As a film critic who has spent decades watching movies and analyzing the performances of Hollywood legends, I must say that “Wolfs” is a delightful return to form for two of the industry’s most charming actors: George Clooney and Brad Pitt. After what felt like an eternity without seeing them together on screen, this film is a breath of fresh air that showcases their undeniable chemistry.
In the 2000s, George Clooney and Brad Pitt provided an abundance of entertaining moments, but for the subsequent 16 years, they didn’t collaborate on any projects together. I primarily attribute this hiatus to Clooney, who spent a significant portion of that time distancing himself from his natural movie stardom in favor of directing more serious, unremarkable films. Despite his ability to effortlessly captivate audiences, there’s an air of modesty about him when it comes to his charisma, as if he finds it all too simple. A film like Wolfs, directed by Jon Watts from the team behind Spider-Man: No Way Home, isn’t particularly exceptional in terms of comedies – far from the sharp wit of the Coen brothers’ Burn After Reading or the enduring charm of the Ocean’s trilogy. However, it serves as a delightful showcase for the chemistry between its leading men, who play their roles as efficient cleaners exceptionally well, making it an enjoyable watch even when the tempo slows down a bit.
In the movie “Wolves,” neither George Clooney nor Brad Pitt’s characters have named roles. Instead, Clooney is identified as “Margaret’s Man” and Pitt as “Pam’s Man,” reflecting the women who employ them. These men aren’t attached to anyone; they function independently, working as freelance problem solvers for the influential and connected. On this particular occasion, they are hired by a District Attorney, Margaret (Amy Ryan), and the hotel owner, Pam (Frances McDormand, previously seen in “Burn After Reading”), respectively.
The title of the movie suggests a connection with solitary figures like lone wolves, yet it also evokes Winston Wolfe from “Pulp Fiction,” a character known for his no-nonsense approach to problem-solving. However, neither of the characters in “Wolfs” embody the charisma that Winston exuded through his stylish demeanor. Instead, they are deeply committed to their professions, taking immense pride in their work and harboring resentment towards each other for knowing the intricacies of their respective trade secrets. The concept of fixers doesn’t have as much cultural significance as assassins do, and while the film hints at a solitary lifestyle, it lacks sufficient elements to sustain its narrative during the climactic scenes where it is expected that even a casual acquaintance between the two characters would be lethal for both. Nevertheless, the initial confrontation between the pair in the blood-stained hotel room, filled with arguments about disposing bodies, dividing tasks, and boasting about their preferred physicians – this is exceptionally well-written.
Previously, Chris Watts was responsible for creating the independent films “Clown” (2014) and “Cop Car” (2015), which eventually led him to Marvel Studios, where he directed three Spider-Man movies starring Tom Holland. The commercial success of these films doesn’t necessarily reflect Watts’ unique filmmaking style, but rather his skill in navigating the complex corporate landscape. In “Wolves,” Watts demonstrates a fondness for certain elements like David Mamet and Buster Keaton, as evident in a scene featuring slow-motion slapstick after an unexpected car collision during a chase sequence. The fact that this action comedy, starring two of Hollywood’s top stars, is marketed as a personal project might be indicative of how studio system has become franchise-centric, but it doesn’t convey the sense of creative freedom Watts may have longed for while working in the superhero genre.
The material seems fitting, not overly dynamic or brilliant, yet ideal for Clooney and Pitt’s skilled delivery. They excel with their impeccable timing, silent, expressive eye contacts during intense moments, and the delightful satisfaction that arises as their characters develop mutual respect and affection throughout an eventful evening. These actors portray long-desired workplace rivals who finally have a chance to discuss industry matters after years of waiting. The story unfolds in a series of events involving a Chinatown doctor, Albanian gangsters, and a Croatian mob wedding. Echoing their roles in the Ocean’s movies, Pitt assumes the role of the sarcastic commentator while Clooney attempts to strategize the broader picture. It’s enjoyable to witness them collaborate again, especially as they subtly remind us that age has brought them reading glasses and aching backs. Let’s hope we won’t have to wait another 16 years for their reunion.
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2024-09-01 23:54