Entertainment

The story opens with Shep and Sienna discussing their relationship in his private room. In an extra segment for the previous episode (which I wasn’t aware of while writing the summary), Shep mentioned that Sienna contacted him a week before the trip to discuss their relationship or perhaps end it. However, he chose to address this matter on camera, a decision I can appreciate given his role as a reality TV personality. Although such actions might not be appropriate for everyday life, they are suitable in the realm of reality television production. Consequently, I would like to retract my previous comments about Sienna from the last recap, as she was attempting to act honorably. It appears that Shep hindered her from doing so. Just as a garish belt at dinner can draw unwanted attention, the responsibility in this case lies with him, not her.

Ryan Murphy’s productions often blend elements across series, as seen with “American Horror Story: Apocalypse” being a massive crossover event and characters from different “9-1-1” shows occasionally visiting each other’s worlds. This marks the first instance of a cross-franchise crossover. The potential opportunities are limitless! If Athena were to divorce Bobby, perhaps the law firm from “All’s Fair” could handle her case. Maybe Nurse Ratched would offer CPR instruction on the upcoming “9-1-1 Nashville”. The Klaine duo might embark on a journey for “Odyssey” during Broadway Week. Marvel Cinematic Universe, watch out! A new multiverse has arrived, and Sarah Paulson is diving headfirst into it.

Olivia Munn chose not to disclose the specific film set that led to a hefty million-dollar settlement due to traumatic experiences, but she has previously spoken out about incidents of sexual harassment and assault. In 2017, Munn was among the accusers against Brett Ratner, stating an incident involving him exposing himself in 2004. Additionally, she reported a registered sex offender to the producers of “Predator” in 2018.

A decade later, Cyrus was a significant figure at the extravagant SNL50 events. Initially, she performed her extremely popular song “Flowers” at Radio City Music Hall, addressing celebrities by their first names. Later, at Studio 8H, she sang another cover for SNL’s anniversary special alongside Alabama Shakes’ Brittany Howard: a rendition of Prince’s “Nothing Compares 2 U,” which is most well-known for Sinéad O’Connor’s version. The reason Cyrus was at the special wasn’t clearly defined, but many other singers (such as Beyoncé) have appeared on the show just as frequently, if not more so. However, next week, she will present at the Oscars. It’s unclear why this is, precisely; perhaps her original song for The Last Showgirl didn’t receive a nomination, and the presenting gig might be a gesture of recognition. But mostly, it seems like Cyrus will attend because people enjoy her company.

The fantasy series “Seven Havens” is unlike the worlds depicted in “ATLA’s” and its sequel “Legend of Korra.” As stated in the press release, this world has been ravaged by a catastrophic event. The story revolves around a young Earthbender who unexpectedly discovers she is the new Avatar, succeeding Korra. However, unlike the traditional role of an Avatar as a savior, in this perilous era, her title foretells her as humanity’s destroyer rather than its protector. On the run from both human and spirit adversaries, she and her long-lost twin must unravel their enigmatic past and save the Seven Havens before the last remaining human strongholds crumble.

She shares with the camera on The Baldwins, “I’m nurturing my children to become bilingual, as I myself was brought up that way. Currently, our immediate family resides in Spain.” She explains, “I aim to instill in my kids a sense of pride when speaking multiple languages. I believe that growing up with the ability to speak two languages is extraordinarily unique. I adore English, and I have an affinity for Spanish too. When I combine the two, it doesn’t make me inauthentic. Rather, it makes me just like many others!” This sentiment is contrasted with clips of her conversing in Spanish with her kids, who predominantly communicate with each other in English.

While driving, Duke queries Reacher about their conversation at the warehouse. Reacher, whose hand was still smeared with Angel’s blood, pretended not to know. Angel’s impulsive eagerness led to his death and Reacher’s survival: He chose to keep his suspicions to himself, opting to talk to Beck instead of sharing them with Duke.

Excluding Culkin, Strong doesn’t seem like the definite second place winner in his category. It’s unusual for me to think that every nominee deserves the award in an Oscar category, but this year is definitely one of those instances. Guy Pearce might be the standout element in Brady Corbet’s The Brutalist. Edward Norton demonstrates his exceptional talent with his portrayal of Pete Seeger in James Mangold’s A Complete Unknown. (You should watch that movie and then compare it to his Oscar-nominated performance in 1998’s American History X to understand Norton’s vast acting range.) And Yura Borisov’s Igor in Sean Baker’s Anora gives a lesson on how much an exceptional actor can convey with mere glances and quiet responses. (Watch Borisov in Juho Kuosmanen’s 2021 drama Compartment No. 6 to witness what he’s capable of with a larger role.)

As a supporter, I find it reassuring that Jesteadt no longer feels isolated in the indie animation distribution game, given GKIDS’ long-standing reputation as a prestigious cartoon distributor since its co-founding by Eric Beckman and himself in 2008. Over the years, GKIDS has established a formidable theatrical and licensing empire, competing with industry giants such as DreamWorks and Disney. They’ve been instrumental in bringing masterpieces from various countries like Japan, France, Belgium, Ireland, and Spain to American audiences, earning critical acclaim for films such as “My Life As a Zucchini,” “Buñuel in the Labyrinth of the Turtles,” “Wolfwalkers,” and many more.

In October 2024, Jesteadt and Beckman announced their decision to sell GKIDS to the Japanese entertainment titan, Toho (best known for Godzilla). This move signifies a new chapter in GKIDS’ dominance and has animation enthusiasts concerned that the company’s international focus might lean too heavily towards Japanese animation. However, I remain optimistic about this change, eagerly awaiting what the future holds for GKIDS and its continued contribution to the world of indie animation distribution.

As the break of day approaches on the day of Sheila’s hearing before the House Oversight Committee, George gently stirs his wife from sleep to reminisce about a past moment. They recalled their son performing skateboard stunts outside George’s office window in Albany. When their son successfully executed the trick, George intended to praise him for his persistence – but his responsibilities intervened, and he missed the opportunity. This unfulfilled moment of pride served as one of the more poignant instances of sorrow shared between George and Sheila; he urged her not to hesitate during the hearing. Indeed, she didn’t need his encouragement. Sheila effortlessly dispelled Richard Dreyer’s arrogance, dismissing it as if swatting away an annoying fly. Her masterful move, beyond flawlessly answering all of Richard’s questions without a hint of nervousness, was to highlight that every member of the House, who were in front of her, had previously voted in favor of the commission’s increased powers. Although Sheila is George’s wife, they are equally his partners in the political upheaval of the nation. She unmasked their hypocrisy – they aim to oust George so they can take his place – with a clarity that suggested an unblemished conscience.