front” hold?

The fact that Joseph Goebbels ordered his Brownshirts to release foul-smelling chemicals and mice in theaters screening the movie suggests its potency. While it may not stand out as particularly innovative in terms of cinematic techniques, it still delivers a powerful punch today and seems strikingly relevant. Other antiwar films may have surpassed it in power, but they all pale in comparison.

26.
West Side Story (1961)

With an enchanting blend of outdated charm and timeless allure, “West Side Story” ingeniously reimagined the classic tale of “Romeo and Juliet” as a vibrant 1950s musical set against the backdrop of street gangs in New York City. The film joyously blends elements of cheese and melodrama, moving with such agility that the unfolding tragedy feels more like a delightful experience than a somber one. Even today, it stands as an enduring testament to the power a remarkable musical can wield.

25.
Hamlet (1948)

It’s not as if Lawrence Olivier was about to deliver an unforgettable performance of Hamlet and the Academy wouldn’t award him an Oscar for it. Each actor’s interpretation of Hamlet is unique, and Olivier’s is grand, over-the-top, intense, and frequently heart-wrenching. Critics initially criticized Olivier for removing significant parts of the play and focusing on his own performance and his (remarkably Oedipal for 1948) connection with his mother. Yet, in this film, why would you want him to focus on anything else? While Kenneth Branagh’s version might be the most “definitive” Hamlet, this one is the most impactful.

24.
Unforgiven (1992)

The screenplay for the movie was penned in the 1970s by David Webb Peoples, with a desire to explore the destructive impact of violence. For years, it remained untouched as Clint Eastwood focused on other projects. However, he eventually revisited the script, feeling that the moment had come to reflect upon his own history of portraying stoic Western characters. Indeed, he was correct. The film, titled Unforgiven, transformed the genre into a harsh, almost pathologically unromantic world inhabited by foolhardy individuals seeking fame and old gunslingers grappling with their troubled pasts. Eastwood, Hackman, Freeman, and Harris portrayed characters as hard as stone – relics of a bygone era that may be overdue for replacement by progress and modernization. It’s possible that Eastwood’s bitterness from looking back is what gives the film’s conclusion such a harsh, bitter tone.

23.
12 Years A Slave (2013)

Among all the movies on this list, none has likely evoked the response “I never want to watch it again after seeing it once,” as powerfully as Steve McQueen’s harrowing portrayal of American slavery. In this film, Chiwetel Ejiofor plays Solomon, a free black man living in the North during the 1840s who is tragically sold into Southern slavery. The movie, titled “12 Years a Slave,” offers no respite or comfort for viewers, as it refuses to sugarcoat or provide the reassurance that some “good” white people will save the day. McQueen’s earlier works, “Hunger” and “Shame,” dealt with spiritual emptiness, but “12 Years a Slave” surpasses them in terms of depicting the brutality inflicted by humans and the breaking point of human endurance.

22.
Parasite (2019)

In the thrill of Parasite‘s groundbreaking achievement – becoming the first foreign-language film to win Best Picture – it’s crucial to recall that, in numerous aspects, Bong Joon Ho’s masterpiece deviates significantly from the typical films that take home the top prize. A dark thriller, a social satire, a story laden with graphic violence, slapstick humor, and a heart-wrenching climax: Parasite deviates drastically from the usual Best Picture mold, appearing on paper as an unusual, intricate genre piece that the Academy often overlooks. However, it was Parasite‘s ingenious brilliance, vitality, and fun factor that made it impossible to resist. The film’s insightful commentary on South Korea’s class system resonates across borders, explaining its triumph. (It’s no surprise that discussions of an English-language TV adaptation are already circulating at HBO.) Parasite‘s ambiguity in defining the “parasites” of the title – could it be the cunning lower-class Kim family or the comfortable upper-class Park clan? – creates a familiar, surprisingly empathetic world where everyone yearns for something better, convinced that their current lives are not as fulfilling as those they could still attain. Acclaimed for its “relevant” message, Parasite may ultimately prove to be timeless: a biting critique of the perpetual dissatisfaction inherent in the human condition.

21.
From Here to Eternity (1953)

In this film adaptation of James Jones’ novel, set in Hawaii just before Pearl Harbor, love and sorrow intertwine – a common theme in Best Picture winners. Burt Lancaster portrays an officer involved in an affair with his captain’s wife (Deborah Kerr). Meanwhile, Frank Sinatra’s character, Private Angelo Maggio, butts heads with Ernest Borgnine’s harsh sergeant. As the Japanese prepare to attack a nearby naval base, thrusting America into World War II, Fred Zinnemann delivers a gripping drama that reflects the realism and powerful performances typical of 1950s studio productions. The cast is outstanding, with Montgomery Clift and Donna Reed also making significant contributions to the film’s complex love stories. That unforgettable beach kiss between Lancaster and Kerr is just one of the many memorable moments in this poignant, well-crafted film.

20.
One Flew Over the Cuckoo’s Nest (1975)

Although the rebellious spirit of Ken Kesey’s novel might not have been fully conveyed in the film adaptation, “One Flew Over the Cuckoo’s Nest” remains an exciting and spirited watch. This was Jack Nicholson at his peak, moving from his independent acting days into the Hollywood legend he would eventually become; it’s a question of whether this or “The Shining” will be most remembered in his legacy. He’s always the stand-in for the audience, the character we all aspire to be – the one who fights our battles for us, even when he must lose.

19.
The Bridge on the River Kwai (1957)

At the start of his illustrious filmmaking journey, David Lean gained recognition as an astute director who skillfully adapted works by Noël Coward and Charles Dickens. However, he decided to change course for this grand production – a war movie focusing on the construction (and later, demolition) of a tactically significant bridge. In this film, Alec Guinness delivers an exceptional performance as Nicholson, a British officer who motivates his troops to resist their Japanese captors, yet becomes so captivated by the bridge’s construction that he ends up defying the Allied soldiers sent to destroy it. The Bridge on the River Kwai presents a complex theme about loyalty and responsibility within the framework of an engaging, eloquent adventure movie. Few instances in cinema have showcased one man’s overestimated pride leading to such dramatic consequences as it does in this film.

18.
My Fair Lady (1964)

In the film “My Fair Lady,” Audrey Hepburn’s vocals were dubbed by Marni Nixon, a fact that caused quite a stir upon release, as it prevented Hepburn from receiving a Best Actress nomination, which many consider unfair given her captivating performance as the lead in this delightful and thought-provoking musical. Despite being one of the most expensive films at the time, “My Fair Lady” never feels overpowering; rather, you feel immersed alongside Eliza and Professor Henry Higgins throughout. The film continues to resonate and charm audiences today.

17.
The French Connection (1971)

Interestingly enough, Director William Friedkin initially didn’t favor Gene Hackman for the role of Popeye Doyle; he even considered Jimmy Breslin, surprisingly enough, but eventually decided against it because Breslin wasn’t particularly skilled as an actor. In the end, Hackman proved to be a spot-on choice for the complex character of the relentless yet troubled cop. This man was not driven by any sense of moral duty to apprehend criminals; rather, he was struggling to keep his own crumbling life afloat and felt compelled to do so. A deeply flawed hero, Hackman’s portrayal ultimately triumphs, but at what price for the rest of us? And oh, those chase scenes! At times, the film feels like a genuine depiction of New York City during that specific historical period. Disregard the sequel, but do revisit this movie repeatedly.

16.
The Deer Hunter (1978)

The film that catapulted Michael Cimino’s career, albeit a career later marred by his subsequent work, “Heaven’s Gate,” was “The Deer Hunter.” This movie aims to present an epic, novel-like portrayal of the Vietnam War, showcasing a group of ordinary men (and women) celebrating a wedding before being plunged into the chaos of war. The film elicits both criticism for its stark depiction of the Viet Cong and strong emotional responses due to the profound impact of their experiences abroad on our protagonists. While it unapologetically delves into themes of masculinity, exploring how war shapes men, builds character, yet destroys them, it does so with remarkable sensitivity and finesse. Christopher Walken earned a Best Supporting Actor award for his portrayal of a doomed friend to Robert De Niro’s character, Mike, but Meryl Streep may be the film’s unsung hero. She embodies the emotional depth that the men are unable to express through their tears.

15.
The Silence of the Lambs (1991)

I plan to mail you a book titled Silence of the Lambs. Let me know your thoughts on it. This novel, adapted from Thomas Harris’ work, was suggested by Mike Medavoy as an ideal project for Jonathan Demme due to its gripping narrative about an FBI agent battling a cannibalistic serial killer. Although categorized as a horror film, it is more accurately described as a thriller. The movie is particularly noteworthy for its meticulously crafted script and acting performances that seamlessly complement each other. Anthony Hopkins’ portrayal of Hannibal Lecter propelled him to stardom, making the character one of cinema’s most iconic dark masterminds. In the context of the #MeToo movement, the film’s unflinching portrayal of female harassment and empowerment resonates powerfully once more.

14.
Oppenheimer (2024)

As a cinephile, I’d say Christopher Nolan himself admits that “Oppenheimer” is relatively modest in scope compared to his other films, budget-wise. Yet, what makes this film truly remarkable is its ability to feel colossal and world-shaking, even though it’s essentially three hours of scientists engaged in intellectual dialogue. This grandeur is what has propelled “Oppenheimer” to both critical acclaim and financial success.

The secret behind the film’s unprecedented success lies in its deeply personal narrative and relentless focus, creating an intensity that encompasses the entire world and all life within it. It embodies everything the Oscars have historically cherished – a large-scale studio biopic with an epic storyline and a vast ensemble cast – yet manages to avoid the typical ‘Oscar bait’ feel. Instead, Nolan’s meticulous vision appears as if it were our own.

Legend has it that Nolan declared “Oppenheimer” deals with the most significant event in history. One of its greatest triumphs is that when the credits roll, you wholeheartedly believe him.

13.
The Best Years of Our Lives (1946)

In many “best war movie” roundups, films about battles usually take the top spots. A few of these are found on the list of Academy Award winners. However, some might argue that no movie captured as accurately the post-war experience – the harsh reality of readjusting to civilian life after fighting a war – better than The Best Years of Our Lives. The story revolves around three veterans returning home from World War II in a small town. Despite their heroic efforts in a righteous battle against an identifiable enemy, they struggle to adapt to peacetime life. One character, portrayed by Harold Russell, lost both hands during the war and now uses mechanical hooks. The film’s genuine empathy gives it an authenticity that spoke to the pain of PTSD before it was widely recognized.

12.
The Apartment (1960)

Among Billy Wilder’s masterpieces, “The Apartment” might be his most comprehensive work, skillfully combining comedy, romance, drama, and emotion that resonates profoundly with the complexities of contemporary life. Jack Lemmon portrays Bud, a cog in the corporate machine who allows his superiors to use his apartment for their extramarital liaisons. Shirley MacLaine plays Fran, an elevator operator involved with Bud’s superior Sheldrake (Fred MacMurray), despite Bud’s affections for her. A poignant New York love story that delves into depression and the corporate world, “The Apartment” may not be as humorously striking as Wilder’s other notable works, but it exudes a wistful yearning. Wilder’s films are renowned for their memorable final lines, although “The Apartment” might not be as well-known as those from films like “Some Like It Hot.” However, its closing line echoes the film’s guarded optimism.

11.
Moonlight (2016)

As someone who’s recently experienced the profound impact of the movie “Moonlight,” I must admit that I’m still pondering its place among the illustrious list of Best Picture winners. Directed by Barry Jenkins, who previously enchanted us with the charming, intimate film “Medicine for Melancholy,” “Moonlight” resonates deeply, brimming with immediacy and emotion.

The story unfolds across different stages of a young man’s life, each portrayed beautifully by a distinct actor. The raw emotion and transformative power of “Moonlight” have left an indelible mark on me, making it feel like a delicate, cherished treasure. Yet, I now realize that I underestimated its potential – the world was indeed ready for this poignant masterpiece, eager to welcome and embrace it.

10.
Amadeus (1984)

https://youtube.com/watch?v=watch?v=yp0mOKH0IBY

In Peter Shaffer’s acclaimed play, many well-known actors sought the title role of Antonio Salieri, a renowned composer from his era. However, director Miloš Forman opted for F. Murray Abraham, a seasoned yet relatively unknown actor. Forman’s intuition proved correct as Abraham delivered a Salieri who could both admire and be tormented by Wolfgang Amadeus Mozart’s genius more keenly than any contemporary. Themes of male rivalry, the enigma of divine creativity, and the unpredictability of popularity are all explored in Amadeus, but let’s not forget that this film is also surprisingly humorous. During filming, Abraham and his co-star, Tom Hulce, maintained a distance to reflect their characters’ strained relationship. Over time, they have formed a friendship, bonded by a remarkable movie that surpasses the usual wit found in costume dramas.

9.
Gone With the Wind (1939)

Express your criticisms about the film’s racial issues, length, or melodramatic storyline. Regrettably, these concerns coexist with its grandeur, reflecting an era of Hollywood that was less progressive yet strived to create a romantic and epic masterpiece unparalleled in scope. Clark Gable and Vivien Leigh will continue to be idolized as the epitome of unattainable love for many, and the film’s vivid colors, extravagant costumes, and grandiose production design remain the ideal of opulence according to the Academy. Admittedly, the storyline feels outdated, and its perspectives are not contemporary. Nevertheless, it is challenging not to be mesmerized by the bravado of Gone With the Wind. To appreciate it is to cherish an era of classic Hollywood cinema. In fact, this very aspect imbues the film with additional emotional depth.

8.
It Happened One Night (1934)

Reimagining the statement for a more casual and engaging read: Instead of writing off Frank Capra as just a maker of heartfelt, sentimental films like “It’s a Wonderful Life” or “Mr. Smith Goes to Washington,” give this adaptation of Samuel Hopkins Adams’ short story, “It Happened One Night, a try. You might be pleasantly surprised by how steamy, smart, and funny this romantic tale is. The characters, Peter (played by Clark Gable) and Ellie (portrayed by Claudette Colbert), are a crusty, jobless journalist and a rebellious heiress, respectively. They have an unexpected encounter, and their road trip to New York City is filled with sparks. This film showcases what mature attraction used to look like in movies, and the two leads keep the chemistry high and delightful.

7.
Schindler’s List (1993)

The movie “Schindler’s List” firmly silenced any doubts about Steven Spielberg’s ability to create serious films. This beloved director tackled evil in a more tangible manner than ever before, even surpassing his portrayals in “The Color Purple” and “Empire of the Sun”. Unlike his signature style using stabilized cameras, Spielberg used handheld cameras for this film, avoiding the sweeping shots that characterized his career. The Holocaust depicted was raw and chaotic, showing ordinary people transformed into monsters. Liam Neeson’s character, Oskar Schindler, may not be a deeply complex figure, but “Schindler’s List” doesn’t rely on a main character. Instead, the film is filled with scenes of suffering and cruelty, which give it its immense power.

6.
Lawrence of Arabia (1962)

From the outset, it’s clear that we share the viewpoint of those who believe the initial segment of “Lawrence of Arabia” is nearly flawless, while the latter half can be a bit confusing. Regardless, David Lean’s depiction of T.E. Lawrence, with its captivating and complex portrayal, stands tall among the rare cinematic masterpieces—despite its shortcomings, it remains an epic of grand proportions.

At the age of 30, Peter O’Toole embodied Lawrence so convincingly that one might say he became synonymous with the character for the rest of his career. He portrayed the young, inexperienced, and audacious man who discovers his purpose by journeying to the desert and transforming himself into a British legend—the charismatic leader who inspired the Arabs to fight against the Turks.

It’s accurate to say that films of this caliber are no longer being produced.

5.
On the Waterfront (1954)

As a devoted cinephile, I must confess that Elia Kazan’s gritty drama, “On the Waterfront,” is an emotionally charged masterpiece that stands on its own merit. The film boasts stellar performances, a compelling narrative about a man of integrity (Marlon Brando) battling corruption, and a punchy emotional impact that leaves you breathless.

However, it’s important to note that Kazan later admitted that the screenplay by Budd Schulberg served as a platform for him to justify his decision to cooperate with the House Committee on Un-American Activities. This revelation, made years after the fact, has left a bitter taste in Hollywood circles. In his memoir, Kazan himself said, “On the Waterfront was my story; every day I worked on that film, I was telling the world where I stood and my critics to go to hell.”

This knowledge adds a complex layer to the film. A film so righteous could be seen as justifying betrayal of colleagues, which may sit uneasily with some viewers. Yet, it also amplifies the raw, unyielding anger that permeates every scene in “On the Waterfront.” While you might question Kazan’s motives, there’s no denying the intensity of his anger. This film is a testament to moral outrage, and that fury resonates throughout.

4.
The Godfather: Part II (1974)

The opening statement for the argument that the sequel is superior can be rephrased as follows:

Comparable to the original, “The Godfather: Part II” broadened its horizons, weaving together the narrative threads of Vito (portrayed by Robert De Niro) in his youth and Michael (Al Pacino) grappling with the weight of his new family responsibilities. In contrast to the first film, “Part II” delves deeper, painting a vivid picture of the inescapable taint of corruption in even the most promising endeavors. The American Dream, as depicted in “Part II”, inevitably leads one to become the antagonist, a notion that Francis Ford Coppola laments, and this sentiment is poignantly expressed through arguably Pacino’s most moving, melancholic performance as a man sacrificing his very soul to preserve his power. Notably, “Part II” stands out among prequels for its exceptional storytelling, providing insights into the origins of the Corleones’ ambition and ethical lapses – essentially, the same tale told from two different perspectives.

3.
All About Eve (1950)

Joseph L. Mankiewicz, a filmmaker, once stated that his films served as an ongoing critique of modern societal norms, particularly focusing on the dynamics between men and women. This also encompassed a witty, biting humor. Drawing inspiration from a story by Mary Orr, which in turn was based on a real-life anecdote about an ambitious up-and-coming actress, All About Eve is a treasure trove of biting dialogue and reprehensible human actions. The narrative follows Eve Harrington (Anne Baxter), a fervent fan of Broadway titan Margo Channing (Bette Davis), who gradually seizes Margo’s limelight. A scathing indictment of ego, the theater world, actors, writers, vanity, and other vices, All About Eve delivers its criticism with such refined subtlety — only to do it repeatedly.

2.
The Godfather (1972)

As a movie enthusiast, I find myself revisiting “The Godfather” not just as a cultural icon, but as an exceptional piece of entertainment that still manages to surprise new viewers with its popcorn-y charm. While it has undeniably become more myth than movie, what often gets lost in its canonization is its ability to seamlessly blend serious themes with exhilarating violence, weaving a potboiler narrative into a grand tapestry of American aspirations.

The film’s production history may be well-documented, but its on-screen story remains paramount: the journey of a prodigal son (Al Pacino) who learns that his half-hearted denouncements of his family’s illicit business are mere words. The cinematography by Gordon Willis, with its impossibly shadowy scenes, is just one of the many gems this masterpiece offers.

“The Godfather” stands as a profound exploration of human corruption and our constant struggle against destiny. It serves as a stark reminder of how effortlessly we can be drawn into fate’s whirlpool, despite our best intentions to resist. Diane Keaton’s expression at the film’s end symbolizes the shattering of innocence, an image that forever altered our perspective on movies, organized crime, and America itself.

1.
Casablanca (1943)

Initially, when Casablanca was produced, neither its cast nor the general public held it in high regard. Produced amidst events of World War II as one of eighteen films Humphrey Bogart made during that period, the film was hastily released to cash in on wartime interest. Critics appreciated it, but audiences remained unimpressed. Today, however, Casablanca is widely regarded as one of the most cherished Hollywood movies ever. With its war-torn backdrop, star-studded cast at their prime, a tragic love story, shady characters brought to life by timeless supporting actors, an abundance of memorable lines, and Rick and Ilsa as the central duo, it has all the ingredients that make it a classic. Even when you close your eyes, you can vividly recall its poignant ending. In essence, every film aspires to emulate Casablanca in some way; yet only one managed to do so.

Grierson & Leitch frequently discuss films and also run a movie-focused podcast. Stay updated by following them on Twitter or checking out their website.

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2025-03-03 17:03