Entertainment

In the vast universe of Lilo & Stitch, there’s an abundance of characters and tales waiting to be explored, especially since the upcoming sequel might delve into any character from the original series that ran from 2003 to 2006. One of these additional experiments was Angel, often referred to as Stitch’s love interest or “boojiboo.” With that in mind, many fans are hoping to see her in the live-action remake. As for another intriguing scenario, imagine if Stitch were a pink girl! The potential for this franchise is truly limitless with countless opportunities for profit. However, our main request here is for Billy Magnussen’s character, Pleakley, to make a return – perhaps even in a dress this time around. Let’s hope we get more of Pleakley in the sequel!

This doesn’t make the outcome for The Bear any more predictable. As the series concludes with the restaurant’s time seemingly running out, I remain hopeful that things will work out for the actual establishment. Despite the title “Goodbye” from the finale, there are numerous indicators such as the beef-window franchising, Marcus’s recognition in Food & Wine magazine, and the possibility of a Michelin star that hint at the Bear managing to carry on.

It could be that Carmy gives Donna the chance to prove herself when she invites him inside. Initially hesitant — as he often is — Carmy eventually steps into the well-kept suburban house, feeling uneasy in the haunting dining room reminiscent of “Fishes”. His eyes momentarily linger on Mikey’s chair before settling down with his mother in the kitchen. They sift through a collection of family photographs, including Laura Linney who starred alongside Oliver Platt in “Big C”, and then Donna becomes emotional over a picture of Mikey. There’s a palpable sadness within her, and Carmy understands enough to allow her to retrieve a crumpled note from a desk drawer. On the paper, she expresses remorse for her past mistakes, acknowledging that she has hurt her children and family, and that she feels unworthy of their success. She’s been sober for nearly a year, which is progress, although not enough in her eyes.

As a movie critic, I’ve been following “The Bear” closely, and I must admit, the suspense is killing me! While Food & Wine has certainly dined at the Bear, we’re yet to hear their verdict. I’m keeping my fingers crossed that the enigmatic solo diner from a previous episode, Mr. Clark, turns out to be the elusive Michelin-starred chef.

The intrigue doesn’t end there! The possibility of Ebra and renowned angel investor Rob Reiner pouring in some much-needed funds to keep the iconic restaurant afloat is a tantalizing thought. If everything falls into place, we could witness the Bear thriving for eternity, with celestial beings serenading us with their harmonious tunes.

However, this is “The Bear” we’re dealing with, and it wouldn’t be a show without a fair share of drama. So, let’s see how the story unfolds in the remaining two episodes of this season. Fortunately, patience isn’t required for too long!

Indeed, everyone harbors fears, not excluding the formidable Berzatto clan, who intrude upon Tiffany and Frank’s wedding in what appears to be a pivotal episode for the fourth season, aptly named “The Bear” event. Although the vows remained unseen, the gathering was filled with excitement, as Sarah Paulson’s cousin Michelle and her spouse, Stevie, portrayed by John Mulaney, made their return. Uncle Lee, played by Bob Odenkirk, was accompanied by Jamie Lee Curtis’s Donna, while Josh Hartnett reprised his role as Frank. Brie Larson donned a sharp yellow peasant dress and headband to embody Francie Fak, whose deeds remain a mystery.

It seems like Syd is grappling with her predicament this season, especially with her conflicts with Carmy and her indecision about departing from the Bear. At first, working at the Original Beef was just a job for her, but she didn’t anticipate the daily doses of Berzatto drama or love that would come with it. I’m not sure if she fully understands yet that she’s become an integral part of their family, whether she wants to be or not. If she decides to leave, it won’t just be a professional move; it will feel like a personal rejection, and while she may sense this on some level, I don’t think she fully grasps the significant role she plays in everyone’s lives.

The clown, true to her moniker, swipes Parker’s cloak from its secure storage and struts about their hideout with it until it becomes excessively hot. Riri cautions that they need to discover what’s powering this artifact to prevent an accidental cooking. John intervenes, subduing the clown by restraining her arm, but Parker interjects and diffuses the situation. I can’t quite figure out Parker’s intentions. He aims to project a positive image for his team, appearing kind-hearted, relaxed, and superior. However, he only manages to create an impression of being overly detached. He presents their next objective, Hunter Mason, a tech mogul planning to bankrupt local farmers. The team then disperses to ready themselves for the evening’s vigilante antics.

The story unfolds as the initial scene shows Carmy attending an Al-Anon meeting. Here, a woman named Georgie (portrayed by Kate Berlant) shares a troubling tale about her disorganized family, which appears to strike a chord with Carmy. Georgie’s problematic brother is alluring yet unpredictable; when she left him to take care of her plants, she came back home to find the plants still thriving but also four naked strangers on her couch, her living room littered with pieces of burned-up foil, and a bed filled with ketchup packets. It’s evident that she holds affection for him as she sings a familiar Doris Day tune they both know, yet it’s equally clear that offering love and assistance to someone who can’t always be relied upon is challenging. Upon concluding her narrative, Carmy seems to find recognition in her words, illuminating something within himself. This understanding brings validation, a feeling he encounters infrequently.

In a contrasting situation, Rodney is far from comfortable – his high school reunion is approaching, and he wants to beef up before confronting his former tormentor, who’s now a firefighter. He has suspicions about Brick (Chris Smith, also known as Method Man), his trainer and gym owner, regarding some secret dealings. There’s talk around the gym about special benefits that Brick is offering, and Rodney wants in on it. Brick vehemently denies dealing steroids; his gym, Brick House, prides itself on being all-natural and eco-friendly. However, there does seem to be a hidden product the other gym members are consuming, and Brick can’t ignore the potential additional income from Rodney. It appears that the gym is in dire financial straits, which Brick has been trying to conceal from his wife, Lil (Natasha Leggero). Interestingly, Lil is not only Brick’s wife but also his supplier of this mysterious product – human breast milk she steals from her job at the Brooklyn Birth Center. Given Rodney’s profession as a health inspector, Lil advises Brick against selling to him. Despite this, Brick has already made a promise to involve Rodney and resorts to providing him with some harmless protein powder in an attempt to mislead him.

It’s clear that Syd would likely consider other factors if she knew about this change. Given Carmy’s disorganized and loud nature, it’s possible that he might seem less appealing compared to Shapiro, even though he has his flaws. While Shapiro’s restaurant may be grand and expensive, with hidden compartments in the kitchen for unexplained reasons, what he’s proposing – a fair kitchen with diversity, education, and potential healthcare benefits – is already being implemented at The Bear. Syd played a significant role in transforming Tina, a bookkeeper with no culinary experience, into a top-tier sous-chef there. Ebra has been granted freedom to expand his window as he wishes, and both Sweeps and Marcus managed to rise through the ranks at The Bear, becoming important figures despite lacking much training when they started.