Echo Valley Isn’t Good Enough to Be a Prestige Thriller

In the chilling atmosphere of “Echo Valley,” Sydney Sweeney materializes like a phantom from a horror flick. The lead character, Kate Garretson, played by Julianne Moore, is the proprietor of the lush Echo Valley Farm, offering equine boarding and riding lessons to the affluent youngsters of Chester County, Pennsylvania. Widowed for six months following her spouse’s passing, she’s been managing on her own in the stables when her dog unexpectedly barks and dashes outside. Somebody has evidently trespassed onto the property during Kate’s morning duties, prompting her to rush towards the house and into its shadowy depths to confront the intruder. Riffling through her fridge, this uninvited guest remains in the house. In a different scenario, such a discovery would be unsettling, but Kate recognizes the disheveled young woman in her kitchen—her estranged daughter Claire. However, despite being very much alive, Claire becomes, in her own right, a spectral figure.

In a chilling thriller titled “Echo Valley,” directed by Michael Pearce, the protagonist, Kate, continues to resemble the child she once raised and cherished, whose pictures grace the walls of her home. However, for years, she has been grappling with addiction, a disorder that transforms her into an entirely different, terrifying individual. Although Jackie, a malicious drug dealer portrayed by Domhnall Gleeson, emerges as the traditional villain in the story, the narrative gains depth when Claire functions as a complex secondary antagonist.

Kate persists in denial, feigning smiles and affection while ignoring obvious indicators of her daughter’s substance abuse, all the while discussing community college. On the other hand, Claire finds it repugnant that her mother refuses to acknowledge her current state truthfully. These two women are stuck in a familiar pattern of need and resentment, with both actresses delivering raw and authentic performances. Moore exudes Kate’s desperate attempts to manipulate reality, while Sweeney masterfully portrays Claire’s subtle threats, daring Kate to defy her, knowing that she would do anything to keep her close for as long as possible.

In simpler terms, this film depicts a woman named Kate, who struggles to help her daughter Claire, who is involved with a shady man named Ryan. Claire frequently lies, yet Kate helps her out of compassion for her child. The storyline takes a turn as Claire asks for help due to an incident involving Ryan. However, the plot becomes convoluted with elements of crime and suspense, which seem forced and lack intensity. The film could benefit from focusing more on the addiction drama or ramping up the suspense, instead of being a mix of both. The character of Kate is portrayed as a heroine who is overwhelmed and still grieving, yet the second half of the movie lacks originality. A particularly tense scene involves Claire, addicted and desperate, threatening to kidnap and harm the family pet if she doesn’t receive money. The title of the film is Echo Valley, which seems to need either an additional twist or a streamlined focus to make it more impactful.

As a dedicated Apple TV+ fan, I must say that Echo Valley encapsulates the peculiar grey area Apple has chosen for its original films. It’s too lavish to merely churn out streaming content, boasting an Oscar-winning actor and a rising talent, yet it’s not quite up to the standards of prestige films. The visuals, though perhaps overly reliant on cinematic sweeps, showcase some truly captivating scenes. However, it falls short of reaching the audience that made a film like Anatomy of a Fall a success. On Netflix, a similar project would have cost around $2 million and featured a face just recognizable enough for the home screen thumbnail, drawing in viewers during their leisure time on mobile devices. Echo Valley aspires to more, but its purpose remains unclear.

Once upon a time, films like this would grace the screens of Landmark theaters, offering a more sophisticated alternative for adults seeking an evening out at the cinema without subtitles. Yet, that market has dwindled, and Echo Valley is destined for streaming, where it may remain overlooked. Still, it’s worth stumbling upon for those scenes shared by Moore and Sweeney, and to ponder about the potential of Sweeney, who can excel in the right role but struggles when miscast.

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2025-06-13 00:54